{"product_id":"martha-argerich-the-warner-classics-edition-complete-emi-classics-teldec-erato-warner-classics-recordings-cd","title":"The Warner Classics Edition: Complete Emi Classics, Teldec, Erato \u0026 Warner Classics Recordings CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Sonata no. 3 in B minor, op. 58: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Sonata no. 3 in B minor, op. 58: II. Scherzo (Molto vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Sonata no. 3 in B minor, op. 58: III. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Sonata no. 3 in B minor, op. 58: IV. Finale (Presto, non tanto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Mazurka no. 36 in A minor, op. 59 no. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Mazurka no. 37 in A-flat major, op. 59 no. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Mazurka no. 38 in F-sharp minor, op. 59 no. 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Nocturne no. 4 in F major, op. 15 no. 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Scherzo no. 3 in C-sharp minor, op. 39\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Polonaise no. 6 in A-flat major, op. 53 \"Heroic\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: I. (a) Sinfonia (Grave adagio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: I. (b) Andante – Fuga\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Partita no. 2 in C minor, BWV 826: V. Rondeaux – VI. Capriccio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e 2 Nocturnes, op. 48: I. Lento in C minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Scherzo no. 3 in C-sharp minor, op. 39\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Sonata, Sz. 80: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Piano Sonata, Sz. 80: II. Sostenuto e pesante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Piano Sonata, Sz. 80: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Danzas argentinas, op. 2: I. Danza del viejo boyero (Animato e allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Danzas argentinas, op. 2: II. Danza de la moza (Dolcemente espressivo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Danzas argentinas, op. 2: III. Danza del gaucho matrero (Furiosamente ritmico e energico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Piano Sonata no. 7 in B-flat major, op. 83: I. Allegro inquieto – Andantino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Piano Sonata no. 7 in B-flat major, op. 83: II. Andante caloroso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Piano Sonata no. 7 in B-flat major, op. 83: III. Precipitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Keyboard Sonata in D minor, K. 141\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e English Suite no. 2 in A minor, BWV 807: VI. Bourrée I alternativement – Bourrée II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Fantasiestücke, op. 12: I. Des Abends (Sehr innig und spielend)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Fantasiestücke, op. 12: II. Aufschwung (Sehr rasch)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Fantasiestücke, op. 12: III. Warum?\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Fantasiestücke, op. 12: IV. Grillen (Mit Humor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Fantasiestücke, op. 12: V. In der Nacht (Mit Leidenschaft – Etwas langsamer – Tempo primo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fantasiestücke, op. 12: VI. Fabel (Langsam – Schnell)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Fantasiestücke, op. 12: VII. Traumeswirren (Äusserst lebhaft)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Fantasiestücke, op. 12: VIII. Ende vom Lied (Mit gutem Humor – Etwas lebhafter – Tempo primo – Coda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sonatine, M. 40: I. Modéré\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sonatine, M. 40: II. Mouvement de menuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Sonatine, M. 40: III. Animé\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Gaspard de la nuit, M. 55: I. Ondine (Lent)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Gaspard de la nuit, M. 55: II. Le Gibet (Très lent)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Gaspard de la nuit, M. 55: III. Scarbo (Modéré – Vif)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 25 in C major, K. 503: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 25 in C major, K. 503: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 25 in C major, K. 503: III. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto no. 1 in C major, op. 15: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto no. 1 in C major, op. 15: III. Rondo (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Cello Sonata in A major, FWV 8: I. Allegretto ben moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Cello Sonata in A major, FWV 8: II. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Cello Sonata in A major, FWV 8: III. Recitativo – Fantasia (Ben moderato – Molto lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cello Sonata in A major, FWV 8: IV. Allegretto poco mosso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cello Sonata in D minor, L. 135: I. Prologue (Lent – Sostenuto e molto risoluto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cello Sonata in D minor, L. 135: II. Sérénade et Final (Modérément animé – Animé)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La plus que lente, L. 121\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Préludes, Book 1, L. 117: XII: Minstrels\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Noches en los jardines de España, G. 49: I. En el Generalife\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Noches en los jardines de España, G. 49: II. Danza lejena – III. En los jardines de la Sierra de Córdoba\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Iberia, Book 1: