{"product_id":"zubin-mehta-complete-warner-recordings-27cd-3dvd-cd","title":"Complete Warner Recordings 27Cd+3Dvd CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Raga Mala - A Garland of Ragas (I. Lalit (Presto))\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Raga Mala - A Garland of Ragas (II. Bairagi (Moderato))\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Raga Mala - A Garland of Ragas (III. Yaman Kalyan (Moderato))\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Raga Mala - A Garland of Ragas (IV. Mian Ki Malhar (Allegro))\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Peter and the Wolf, Op. 67\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e The Carnival of the Animals: I. Introduction et marche royale du lion-Carn\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e The Carnival of the Animals: II. Hens and Roosters\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e The Carnival of the Animals: III. Wild Asses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Carnival of the Animals: IV. Tortoises\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Carnival of the Animals: V. The Elephant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Carnival of the Animals: VI. Kangaroos\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e The Carnival of the Animals: VII. Aquarium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e The Carnival of the Animals: VIII. Personages with Long Ears\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e The Carnival of the Animals: IX. The Cuckoo in the Depths of the Woods\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e The Carnival of the Animals: X. Aviary\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e The Carnival of the Animals: XI. Pianists\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e The Carnival of the Animals: XII. Fossils\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e The Carnival of the Animals: XIII. The Swan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e The Carnival of the Animals: XIV. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Peter und der Wolf, Musikmärchen für Kinder, Op. 67 (deutsche Erzählung)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Pierre et le loup (narration en français)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Pierre et le loup (Nederlandse vertelling)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto in D minor: I. I. Allegro con fermezza\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto in D minor: I. II. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto in D minor: I. III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Souvenir d'un lieu cher, op. 42 no. 1 Méditation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto in D major, op. 35: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in D major, op. 35: II. Canzonetta: Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 in D major “Titan”: I. Langsam. Schleppend. Wie en Naturlaut - Im Anfang sehr gemächlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 in D major “Titan”: II. “Blumine”. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 in D major “Titan”: III. Kräftig bewegt, doch nicht zu schnell - Trio. Recht gemächlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 in D major “Titan”: IV. Feierlich und gemessen, ohne zu schleppen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony No. 1 in D major “Titan”: V. Stürmisch bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Schottische Fantasie, op. 46: Einleitung (Grave)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Schottische Fantasie, op. 46: I. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Schottische Fantasie, op. 46: II. Allegro – Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Schottische Fantasie, op. 46: III. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Schottische Fantasie, op. 46: IV. Finale (Allegro guerriero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violinkonzert Nr. 2 d-moll, op. 44: I. Adagio ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Violinkonzert Nr. 2 d-moll, op. 44: II. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Violinkonzert Nr. 2 d-moll, op. 44: III. Finale (Allegro molto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 1 in A minor, op. 99: Nocturno: Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 1 in A minor, op. 99: Scherzo: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 1 in A minor, op. 99: Passacaglia (Andante) -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto no. 1 in A minor, op. 99: Cadenza -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto no. 1 in A minor, op. 99: Burlesque: Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Moderato - Animato - Calando -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Tranquillo - Animando - Calando - Animando - Più mosso - Calando - Tranquillo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Andante - Agitato - Calando -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Tempo I - Più animato - Pesante - Animato - Tranquillo - Animando -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Cadenza -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Violin Concerto in A minor, op. 82: Animando - Allegro - Quasi allegretto - Animato poco a poco - Sempre animando - Più animato - Sempre più animando - Sempre animando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e The Planets, op. 32: I. Mars, the Bringer of War\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e The Planets, op. 32: II. Venus, the Bringer of Peace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e The Planets, op. 32: III. Mercury, the Winged Messenger\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e The Planets, op. 32: IV. Jupiter, the Bringer of Jollity\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Planets, op. 32: V. Saturn, the Bringer of Old Age\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Planets, op. 32: VI. Uranus, the Magician\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Planets, op. 32: VII. Neptune, the Mystic\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 2, Op. 43: I. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 2, Op. 43: II. Tempo andante, ma rubato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 2, Op. 43: III. Vivacissimo - Finale: Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Finlandia, Op. 26\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 5 in C-sharp minor: I. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 5 in C-sharp minor: II. Stürmisch bewegt, mit größter Vehemenz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 5 in C-sharp minor: III. Scherzo (Kräftig, nicht zu schnell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 5 in C-sharp minor: IV. Adagietto (Sehr langsam)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony No. 5 in C-sharp minor: V. Rondo-Finale (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: II. Les augures printaniers \/ Danses des adolescentes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: III. Jeu de rapt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: IV. Rondes printanières\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: V. Jeux des cités rivales\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: VI. Cortège du sage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: VII. Adoration de la Terre (Le Sage)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Le Sacre du Printemps, L'Adoration De La Terre: VIII. Danse de la terre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: II. Cercles mysterieux des adolescentes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: III. Glorification de l'élue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: IV. Evocation des ancêtres\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: V. Action rituelle des ancêtres\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Le Sacre du Printemps, Le Sacrifice: VI. Danse sacrale (L'élue)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Symphony in Three Movements: I. [ ]\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Symphony in Three Movements: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Symphony in Three Movements: III. Con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Summertime\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e A Woman Is A Sometime Thing\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Overflow\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Since I Lose My Man\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Promise' Lan'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I Got Plenty O' Nuttin'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Bess, You Is My Woman Now\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e O, I Can't Sit Still\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e It Ain't Necessarily So\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e There's A Boat Dats leavin' Soon For New York\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e O, Lawd I'm On My Way\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e An American In Paris\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Cuban Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 2, op. 66 \"I profeti\": I. Isaiah - Grave e medative\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 2, op. 66 \"I profeti\": II. Jeremiah - Espressivo e dolente\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 2, op. 66 \"I profeti\": III. Elijah - Fiero e impetuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto: II. Andante affettuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto: III. Vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto No. 1 in D major, Op. 6, MS 21, I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto No. 1 in D major, Op. 6, MS 21, II. Adagio espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto No. 1 in D major, Op. 6, MS 21, III. Rondo: Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Introduction and Rondo Capriccioso in A minor, for violin \u0026amp; orchestra, Op. 28\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Havanaise in E major for violin \u0026amp; piano (or orchestra), Op. 83\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Carmen Fantasy for violin \u0026amp; orchestra\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Capriccio italien op. 45\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Swan Lake op. 20 - Scene: Moderato (act II)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Swan Lake op. 20 - Valse (act I)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Swan Lake op. 20 - Danse des cygnes (act II)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Swan Lake op. 20 - Scene: Andante (act II)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Swan Lake op. 20 - Danse hongroise - Czardas (act III)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Swan Lake op. 20 - Mazurka (act III)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Swan Lake op. 20 - Scene finale: Allegro agitato (act IV)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Marche slave, Op.31\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Ouverture solennelle 1812 op. 49\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Carmina Burana: Fortuna Imperatrix Mundi: Fortune plango vulnera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmina Burana: I. Primo vere: Veris leta facies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmina Burana: I. Primo vere: Omnia Sol temperat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Carmina Burana: I. Primo vere: Ecce gratum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Carmina Burana: Uf dem anger: Tanz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Carmina Burana: Uf dem anger: Floret silva\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmina Burana: Uf dem anger: Chramer, gip die varwe mir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmina Burana: Uf dem anger: Reie – Swaz hie gat umbe – Chume, chum geselle min – Swaz hie gat umbe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmina Burana: Uf dem anger: Were diu werlt alle min\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Carmina Burana: II. In Taberna: Estuans interius\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Carmina Burana: II. In Taberna: Olim lacus colueram\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Carmina Burana: II. In Taberna: Ego sum abbas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Carmina Burana: II. In Taberna: In taberna quando sumus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Amor volat undique\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Dies, nox et omnia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Stetit puella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Circa mea pectora\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Si puer cum puellula\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Veni, veni, venias\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: In trutina\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Tempus est iocundum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Carmina Burana: III. Cour d’amours: Dulcissime\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Carmina Burana: Blanziflor et Helena: Ave formosissima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphonie fantastique, Op. 14, \"Episode de la vie d'un artiste\" : I. Rêveries, passions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphonie fantastique, Op. 14, \"Episode de la vie d'un artiste\" : II. Un Bal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphonie fantastique, Op. 14, \"Episode de la vie d'un artiste\" : III. Scène aux champs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphonie fantastique, Op. 14, \"Episode de la vie d'un artiste\" : IV. Marche au supplice\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphonie fantastique, Op. 14, \"Episode de la vie d'un artiste\" : V. Songe d'une nuit du Sabbat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le Caranaval romain, Op. 9, Ouverture caractéristique\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Béatrice et Bénédict\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": II. Andante moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": III. In ruhig fließender Bewegung\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": IV. Urlicht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo III\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo IV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo VI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Symphony no. 2, \"Resurrection\": V. Scherzo VII\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony in D Minor - Lento - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony in D Minor - Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony in D Minor - Allegro non Troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony Nº 3 (Organ) - Adagio - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony Nº 3 (Organ) - Poco Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony Nº 3 (Organ) - Allegro Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony Nº 3 (Organ) - Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 6 \"Tragic\": I. Allegro energico, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 6 \"Tragic\": II. Scherzo. Wuchtig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 6 \"Tragic\": III. Andante moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 6 \"Tragic\": IV. Finale. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ô Souverain, Ô Juge, Ô Pere\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Amor, vida de mi vida\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Pourquoi me réveiller\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e With a Song in My Heart\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Granada\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Non ti scordar di me\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e My Way\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Moon River\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Because\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Singin' in the Rain\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tu, ca nun chiagne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Vesti la giubba\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Nessun dorma!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e America\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e All I Ask of You\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Funiculì, funiculà\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Sous les ponts de Paris\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Brazil\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Be My Love\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Marechiare\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Lippen Schweigen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Santa Lucia Luntana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Those Were the Days\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Te quiero dijiste\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Torna a surriento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e La donna è mobile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Libiamo ne' lieti calici\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Preludio (Andante mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Atto I, scena 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Atto I, scena 1. Recitativo, “Se quel guerrier io fossi!” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Atto I, scena 1. Romanza, “Celeste Aida” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Atto I, scena 1. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Atto I, scena 1. “Vieni, o diletta' appressati” (Amneris, Aida, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Atto I, scena 1. “Alta cagion v'aduna”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Atto I, scena 1. “Su! del Nilo al sacro lido” (Il Re, Ramfis, Radamès, Amneris, Aida, Messaggiero, Ramfis, Priests, Ministers, Captains)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Atto I, scena 1. Scena e romanza, “Ritorna vincitor!” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Atto I, scena 2. “Possente Fthà...Ti che nulla hai tratto” (Priestess, Ramfis, Priests, Priestesses)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Atto I, scena 2. Sacred Dance of the Priestesses, “Mortal, diletto ai numi” (Ramfis, Priests)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Atto I, scena 2. “Nume, custode e vindice” (Ramfis, Radamès, Priests, Priestesses)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Atto II, scena 1. “Chi mai fra gl'inni e i plausi” (Slaves, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Atto II, scena 1. Dance of the Moorish Slaves\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Atto II, scena 1. “Vieni, sul crin ti piovano” (Slaves, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Atto II, scena 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Atto II, scena 1. “Pietà ti prenda del mio dolor” (Amneris, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Atto II, scena 1. “Su! del Nilo...Numi, pietà del mio martir” (Chorus, Amneris, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Aida: Atto II, scena 2. Gran Finale, “Gloria all'Egitto, ad Iside” (Il Popolo, Sacerdoti, Donne)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Aida: Atto II, scena 2. Triumphal March\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Aida: Atto II, scena 2. Ballet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Aida: Atto II, scena 2. “Vieni, o guerriero vindice” (People, Priests)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Aida: Atto II, scena 2. “Salvator della patria” (King, Radamès, Ramfis, Priests)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Aida: Atto II, scena 2. “Che veggo!...Ma tu, Re” (Aida, Amneris, Amonasro, Il Re, Slaves, Prisoners, Ramfis, Priests, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Aida: Atto II, scena 2. “Il dolor che in quel volto favella” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Aida: Atto II, scena 2. “O Re, pei sacri Numi ... Gloria all'Egitto, ad Iside” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Atto III. Coro nel Tempio, “O tu che sei d'Osiride” (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Atto III. “Vieni d'Iside al Tempio” (Ramfis, Amneris, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Atto III. Recitativo e Scena, “Qui Radamès verrà!