{"product_id":"riccardo-muti-riccardo-muti-80th-birthday-the-complete-warner-symphonic-recordings-91-cd-cd","title":"Riccardo Muti 80Th Birthday: The Complete Warner Symphonic Recordings (91 Cd) CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: I. Introitus \u0026amp; Kyrie (Un poco lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: II. Graduale (Lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: III. Dies irae (Vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: IV. Offertorium (Andante con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: V. Sanctus (Maestoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: VI. Pie Jesu (Adagio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Requiem in D minor, for Male Chorus and Orchestra: VII. Agnus Dei (Lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 1 in G minor “Winter Daydreams”, op. 13: I. Allegro tranquillo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 1 in G minor “Winter Daydreams”, op. 13: II. Adagio cantabile ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1 in G minor “Winter Daydreams”, op. 13: III. Scherzo (Allegro scherzando giocoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1 in G minor “Winter Daydreams”, op. 13: IV. Finale (Andante lugubre - Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in A minor “Scottish”, op. 56: I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in A minor “Scottish”, op. 56: II. Scherzo (Vivace non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in A minor “Scottish”, op. 56: III. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in A minor “Scottish”, op. 56: IV. Allegro vivacissimo - Allegro maestoso assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Meeresstille und glückliche Fahrt (Calm sea and prosperous voyage), Overture, op. 27\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Nabucco: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Giovanna d'Arco: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La battaglia di Legnano: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Luisa Miller: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I vespri siciliani: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La forza del destino: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 25 in G minor, K. 183: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 25 in G minor, K. 183: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 25 in G minor, K. 183: III. Menuetto e Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 25 in G minor, K. 183: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 29 in A major, K. 201: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 29 in A major, K. 201: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 29 in A major, K. 201: III. Menuetto e Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 29 in A major, K. 201: IV. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 9 in E minor “From the New World”, op. 95: I. Adagio - Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 9 in E minor “From the New World”, op. 95: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 9 in E minor “From the New World”, op. 95: III. Scherzo (Molto vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 9 in E minor “From the New World”, op. 95: IV. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in A major “Italian”, op. 90: I. Allegro vivace - Più animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in A major “Italian”, op. 90: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in A major “Italian”, op. 90: III. Con moto moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in A major “Italian”, op. 90: IV. Saltarello (Presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 4 in D minor, op. 120: I. Ziemlich langsam - Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 4 in D minor, op. 120: II. Romanze (Ziemlich langsam)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 4 in D minor, op. 120: III. Scherzo (Lebhaft) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 4 in D minor, op. 120: IV. Langsam - Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Magnificat in G minor, RV 611: I. Magnificat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Magnificat in G minor, RV 611: II. Et exultavit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Magnificat in G minor, RV 611: III. Quia respexit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Magnificat in G minor, RV 611: IV. Quia fecit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Magnificat in G minor, RV 611: V. Et misericordia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Magnificat in G minor, RV 611: VI. Fecit potentiam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Magnificat in G minor, RV 611: VII. Deposuit potentes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Magnificat in G minor, RV 611: VIII. Esurientes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Magnificat in G minor, RV 611: IX. Suscepit Israël\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Magnificat in G minor, RV 611: X. Sicut locutus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Magnificat in G minor, RV 611: XI. Gloria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Gloria in D major, RV 589: I. Gloria in excelsis Deo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Gloria in D major, RV 589: II. Et in terra pax hominibus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Gloria in D major, RV 589: III. Laudamus te\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Gloria in D major, RV 589: IV. Gratias agimus tibi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Gloria in D major, RV 589: V. Propter magnam gloriam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Gloria in D major, RV 589: VI. Domine Deus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Gloria in D major, RV 589: VII. Domine Fili unigenite\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Gloria in D major, RV 589: VIII. Domine Deus, Agnus Dei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Gloria in D major, RV 589: IX. Qui tollis peccata mundi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Gloria in D major, RV 589: X. Qui sedes ad dexteram\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Gloria in D major, RV 589: XI. Quoniam tu solus Sanctus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Gloria in D major, RV 589: XII. Cum Sancto Spiritu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Romeo and Juliet, Fantasy Overture, TH 42\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in C minor “Little Russian”, op. 17: I. Andante sostenuto - Allegro vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in C minor “Little Russian”, op. 17: II. Andantino marziale, quasi moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in C minor “Little Russian”, op. 17: III. Scherzo (Allegro molto vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 2 in C minor “Little Russian”, op. 17: IV. Finale (Moderato assai - Allegro - Presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in D major “Polish”, op. 29: I. Introduzione e Allegro (Moderato assai (Tempo di marcia funebre) - Allegro brillante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in D major “Polish”, op. 29: II. Alla tedesca (Allegro moderato e semplice)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in D major “Polish”, op. 29: III. Andante elegiaco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in D major “Polish”, op. 29: IV. Scherzo (Allegro vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 3 in D major “Polish”, op. 29: V. Finale (Allegro con fuoco, tempo di polacca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: Prologue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 1 Overture and chorus (Moderato - Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 2 March of Young Ivan (Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 3 Ocean - Sea (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 4 I will be Tsar! (Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 5 God is wondrous! (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 6 Long Life! (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 7 Ocean - Sea (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 8 Long Life! (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 9 The Holy