I. Evocación\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Iberia, Book 1: II. El Puerto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Iberia, Book 3: I. El Albaicin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Iberia, Book 1: III. Fête-Dieu à Séville\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Iberia, Book 1: III. Triana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Visions de l'Amen: I. Amen de la Création\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Visions de l'Amen: II. Amen des étoiles, de la planète à l'anneau\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Visions de l'Amen: III. Amen de l'Agonie de Jésus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Visions de l'Amen: IV. Amen du Désir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Visions de l'Amen: V. Amen des Anges, des Saints, du chant des oiseaux\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Visions de l'Amen: VI. Amen du Jegement\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Visions de l'Amen: VII. Amen de la Consommation\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Suite no. 1, op. 5 \"Fantaisie-tableaux\": I. Barcarolle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Suite no. 1, op. 5 \"Fantaisie-tableaux\": II. And Night, and Love\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Suite no. 1, op. 5 \"Fantaisie-tableaux\": III. Tears\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Suite no. 1, op. 5 \"Fantaisie-tableaux\": IV. Easter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Suite no. 2, op. 17: I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Suite no. 2, op. 17: II. Valse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Suite no. 2, op. 17: III. Romance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Suite no. 2, op. 17: IV. Tarantella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Symphonic Dances, op. 45 (version for 2 pianos): I. Non allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Symphonic Dances, op. 45 (version for 2 pianos): II. Andante con moto (Tempo di valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Symphonic Dances, op. 45 (version for 2 pianos): III. Lento assai – L'istesso tempo, ma agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sonata in D major, K. 448: I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sonata in D major, K. 448: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sonata in D major, K. 448: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Andante \u0026amp; Variations in G major, K. 501\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata in C major, K. 521: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata in C major, K. 521: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sonata in C major, K. 521: III. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Sonata in D major, K. 381: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sonata in D major, K. 381: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sonata in D major, K. 381: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: I. Allegro affettuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: II. Intermezzo – Andantino grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto in D minor, WoO 23: I. In kräftige, nicht zu schnellem Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto in D minor, WoO 23: II. Langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in D minor, WoO 23: III. Lebhaft, doch nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: I. Theme ''Chorale St.Antoni'': Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: II. Variation I: Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: III. Variation II: Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: IV. Variation III: Con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: V. Variation IV: Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: VI. Variation V: Poco presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: VII. Variation VI: Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: VIII. Variation VII: Grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: IX. Variation VIII: Poco presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56b: X. Finale: Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Sonata for two pianos in F minor, op. 34b: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Sonata for two pianos in F minor, op. 34b: II. Andante, un poco adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Sonata for two pianos in F minor, op. 34b: III. Scherzo: Allegro - Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Sonata for two pianos in F minor, op. 34b: IV. Finale: Poco sustenuto - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Waltzes, op. 39 no. 1 in B major: Tempo giusto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Waltzes, op. 39 no. 2 in E major\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Waltzes, op. 39 no. 3 in B minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Waltzes, op. 39 no. 4 in G-sharp minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Waltzes, op. 39 no. 5 In A-flat major\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Klavierquintett Es-Dur, op. 44: I. Allegro brillante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Klavierquintett Es-Dur, op. 44: II. In modo d'una marcia, una poco largamente\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Klavierquintett Es-Dur, op. 44: III. Scherzo: Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Klavierquintett Es-Dur, op. 44: IV. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Andante und Variationen, op. 46: Sostenuto - Andante espressivo - Un poco più animato - Più animato - Più lento - Un poco più lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Andante und Variationen, op. 46: Più lento - Animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Andante und Variationen, op. 46: Doppio movimento - Tempo primo - Più adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Phantasiestücke, op. 73 Nr. 1: Zart und mit Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Phantasiestücke, op. 73 Nr. 2: Lebhaft, leicht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Phantasiestücke, op. 73 Nr. 3: Rasch und mit Feuer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Märchenbilder, op. 113 Nr. 1: Nicht Schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Märchenbilder, op. 113 Nr. 2: Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Märchenbilder, op. 113 Nr. 3: Rasch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Märchenbilder, op. 113 Nr. 4: Langsam, mit melancholischem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Piano No. 20 in D minor, K. 466: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Piano No. 20 in D minor, K. 466: II. Romance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Piano No. 20 in D minor, K. 466: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Concerto for Piano No. 19 in F major, K. 459: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Concerto for Piano No. 19 in F major, K. 459: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Concerto for Piano No. 19 in F major, K. 459: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Concerto for Two Pianos No. 10 in E-flat major, K. 316a\/365: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Concerto for Two Pianos No. 10 in E-flat major, K. 316a\/365: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Concerto for Two Pianos No. 10 in E-flat major, K. 316a\/365: III. Rondeau: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e L’Apprenti sorcier (arr. for 2 pianos by Alexandre Rabinovitch)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – I. Thema. Bewegt – II. Thema. Sehr lebhaft – III. Thema. Ruhig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Scherzo. Munter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Wiegenlied. Mäßig langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Adagio. Langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sinfonia domestica, op. 53 (arr. for 2 pianos by Otto Singer) – Finale. Sehr lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Valse (arr. for 2 pianos by the composer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in D-flat major, Op. 10: I. Allegro brioso -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in D-flat major, Op. 10: II. Andante assai -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in D-flat major, Op. 10: III. Allegro scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto no. 3 in E major, Sz. 119: I. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto no. 3 in E major, Sz. 119: II. Allegro religioso - [Poco più mosso] - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto no. 3 in E major, Sz. 119: III. [Allegro vivace] - [Presto]\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Concerto no. 3 in C major, Op. 26: I. Andante - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Concerto no. 3 in C major, Op. 26: II. Tema: Andantino - Variation I: L'istesso tempo - Variation II: Allegro - Variation III: Allegro moderato. Poco meno mosso - Variation IV: Andante meditativo - Variation V: Allegro giusto - Tema: L'istesso tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Concerto no. 3 in C major, Op. 26: III. Allegro ma non troppo - meno mosso - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sonata for Violin and Piano No. 9 in A major, Op. 47 \"Kreutzer\": I. Adagio sostenuto - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sonata for Violin and Piano No. 9 in A major, Op. 47 \"Kreutzer\": II. Andante con variazioni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sonata for Violin and Piano No. 9 in A major, Op. 47 \"Kreutzer\": III. Finale: Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for Violin and Piano in A major: I. Allegretto ben moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata for Violin and Piano in A major: II. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata for Violin and Piano in A major: III. Recitative - Fantasia. Ben moderato - Molto lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sonata for Violin and Piano in A major: IV. Allegretto poco mosso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Duo, op. 7: I. Allegro serioso, non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Duo, op. 7: II. Adagio – Andante – Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Duo, op. 7: III. Maestoso e largamente, ma non troppo lento – Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Contrasts, Sz111: I. Verbunkos (Recruiting Dance)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Contrasts, Sz111: II. Pihenö (Relaxation)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Contrasts, Sz111: III. Sebes (Fast Dance)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Concerto pathétique in E minor, S258\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in E minor, op. 11: II. Romanze. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto no. 2 in F minor, op. 21: I. Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto no. 2 in F minor, op. 21: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Sonata no. 2 in D minor, op. 121: I. Ziemlich langsam und energisch - Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Sonata no. 2 in D minor, op. 121: II. Sehr lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Sonata no. 2 in D minor, op. 121: III. Leise, einfach (Etwas lebhafter - Etwas bewegter - Tempo wie vorher)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Sonata no. 2 in D minor, op. 121: IV. Bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata for Solo Violin, Sz. 117: I. Tempo di ciaccona\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata for Solo Violin, Sz. 117: II. Fuga - Risoluto, non troppo vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sonata for Solo Violin, Sz. 117: III. Melodia - Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Sonata for Solo Violin, Sz. 117: IV. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Kinderszenen, op. 15 no. 1: Von fremden Ländern und Menschen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Kinderszenen, op. 15 no. 2: Kuriose Geschichte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Kinderszenen, op. 15 no. 3: Hasche-Mann\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Kinderszenen, op. 15 no. 4: Bittendes Kind\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Kinderszenen, op. 15 no. 5: Glückes genug\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Kinderszenen, op. 15 no. 6: Wichtige Begebenheit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Kinderszenen, op. 15 no. 7: Träumerei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Kinderszenen, op. 15 no. 8: Am Kamin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Kinderszenen, op. 15 no. 9: Ritter vom Steckenpferd\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Kinderszenen, op. 15 no. 10: Fast zu ernst\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Kinderszenen, op. 15 no. 11: Fürchtenmachen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Kinderszenen, op. 15 no. 12: Kind im Einschlummern\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Kinderszenen, op. 15 no. 13: Der Dichter spricht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Violin Sonata no. 1 in C-sharp minor, Sz. 75: I. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Violin Sonata no. 1 in C-sharp minor, Sz. 75: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Violin Sonata no. 1 in C-sharp minor, Sz. 75: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Liebesleid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Schön Rosmarin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Sonata no. 1 in A minor, op. 105: 1. Mit meidenschaftlichem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Sonata no. 1 in A minor, op. 105: 2. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Sonata no. 1 in A minor, op. 105: 3. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Fantasiestücke, op. 73: 1. Zart und mit Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Fantasiestücke, op. 73: 2. Lebhaft, leicht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fantasiestücke, op. 73: 3. Rasch und mit Feuer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sonatensatz in C minor, op. Posth. \"FAE Sonata\" (Scherzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Violin Sonata no. 4 in C minor, BWV 1017: 1. Siciliano\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Violin Sonata no. 4 in C minor, BWV 1017: 2. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Violin Sonata no. 4 in C minor, BWV 1017: 3. Adagio ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Violin Sonata no. 4 in C minor, BWV 1017: 4. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 3 in C Minor, Op. 78, \"Organ Symphony\": I. Adagio - Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 3 in C Minor, Op. 78, \"Organ Symphony\": Poco adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 3 in C Minor, Op. 78, \"Organ Symphony\": II. Allegro moderato - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 3 in C Minor, Op. 78, \"Organ Symphony\": Maestoso - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: I. Introduction et Marche royale du lion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: II. Poules et Coqs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: III. Hémiones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: IV. Tortues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: V. L'Éléphant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: VI. Kangourous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: VII. Aquarium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: VIII. Personnages à longues oreilles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: IX. Le Coucou au fond des bois\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: X. Volière\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: XI. Pianistes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: XII. Fossiles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: XIII. Le Cygne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e The Carnival of the Animals Zoological fantasy for 2 Pianos \u0026amp; Ensemble: XIV. Final\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: I. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: II. Adagio sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 2 in C minor, op. 18: III. Allegro scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphonic Dances, op. 45: I. Non allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphonic Dances, op. 45: II. Andante con moto (Tempo di Valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphonic Dances, op. 45: III. Lento assai – Allegro vivace – Lento assai, come prima – Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 6 in F, op. 68 “Pastoral” I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande.: Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 6 in F, op. 68 “Pastoral” II. Szene am Bach.: Andante molto moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 6 in F, op. 68 “Pastoral” III. Lustiges Zusammensein der Landleute.: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 6 in F, op. 68 “Pastoral” IV. Gewitter. Sturm.: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 6 in F, op. 68 “Pastoral” V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm.: Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo – Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Piano no. 20 in D minor, K. 466: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Piano no. 20 in D minor, K. 466: II. Romance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Piano no. 20 in D minor, K. 466: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for Piano no. 16 in