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Atto III. “O patria mia” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Atto III. “Ciel! mio padre”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Atto III. “Rivedrai le foreste imbalsamente” (Amonasro, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Atto III. “Nel fiero anelito di nuova guerra”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Atto III. “Fuggiam gli ardori inospiti” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Atto III. “Ma dimmi, per qual via” (Radamès, Aida, Amonasro, Amneris, Ramfis)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Atto IV, scena 1. “L'abborrita rivale a me sfuggia” (Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Atto IV, scena 1. Duetto “Già i Sacerdoti adunansi” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Atto IV, scena 1. “Ohimè! morir mi sento!” (Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Atto IV, scena 1. “Spirito del Nume”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Atto IV, scena 1. “A lui vivo, la tomba!...Sacerdoti:compiste un delitto!” (Ramfis, Priests, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Atto IV, scena 2. Scena e duetto “La fatal pietra sovra me si chiuse” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Atto IV, scena 2. Finale ultimo “Vedi? Di morte l'angelo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Atto IV, scena 2. “O terra, addio, valle di pianti“ (Aida, Radamès, Priests, Priestesses)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Atto I. “Ah! Finalmente!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Atto I. “Dammi i colori!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Atto I. “Gente là dentro!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Atto I. “Mario! Mario! Mario!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Atto I. “Ah quegli occhi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Atto I. “È buona la mia Tosca”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Atto I. “Il cannon del castello!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Atto I. “Un tal baccano in chiesa!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Atto I. “Tosca? Che non mi veda”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Atto I. “Ed io venivo a lui”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Atto I. “Tre sbirri, una carrozza”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Atto II. “Tosca è un buon falco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Atto II. “Ha più forte sapore”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Atto II. “Meno male!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Atto II. “Dov’è Angelotti?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Atto II. “Ed or fra noi parliam”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Atto II. “Orsù, Tosca, parlate”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Atto II. “Nel pozzo … Nel giardino!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Atto II. “La povera mia cena fu interrotta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Atto II. “Vissi d’arte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Atto II. “Chi è là?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Atto II. “E qual via scegliete?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Atto III. “Io de’ sospiri”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Atto III. “Mario Cavaradossi? A voi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Atto III. “E lucevan le stelle”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Atto III. “Ah! Franchigia a Floria Tosca”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Atto III. “O dolci mani”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Atto III. “E non giungono”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Atto III. “Come è lunga l’attesa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Atto III. “Presto, su! Mario!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Traviata: Preludio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Traviata: Atto I. Dell'invito trascorsa è già l'ora?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Traviata: Atto I. Libiamo, libiamo ne'lieti calici (Brindisi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Traviata: Atto I. Che è ciò?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Traviata: Atto I. Oh! Qual palor!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Traviata: Atto I. Un dì felice\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Traviata: Atto I. Si ridesta in ciel l'aurora\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Traviata: Atto I. È strano! È strano! ... Ah, fors'è lui\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Traviata: Atto I. Follie! ... Sempre libera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Traviata: Atto II. Lunge da lei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Traviata: Atto II. De'miei bollenti spiriti\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Traviata: Atto II. Annina, donde vieni?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Traviata: Atto II. O mio rimorso!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Traviata: Atto II. Alfredo?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Traviata: Atto II. Pura siccome un angelo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La Traviata: Atto II. Dite alla giovine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La Traviata: Atto II. Dammi tu forza, o cielo!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La Traviata: Atto II. Ah, vive sol quel core\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La Traviata: Atto II. Di Provensa il mar\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Traviata: Atto II. Avrem lieta di maschere la notte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Traviata: Atto II. Noi siamo zingarelle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Traviata: Atto II. Di Madride noi siam matadori\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Traviata: Atto II. Alfredo! Voi!\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Traviata: Atto II. Invitato a qui seguirmi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Traviata: Atto II. Ogni suo aver\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Traviata: Atto II. Di sprezzo degno\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Traviata: Atto III. Preludio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Traviata: Atto III. Annina? - Commandate?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Traviata: Atto III. Teneste la promessa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Traviata: Atto III. Addio, del passato bei sogni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Traviata: Atto III. Largo al quadrupede sir della festa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Traviata: Atto III. Signora... - Che t'accadde?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Traviata: Atto III. Parigi, o cara, noi lasceremo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Traviata: Atto III. Ah! Gran dio! Morir sì giovine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La Traviata: Act III. Ah! Violetta! - Voi, Signor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La Traviata: Act III. Se una pudica vergine\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 22 549 18 00\u003c\/p\u003e","brand":"Zubin Mehta","offers":[{"title":"Default Title","offer_id":54057432580436,"sku":"103148","price":319.99,"currency_code":"PLN","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/5632\/2900\/files\/mbid-e1108ae9-5932-43af-be6b-4705affaf8cc-41314622441_thumb500.jpg?v=1774866645","url":"https:\/\/klubplytowy.pl\/products\/zubin-mehta-complete-warner-recordings-27cd-3dvd-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}