Fool (Allegro tempestoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 10 The Swan (Allegro fastoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 11 Celebration Song (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 12 The Swan (Allegro fastoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 13 On the Bones of the Enemy (Andante mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 14 The Tartars (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 15 The Gunners (Moderato energico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 16 The Storming of Kazan (Moderato pesante - Andante - Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 17 Ivan's Appeal to the Boyars (Adagio - Andante sostenuto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 18 Yefrosinia and Anastasia (Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 19 Song about the Beaver (Andante assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 20 Ivan at Anastasia's Bier (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 21 Chorus of the Oprichniki (Andante risoluto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 22 The Oprichniki Oath of Loyalty (Moderato energico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 23 Feodor Basmanov's Song (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 24 Dance of the Oprichniki (Allegro ben ritmato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ivan the Terrible, Film Music, op. 116: No. 25 Finale (Moderato - Moderato fastoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sinfonietta in A major, op. 5\/48: I. Allegro giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sinfonietta in A major, op. 5\/48: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Sinfonietta in A major, op. 5\/48: III. Intermezzo (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Sinfonietta in A major, op. 5\/48: IV. Scherzo (Allegro risoluto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Sinfonietta in A major, op. 5\/48: V. Allegro giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 3 in C minor, op. 37: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 3 in C minor, op. 37: III. Rondo (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Andante favori in F major, WoO 57\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2 in C major, op. 61: I. Sostenuto assai - Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in C major, op. 61: II. Scherzo (Allegro vivace) - Trio I - Trio II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in C major, op. 61: III. Adagio espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in C major, op. 61: IV. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Hermann und Dorothea, Overture in B minor, op. 136\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Promenade \/ Gnomus \/ Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Il vecchio castello (The Old Castle) \/ Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Tuileries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Bydlo \/ Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Ballet des poussins dans leurs coques (Ballet of the Unhatched Chicks)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Samuel Goldenberg \u0026amp; Schmuyle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Limoges: le marché (The Market)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Catacombae: Sepulcrum romanum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: Cum mortuis in lingua mortua\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: La Cabane sur des pattes de poules (Baba Yaga) (The Hut on Chicken's Legs)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tableaux d'une exposition, M.A24: La Grande Porte de Kiev (The Great Gate of Kiev)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): I. Les Jardins enchantés du roi Katcheï (Kashchei's enchanted gardens)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): II. L'Oiseau de feu et sa danse (Dance of the Firebird)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): V. Khovorod: ronde des princesses (The princesses' Round Dance)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): VI. Danse infernale du roi Katcheï et de tous ses sujets (Infernal dance of all of Kashchei's subjects)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): VII. Berceuse (Lullaby)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e L'Oiseau de feu (The Firebird), Ballet Suite (1919): VIII. Finale - Allégresse générale (General thanksgiving)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La scala di seta: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il barbiere di Siviglia: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Semiramide: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il viaggio a Reims: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e L'assedio di Corinto: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Guillaume Tell: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Overture to Schiller's “Die Braut von Messina” in C minor, op. 100\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Rhenish”, op. 97: I. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Rhenish”, op. 97: II. Scherzo (Sehr mäßig)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Rhenish”, op. 97: III. Nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Rhenish”, op. 97: IV. Feierlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Rhenish”, op. 97: V. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I vespri siciliani: Act III. The Four Seasons, ballet: No. 1 Winter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I vespri siciliani: Act III. The Four Seasons, ballet: No. 2 Spring\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I vespri siciliani: Act III. The Four Seasons, ballet: No. 3 Summer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I vespri siciliani: Act III. The Four Seasons, ballet: No. 4 Autumn\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Macbeth: Act III. Ballo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Macbeth: Act III. Ondine e silfidi dall'ali candide (Streghe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Act II. Danza di schiavi mori\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Act II. Marcia trionfale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act II. Ballabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 1 in B-flat major “Spring”, op. 38: I. Andante poco maestoso - Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 1 in B-flat major “Spring”, op. 38: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1 in B-flat major “Spring”, op. 38: III. Scherzo (Molto vivace) - Trio I - Trio II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1 in B-flat major “Spring”, op. 38: IV. Allegro animato e grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 5 in D major “Reformation”, op. 107: I. Andante - Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 5 in D major “Reformation”, op. 107: II. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 5 in D major “Reformation”, op. 107: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 5 in D major “Reformation”, op. 107: IV. Chorale: “Ein feste Burg ist under Gott” (Andante con moto - Allegro vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. II. Les Augures pritaniers - Danse des adolescentes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. III. Jeu du rapt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. IV. Rondes printanières\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. V. Jeu des cités rivales\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VI. Cortège du Sage\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 1 L'Adoration de la Terre. VII. Adoration de la Terre (Le Sage) \/ VII. Danse de la Terre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. II. Cercles mystérieux des adolescentes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. III. Glorification de l'Élue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. IV. Évocation des Ancêtres\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. V. Action rituelle des Ancêtres\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Le Sacre du printemps, tableaux de la Russie païenne en deux parties: Part 2 Le Sacrifice. VI. Danse sacrale (L'Élue)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa da Requiem: I. Requiem e Kyrie. Kyrie eleison (Tenor, Bass, Soprano, Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Dies irae (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Tuba mirum (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Mors stupebit (Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Ingemisco (Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Messa da Requiem: III. Offertorio. Domine Jesu Christe - Hostias (Tenor, Mezzo-soprano, Soprano, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa da Requiem: IV. Sanctus (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa da Requiem: VI. Communio. Lux aeterna (Mezzo-soprano, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa da Requiem: VII. Libera me (Soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. O Fortuna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. Fortune plango vulnera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: I. Primo Vere. Veris leta facies\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: I. Primo Vere. Omnia Sol temperat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: I. Primo Vere. Ecce gratum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Uf dem anger. Tanz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Uf dem anger. Floret silva\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Uf dem anger. Chramer, gip die varwe mir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Uf dem anger. Reie - Swaz hie gat umbe - Chume, chum geselle min - Swaz hie gat umbe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Uf dem anger. Were diu werlt alle min\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: II. In Taberna. Estuans interius\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: II. In Taberna. Olim lacus colueram\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: II. In Taberna. Ego sum abbas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: II. In Taberna. In taberna quando sumus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Amor volat undique\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Dies, nox et omnia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Stetit puella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Circa mea pectora\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Si puer cum puellula\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Veni, veni, venias\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. In trutina\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Tempus est iocundum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: III. Cour d'amours. Dulcissime\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Blanziflor et Helena. Ave formosissima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Carmina Burana, Cantiones profanae: Fortuna Imperatrix Mundi. O Fortuna\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 22 in E-flat major, K. 482: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 22 in E-flat major, K. 482: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 22 in E-flat major, K. 482: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 24 in B-flat major, K. 182: I. Allegro spiritoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 24 in B-flat major, K. 182: II. Andantino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 24 in B-flat major, K. 182: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso - Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e España, Rhapsody for Orchestra\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rapsodie espagnole, M. 54: I. Prélude à la nuit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Rapsodie espagnole, M. 54: II. Malagueña\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rapsodie espagnole, M. 54: III. Habanera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rapsodie espagnole, M. 54: IV. Feria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 1: I. Mediodia (Allegretto - Calmo e pesante - Più mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 1: II. Danza de la Molinera (Fandango)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 1: IIIa. El corregidor (Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 1: IIIb. La molinera (Poco più mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 1: IV. Las uvas (Vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 2: I. Los vecinos. Seguidillas (Allegro ma non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 2: II. Danza del molinero. Farruca (Poco vivo - Pesante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e El sombrero de tres picos, Ballet suite no. 2: III. Danza final. Jota (Poco mosso - Allegro ritmico molto moderato e pesante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: I. Introitus \u0026amp; Kyrie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: II. Graduale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: III. Dies irae\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: IV. Offertorium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: V. Sanctus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: VI. Pie Jesu\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Requiem in C minor “À la mémoire de Louis XVI”: VII. Agnus Dei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e 1812 Overture, op. 49\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Serenade for Strings in C major, op. 48: I. Pezzo in forma di sonatina (Andante non troppo - Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Serenade for Strings in C major, op. 48: II. Valse (Moderato: Tempo di valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Serenade for Strings in C major, op. 48: III. Élégie (Larghetto elegiaco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Serenade for Strings in C major, op. 48: IV. Finale: Tema russo (Andante - Allegro con spirito)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 1 Folk Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 2 Scene\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 3 Madrigal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 4 Minuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 5 Masks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 6 Romeo and Juliet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 1, op. 64bs: No. 7 Tybalt's Death\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 1 The Montagues and Capulets\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 2 The Young Juliet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 3 Friar Laurence\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 5 Romeo and Juliet Before Parting\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Romeo and Juliet, op. 64, Suite no. 2, op. 64ter: No. 7 Romeo at Julet's Grave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. I. Fête populaire de la Semaine Grasse (The Shrovetide Fair)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. II. Le tour de passe-passe (The Magic Trick)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 1. III. Danse russe (Russian dance)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 2. IV. Chez Pétrouchka (Petrushka's room)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. V. Chez le Maure (The Blackamoor's room)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VI. Danse de la ballerine (Dance of the Ballerina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 3. VII. Valse: La ballerine et le Maure (Waltz: The Ballerina and the Moor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. VIII. Fête populaire de la Semaine Grasse (vers le soir) (The Shrovetide Fair towards evening)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. IX. Danse des nounous (The Wet-Nurses' Dance)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. X. Le Paysan et l'ours (The Peasant and the Bear)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XI. Le Marchand fêtard et deux Tziganes (The Reveling Merchant and two Gypsy Women)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XII. Danse de cochers et des palefreniers (Dance of the Coachmen and the Grooms)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIII. Les Déguisés (The Mummers)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Pétrouchka, scènes burlesques en quatre tableaux (Orchestration 1947): Tableau 4. XIV. Mort de Pétrouchka (Petrushka's death)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Manfred Symphony, op. 58: I. Lento lugubre - Moderato con moto - Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Manfred Symphony, op. 58: II. Vivace con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Manfred Symphony, op. 58: III. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Manfred Symphony, op. 58: IV. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony in D minor, FWV 48: I. Lento - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony in D minor, FWV 48: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony in D minor, FWV 48: III. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Le Chasseur maudit, Symphonic Poem, FWV 44\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Stabat Mater: I. Stabat mater dolorosa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Stabat Mater: II. Cujus animam gementem\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Stabat Mater: III. Quis est homo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Stabat Mater: IV. Pro peccatis suae gentis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Stabat Mater: V. Eja, mater, fons amoris\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Stabat Mater: VI. Sancta mater, istud agas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Stabat Mater: VII. Fac, ut portem Christi mortem\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Stabat Mater: VIII. Inflammatus et accensus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Stabat Mater: IX. Quando corpus morietur\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Stabat Mater: X. Amen. In sempiternal saecula\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 2 in D major, K. 211: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 2 in D major, K. 211: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 2 in D major, K. 211: III. Rondeau (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto no. 4 in D major, K. 218: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto no. 4 in D major, K. 218: II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto no. 4 in D major, K. 218: III. Rondeau (Andante grazioso - Allegro ma non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: I. The Sea and Sinbad's Ship\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: II. The Story of the Kalender Prince\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: III. The Young Prince and the Young Princess\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Scheherazade, Symphonic Suite after “A Thousand and One Nights”, op. 35: IV. The Festival of Bagdad - The Sea - The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Bolero, Ballet, M. 81\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: I. Lever du jour\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: II. Pantomime\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Daphnis et Chloé, M. 57b, Ballet suite no. 2 with chorus: III. Danse générale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Alborada del gracioso, M. 43b (from Miroirs no. 4)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 1 in D minor, op. posth.: I. In kräftigem, nicht zu schnellem Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 1 in D minor, op. posth.: II. Langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 1 in D minor, op. posth.: III. Lebhaft, doch nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: II. Adagio di molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e A Faust Symphony, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed appassionato assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e A Faust Symphony, S. 108: II. Gretchen (Andante soave)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e A Faust Symphony, S. 108: III. Mephistopheles (Allegro vivace ironico - Andante mistico [Apotheosis])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Les Préludes, Symphonic Poem, S. 97\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Quattro pezzi sacri (Four Sacred Pieces): I. Ave Maria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Quattro pezzi sacri (Four Sacred Pieces): II. Stabat mater\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Quattro pezzi sacri (Four Sacred Pieces): III. Laudi alla Vergine Maria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Quattro pezzi sacri (Four Sacred Pieces): IV. Te Deum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in D minor, op. 15: I. Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in D minor, op. 15: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in D minor, op. 15: III. Rondo (Allegro non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 1 in D major: I. Langsam. Shleppend - Immer sehr gemächlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 1 in D major: II. (Scherzo) Kräftig bewegt, doch nicht zu schnell - Trio: Recht gemächlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1 in D major: III. Feierlich und gemessen, ohne zu schleppen - Sehr einfach und schlicht wie eine Volksweise - Wieder etwas bewegter, wie im Anfang\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1 in D major: IV. Stürmisch bewegt - Langsam - Wieder wie zu Anfang. Stürmisch bewegt - Sehr langsam - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act I. I. Scene\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act I. II. Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act II. III. Pas de quatre: Dance of the Little Swan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act II. IV. Introduction, Scene and Dance no. 2 of the Queen of the Swans\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act III. V. Hungarian Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act III. VI. Spanish Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act III. VII. Neapolitan Dance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Swan Lake, Ballet Suite, op. 20a, TH 219: Act III. VIII. Mazurka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sleeping Beauty, Ballet Suite, op. 66a, TH 234: I. Introduction: The Lilac Fairy\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sleeping Beauty, Ballet Suite, op. 66a, TH 234: Act I. II. Pas d'action (Adagio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Sleeping Beauty, Ballet Suite, op. 66a, TH 234: Act III. III. Pas de caractère: Puss-in-Boots \u0026amp; the White Cat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Sleeping Beauty, Ballet Suite, op. 66a, TH 234: Act II. IV. Panorama (Andantino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Sleeping Beauty, Ballet Suite, op. 66a, TH 234: Act I. V. Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: I. Overture. Maestoso - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: II. Adagio e staccato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: III. Allegro - Andante - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: IV. Minuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: V. Air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: VI. Minuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: VII. Bourreé\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: VIII. Hornpipe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Water Music, Suite no. 1 in F major, HWV 348: IX. Allegro molto - Allegro - Alkla Hornpipe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Water Music, Suite no. 2 in D major, HWV 349: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Water Music, Suite no. 2 in D major, HWV 349: II. Alla Hornpipe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Water Music, Suite no. 2 in D major, HWV 349: III. Menuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Water Music, Suite no. 2 in D major, HWV 349: IV. Lentement\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Water Music, Suite no. 2 in D major, HWV 349: V. Presto (Bourreé)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Water Music, Suite no. 3 in G major, HWV 350: I. Menuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Water Music, Suite no. 3 in G major, HWV 350: II. Rigaudons I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Water Music, Suite no. 3 in G major, HWV 350: III. Menuets I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Water Music, Suite no. 3 in G major, HWV 350: IV. Gigues I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): I. Kyrie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): II. Gloria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): III. Credo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): IV. Offertoire\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): V. Sanctus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): VI. O Salutaris Hostia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Messa dell'Incoronazione in A major (Mass for the Coronation of Charles X): VII. Agnus Dei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Marche religieuse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Brandenburg Concerto no. 2 in F major, BWV 1047: I. (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Brandenburg Concerto no. 2 in F major, BWV 1047: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Trumpet Concerto in D major, TWV 51:D 7: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Trumpet Concerto in D major, TWV 51:D 7: II. Grave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Trumpet Concerto in D major, TWV 51:D 7: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Trumpet Concerto in D major, G. 28: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Trumpet Concerto in D major, G. 28: II. Adagio - Presto - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Trumpet Concerto in D major, G. 28: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Trumpet Concerto in E-flat major, Hob. VIIe\/1: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Trumpet Concerto in E-flat major, Hob. VIIe\/1: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Trumpet Concerto in E-flat major, Hob. VIIe\/1: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): I. Bewegt, nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): II. Andante quasi allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): III. Scherzo (Bewegt) \u0026amp; Trio (Nicht zu schnell. Keinesfalls Schleppend)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in E-flat major “Romantic”, WAB 104 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphonie fantastique, op. 14: I. Rêveries - Passions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphonie fantastique, op. 14: II. Un bal (Valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphonie fantastique, op. 14: III. Scènes aux champs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphonie fantastique, op. 14: IV. Marche au supplice\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphonie fantastique, op. 14: V. Songe d'une nuit de sabbat\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: I. I pini di Villa Borghese (Allegretto vivace, Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: II. Pini presso una catacomba (Lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: III. Pini del Gianicolo (Lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Pini di Roma (The Pines of Rome), Symphonic Poem, P 141: IV. I pini della Via Appia (Tempo di marcia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: I. La fontana di Valle Giulia all'alba (Andante mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: II. La fontana del Tritone al mattino (Vivo, Un poco meno allegretto, Più vivo gaiamente)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: III. La fontana di Trevi al meriggio (Allegro moderato, Allegro vivace, Più vivace, Largamente, Calmo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Fontane di Roma (The Fountains of Rome), Symphonic Poem, P 106: IV. La fontana di Villa Medici al tramonto (Andante, Meno mosso, Andante come prima)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Feste Romane (Roman Festivals), Symphonic Poem, P 157: I. Circenses\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Feste Romane (Roman Festivals), Symphonic Poem, P 157: II. Il Giubileo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Feste Romane (Roman Festivals), Symphonic Poem, P 157: III. L'Ottobrata\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Feste Romane (Roman Festivals), Symphonic Poem, P 157: IV. La Befana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: I. Lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: II. Allegro dramatico\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: III. Lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: IV. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: V. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 1, E major, op. 26: VI. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 41 in C major “Jupiter”, K. 551: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 41 in C major “Jupiter”, K. 551: II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 41 in C major “Jupiter”, K. 551: III. Menuetto (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 41 in C major “Jupiter”, K. 551: IV. Finale (Molto allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Divertimento in D major, K. 136: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Divertimento in D major, K. 136: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Divertimento in D major, K. 136: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 5 in C minor, op. 67: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 5 in C minor, op. 67: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 5 in C minor, op. 67: III. Scherzo (Allegro) -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 5 in C minor, op. 67: IV. Finale (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 1 in C major, op. 21: III. Menuetto (Allegro molto e vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Eroica”, op. 55: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Eroica”, op. 55: II. Marcia funebre (Adagio assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Eroica”, op. 55: III. Scherzo (Allegro vivace) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in E-flat major “Eroica”, op. 55: IV. Finale (Allegro molto - Poco andante - Presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Fidelio, op. 72b: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Consecration of the House, op. 124: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in D major, op. 36: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in D major, op. 36: III. Scherzo (Allegro) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in D major, op. 36: IV. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 4 in B-flat major, op. 60: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 4 in B-flat major, op. 60: III. Menuetto (Allegro vivace) \u0026amp; Trio (Un poco meno allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. I. Introduction: combats, tumulte, intervention du Prince\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. II. Prologue: « D'anciennes haines endormies » (Small chorus, Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. III. Strophes: « Premiers transports que nul n'oublie » (Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie I. IV. Récitatif et scherzetto: « Bientôt de Roméo… Mab la messagère » (Tenor, Small chorus) - « Bientôt la mort est souveraine » (Small chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. V. Roméo seul, tristesse, bruits de concert et de bal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie II. VI. Grande fête chez Capulet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VII. Nuit sereine, le jardin de Capulet silencieux et désert. Les jeunes Capulets sortent de la fête, passent en chantant des réminiscences de la musique du bal: « Ohé ! Capulets, bonsoir, bonsoir » (Double chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. VIII. Scène d'amour\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie III. IX. Scherzo: La reine Mob, ou la fée des songes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. X. Convoi funèbre de Juliette: « Jetez des fleurs » (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XI. Roméo au tombeau des Capulets\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XII. Invocation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIII. Réveil de Juliette\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XIV. Joie délirante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XV. Dernières angoisses et mort des deux amants\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVI. La foule accourt au cimetière. Rixe des Capulets et des Montagus - « Quoi ! Roméo de retour » - Récitatif et air du Frère Laurence: « Je vais dévoiler le mystère » (Chorus, Frère Laurence)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVII. Air du Frère Laurence: « Pauvres enfants que je pleure » (Frère Laurence, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Roméo et Juliette, symphonie dramatique, op. 17 H79 (1839): Partie IV. XVIII. Serment de réconciliation: « Jurez donc par l'auguste symbole » (Frère Laurence, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 9 “The Great”, D. 944: I. Andante - Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 9 “The Great”, D. 944: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 9 “The Great”, D. 944: III. Scherzo (Allegro vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 9 “The Great”, D. 944: IV. Finale (Allegro vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 3 in D minor, op. 30: I. Allegro ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 3 in D minor, op. 30: II. Intermezzo (Adagio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 3 in D minor, op. 30: III. Finale (Alla breve)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 7 in A major, op. 92: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 8 in F major, op. 93: II. Allegretto scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 8 in F major, op. 93: III. Tempo di menuetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 8 in F major, op. 93: IV. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in C minor “Tragic”, D. 417: I. Adagio molto - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in C minor “Tragic”, D. 417: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in C minor “Tragic”, D. 417: III. Menuetto (Allegro vivace) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in C minor “Tragic”, D. 417: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 6 in C major, D. 589: I. Adagio - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 6 in C major, D. 589: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 6 in C major, D. 589: III. Scherzo (Presto) \u0026amp; Trio (Più lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 6 in C major, D. 589: IV. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Requiem in D minor, K. 626: I. Introitus. Requiem aeternam (Chorus, Soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Requiem in D minor, K. 626: II. Kyrie eleison (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Dies irae (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Tuba minum (Solo Quartet)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Rex tremendae (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Recordare (Solo Quartet)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Confutatis (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Requiem in D minor, K. 626: III. Sequentia. Lacrimosa (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Requiem in D minor, K. 626: IV. Offertorium. Domine Jesu Christe (Chorus, Solo Quartet)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Requiem in D minor, K. 626: IV. Offertorium. Hostias et preces tibi (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Requiem in D minor, K. 626: V. Sanctus (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Requiem in D minor, K. 626: VI. Benedictus (Solo Quartet, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Requiem in D minor, K. 626: VII. Agnus Dei (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Requiem in D minor, K. 626: VIII. Communio. Lex aeterna (Soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Ave verum corpus, K. 618\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa da Requiem: I. Requiem e Kyrie. Requiem aeternam - Kyrie eleison (Chorus, Tenor, Bass, Soprano, Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Dies irae (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Tuba minum (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Mors stupebit (Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Liber scriptus (Mezzo-soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Quid sum miser (Soprano, Mezzo-soprano, Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Rex tremendae majestatis (Chorus, Soprano, Mezzo-soprano, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Recordare (Soprano, Mezzo-soprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Ingemisco (Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Confutatis maledictis (Bass, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Messa da Requiem: II. Sequenza. Lacrymosa (Mezzo-soprano, Bass, Soprano, Tenor, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa da Requiem: III. Offertorio. Domine Jesu Christe (Tenor, Mezzo-soprano, Soprano, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa da Requiem: III. Offertorio. Hostias (Tenor, Mezzo-soprano, Soprano, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa da Requiem: IV. Sanctus (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa da Requiem: V. Agnus Dei (Soprano, Mezzo-soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa da Requiem: VI. Communio. Lux aeternam (Mezzo-soprano, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Messa da Requiem: VII. Libera me. Libera me - Dies irae (Soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Messa da Requiem: VII. Libera me. Requiem aeternam (Soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Messa da Requiem: VII. Libera me. Libera me (Soprano, Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande (Allegro ma non troppo) (Awakening of cheerful feelings upon arrival in the country)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: II. Scene am Bach (Andante molto mosso) (Scene by the brook)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: III. Lustiges Zusammensein der Landleute (Allegro) (Merry gathering of country folk)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: IV. Gewitter. Sturm (Allegro) (Thunderstorm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 6 in F major “Pastoral”, op. 68: V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm (Allegretto) (Shepherd's Song. Happy and thankful feelings after the storm)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e “Leonore” no. 3, Overture op. 72b\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in A major, WAB 106 (Nowak Edition): I. Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in A major, WAB 106 (Nowak Edition): II. Adagio (Sehr feierlich)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in A major, WAB 106 (Nowak Edition): III. Scherzo (Nicht schnell) \u0026amp; Trio (Langsam)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in A major, WAB 106 (Nowak Edition): IV. Finale (Bewegt, doch nicht zu schnell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa solenne per l'Incoronazione di Luigi XVIII in G major (Mass for the Coronation of Louis XVIII): I. Kyrie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa solenne per l'Incoronazione di Luigi XVIII in G major (Mass for the Coronation of Louis XVIII): II. Gloria\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa solenne per l'Incoronazione di Luigi XVIII in G major (Mass for the Coronation of Louis XVIII): III. Credo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa solenne per l'Incoronazione di Luigi XVIII in G major (Mass for the Coronation of Louis XVIII): IV. Sanctus \u0026amp; O Salutaris\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa solenne per l'Incoronazione di Luigi XVIII in G major (Mass for the Coronation of Louis XVIII): V. Agnus Dei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 9 in D minor, op. 125: I. Allegro ma non troppo - Un poco maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 9 in D minor, op. 125: II. Molto vivace - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 9 in D minor, op. 125: III. Adagio molto e cantabile - Andante moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 9 in D minor, op. 125: IV. Presto - “O Freunde, nicht diese Töne!” (Ode to Joy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in C minor “Le divin Poème”, op. 43: I. Introduction: Lento: Divin grandiose - Luttes: Allegro: Mystérieux, tragique - Sombre, haletant, précipité\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in C minor “Le divin Poème”, op. 43: II. Voluptés: Lento: Sublime - Vivo: Divin essai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in C minor “Le divin Poème”, op. 43: III. Jeu divin: Allegro: avec une joie éclatante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Romeo and Juliet, Fantasy Overture, TH 42\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: I. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: II. Adagio ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: III. Finale (Allegro giocoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Romance in F minor, for violin \u0026amp; orchestra, op. 11\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in D major, D. 200: I. Adagio maestoso - Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in D major, D. 200: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in D major, D. 200: III. Menuetto (Vivace) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in D major, D. 200: IV. Presto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 5 in B-flat major, D. 485: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 5 in B-flat major, D. 485: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 5 in B-flat major, D. 485: III. Menuetto (Allegro molto) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony no. 5 in B-flat major, D. 485: IV. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 29: I. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 29: II. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 29: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 29: IV. Tempestuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 29: V. Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Hamlet, Fantasy Overture, op. 67\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: I. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Introduction (Allegro vivace) - Variation I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Theme - Variation II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation III (L'istesso tempo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation IV (Più vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation V (Tempo precedente)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation VI (L'istesso tempo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation VII (Meno mosso, a tempo moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation VIII (Tempo I)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation IX (L'istesso tempo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation X (Poco marcato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XI (Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XII (Tempo di minuetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XIII (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XIV (L'istesso tempo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XV (Più vivo, scherzando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XVI (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XVII (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XVIII (Andante cantabile, a tempo vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XIX (A tempo vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XX (Un poco più vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XXI (Un poco più vivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XXII (Un poco più vivo, alla breve)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XXIII (L'istesso tempo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Rhapsody on a Theme of Paganini, op. 43: Variation XXIV (A tempo un poco meno mosso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: I. Adagio - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: II. Allegro con grazia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: III. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in B minor “Pathétique”, op. 74: IV. Finale (Adagio lamentoso - Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Le Poème de l'extase, op. 54\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: I. Andante sostenuto - Moderato con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: II. Andantino in modo di canzone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: III. Scherzo (Pizzicato ostinato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in F minor, op. 36: IV. Finale (Allegro con fuoco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Prométhée, le Poème du feu, op. 60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 8 in B minor “Unfinished”, D. 759: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 8 in B minor “Unfinished”, D. 759: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1 in D major, D. 82: I. Adagio - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1 in D major, D. 82: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 1 in D major, D. 82: III. Menuetto (Allegretto) \u0026amp; Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 1 in D major, D. 82: IV. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: I. Andante - Allegro con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: II. Andante cantabile, con alcuna licenza\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: III. Valse (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 5 in E minor, op. 64: IV. Andante maestoso - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Francesca da Rimini, Fantasy after Dante, op. 32\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 5 in D minor, op. 47: I. Moderato - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 5 in D minor, op. 47: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 5 in D minor, op. 47: III. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 5 in D minor, op. 47: IV. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Festive Overture, op. 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2 in B-flat major, D. 125: I. Largo - Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in B-flat major, D. 125: II. Andante - Variations I-V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in B-flat major, D. 125: III. Allegro vivace - Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in B-flat major, D. 125: IV. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rosamunde: Die Zauberharfe, Overture, D. 644\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rosamunde, Incidental Music, D. 797: No. 2: Ballet Music I in B minor. I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rosamunde, Incidental Music, D. 797: No. 2: Ballet Music I in B minor. II. Andante un poco assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rosamunde, Incidental Music, D. 797: No. 9: Ballet Music II in G major. I. Andantino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Poème d l'amour et de la mer, op. 19: I. La Fleur des eaux (Calme)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Poème d l'amour et de la mer, op. 19: II. Interlude (Lent et triste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Poème d l'amour et de la mer, op. 19: III. La Mort de l'amour (Vif et joyeux - Sombre et solennel - Lent et triste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Miroirs, M. 43 no. 3: Un barque sur l'océan\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Mer, Trois esquisses symphoniques, CD 111: I. De l'aube à midi sur la mer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Mer, Trois esquisses symphoniques, CD 111: II. Jeux de vagues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Mer, Trois esquisses symphoniques, CD 111: III. Dialogue du vent et de la mer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto in F major for Flute and Bassoon “La Tempesta di mare”, op. 44 no. 16, RV 570: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto in F major for Flute and Bassoon “La Tempesta di mare”, op. 44 no. 16, RV 570: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto in F major for Flute and Bassoon “La Tempesta di mare”, op. 44 no. 16, RV 570: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: I. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: II. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: III. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: IV. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: V. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Flute Concerto in G minor “La Notte”, op. 10 no. 2, RV 439: VI. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in E major “La primavera” (Spring), op. 8 no. 1, RV 269: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in E major “La primavera” (Spring), op. 8 no. 1, RV 269: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in E major “La primavera” (Spring), op. 8 no. 1, RV 269: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in G minor “L'estate” (Summer), op. 8 no. 2, RV 315: I. Allegro non molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in G minor “L'estate” (Summer), op. 8 no. 2, RV 315: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in G minor “L'estate” (Summer), op. 8 no. 2, RV 315: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F major “L'autunno” (Autumn), op. 8 no. 3, RV 293: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F major “L'autunno” (Autumn), op. 8 no. 3, RV 293: II.Adagio molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F major “L'autunno” (Autumn), op. 8 no. 3, RV 293: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F minor “L'inverno” (Winter), op. 8 no. 4, RV 297: I. Allegro non molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F minor “L'inverno” (Winter), op. 8 no. 4, RV 297: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Le quattro stagioni, Violin Concertos, op. 8: Concerto in F minor “L'inverno” (Winter), op. 8 no. 4, RV 297: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Motoren-Walzer, op. 265\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e 's gibt nur Kaiserstadt, 's gibt nur ein Wien, Polka, op. 291\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carrière, Polka schnell, op. 200\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Frauenherz, Polka mazur, op. 166\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Hofballtänze, Walzer, op. 298\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Bluette, Polka française, op. 271\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Die Bajadere, Polka schnell, op. 351\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Leichte Kavallerie, Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Freuet euch des Lebens, Walzer, op. 340\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Patronesen, Polka française, op. 286\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Leichtfüßig, Polka schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Neue Pizzicato-Polka, op. 449\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fata Morgana, Polka mazur, op. 330\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Russischer Marsch, op. 426\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Dynamiden, Walzer, op. 173\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Vorwärts!, Polka schnell, op. 127\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Eingesendet, Polka schnell, op. 240\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e An der schönen blauen Donau, Walzer, op. 314\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Radetzky-Marsch, op. 228\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lagunen-Walzer, op. 411\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Hellenen-Polka, Polka schnell, op. 203\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Albion-Polka, op. 102\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Liebeslieder-Walzer, op. 114\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ritter Pasman, op. 441-1: Csárdás\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Mit Extrapost, Polka schnell, op. 259\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ein morgen, ein Mittag, ein Abend in Wien, Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Gruß an Prag, Polka française, op. 144\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Wein, Weib und Gesang, Walzer, op. 333\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Persischer Marsch, op. 289\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Die Libelle, Polka mazur, op. 204\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Process-Polka, Polka schnell, op. 294\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Künstler-Gruß, Polka française, op. 274\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Marien-Klänge, Walzer, op. 214\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Éljen a Magyar, Polka schnell, op. 332\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Vom Donaustrande, Polka schnell, op. 356\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e An der schönen blauen Donau, Walzer, op. 314\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Radetzky-Marsch, op. 228\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): I. Kyrie. Kyrie eleison (Larghetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): I. Kyrie. Christe eleison (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): I. Kyrie. Kyrie eleison (Allegro moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): II. Gloria. Gloria in excelsis Deo (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): II. Gloria. Gratias agimus (Larghetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): II. Gloria. Qui tollis peccata mundi (Andantino largo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): II. Gloria. Quoniam (Allegro moderato - Grave)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): II. Gloria. Cum Sancto Spiritu (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Credo in unum Deum (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Et incarnatus est (Sostenuto assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Crucifixus (Andantino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Et resurrexit (Allegro spirituoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Et in Spiritum (Larghetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): III. Credo. Amen (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): IV. Sanctus. Sanctus Dominus Deus (Maestoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): IV. Sanctus. Hosanna in excelsis Deo (Allegro vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): V. Benedictus. Benedictus qui venit (Larghetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): V. Benedictus. Hosanna in excelsis Deo (Allegro vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): VI. Agnus Dei. Agnus Dei qui tollis (Andante moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Messa solenne in D minor (per il Principe Esterhazy): VI. Agnus Dei. Dona nobis pacem (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Missa solemnis in E major: I. Kyrie (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Missa solemnis in E major: II. Gloria (Chorus, Soprano, Alto, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Missa solemnis in E major: III. Credo (Chorus, Soprano, Alto, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Missa solemnis in E major: IV. Sanctus (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Missa solemnis in E major: V. Communio: O salutaris hostia (Chorus)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Missa solemnis in E major: VI. Agnus Dei (Chorus, Soprano, Alto, Tenor, Bass)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Antifona sul canto fermo 8. Tona for six-part choir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Nemo gaudeat for Soprano, Alto, 2 Tenors, Bass, Chorus and 2 Organs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Muti's Debut and Appointment to the Philharmonia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Building a new future and Muti's rehearsal demands\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Verdi Operas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Large scale events\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Relationship between Riccardo Muti and the Philharmonia players\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fastidious demands for dynamic extremes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Conclusion - Muti's lasting legacy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 22 549 18 00\u003c\/p\u003e","brand":"Riccardo Muti","offers":[{"title":"Default Title","offer_id":54075351368020,"sku":"103375","price":839.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/5632\/2900\/files\/mbid-6aa6359c-802b-48fd-b8b6-e7ea0f188a29-31419115042_thumb500.jpg?v=1775036369","url":"https:\/\/klubplytowy.pl\/products\/riccardo-muti-riccardo-muti-80th-birthday-the-complete-warner-symphonic-recordings-91-cd-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}