C major, K. 545 \"Sonata facile\": I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata for Piano no. 16 in C major, K. 545 \"Sonata facile\": II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata for Piano no. 16 in C major, K. 545 \"Sonata facile\": III. Rondo (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 25 in C major, K. 503: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 25 in C major, K. 503: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 25 in C major, K. 503: III. (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sonata for Piano 4-Hands in D Major, K. 381\/123a: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sonata for Piano 4-Hands in D Major, K. 381\/123a: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sonata for Piano 4-Hands in D Major, K. 381\/123a: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for 2 Pianos in D Major, K. 448\/375a: I. Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata for 2 Pianos in D Major, K. 448\/375a: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata for 2 Pianos in D Major, K. 448\/375a: III. Molto allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Fantasia in F Minor, K. 608 (Arr. Busoni for 2 Pianos)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Sonata for Piano 4-Hands in F Major, K. 497: I. Adagio - Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sonata for Piano 4-Hands in F Major, K. 497: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sonata for Piano 4-Hands in F Major, K. 497: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501: I. Thema. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501: II. Variation I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501: III. Variation II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501. IV. Variation III\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501: V. Variation IV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e 5 Variations in G Major for Piano 4-Hands, K. 501: VI. Variation V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': I. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': II. Poco adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Trio No. 39 in G major, Hob.XV:25 'Gypsy': III. Rondo all'ongarese. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Violin Sonata No. 8 in G major, Op. 30 No. 3: I. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Violin Sonata No. 8 in G major, Op. 30 No. 3: II. Tempo di minuetto, ma molto moderato e grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Violin Sonata No. 8 in G major, Op. 30 No. 3: III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello \u0026amp; piano: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello \u0026amp; piano: II. Adagio con espressione\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Piano Trio No. 4 in B flat major, Op. 11 'Gassenhauer', for violin, cello \u0026amp; piano: III. Tema con variazioni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: I. Thema. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: II. Variation I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: III. Variation II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: IV. Variation III\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: V. Variation IV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: VI. Variation V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: VII. Variation VI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Variations (7) on \"Bei Männern, welche Liebe fühlen\", for Cello and Piano, WoO 46: Variation VII\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 1 in C Major, op. 15: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 1 in C Major, op. 15: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 1 in C Major, op. 15: III. Rondo - Allegro scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Quartet No. 3 in C Major, WoO 36: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Quartet No. 3 in C Major, WoO 36: II. Adagio con espressione\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Quartet No. 3 in C Major, WoO 36: III. Finale. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Trio No. 5 in D Major, op. 70 no. 1 \"The Ghost\": I. Allegro vivace e con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Trio No. 5 in D Major, op. 70 no. 1 \"The Ghost\": II. Largo assai ed espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Trio No. 5 in D Major, op. 70 no. 1 \"The Ghost\": III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Triple Concerto for Piano, Violin, and Cello in C major, op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Triple Concerto for Piano, Violin, and Cello in C major, op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Triple Concerto for Piano, Violin, and Cello in C major, op. 56: III. Rondo all Polacca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cello Sonata No. 2 in G minor, op. 5 no. 2: I. Adagio sostenuto ed espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cello Sonata No. 2 in G minor, op. 5 no. 2: II. Allegro molto, più tosto presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cello Sonata No. 2 in G minor, op. 5 no. 2: III. Rondo - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: I. Adago\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: II. Finale (Allegro - Meno allegro - Marcia, assai vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Fantasia for Piano, Chorus, and Orchestra in C minor, op. 80: III. Allegretto ma non troppo quasi andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Sonata No. 4 in C Minor, BWV 1017: I. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Sonata No. 4 in C Minor, BWV 1017: II. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Sonata No. 4 in C Minor, BWV 1017: III. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Sonata No. 4 in C Minor, BWV 1017: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: I. Thema. Allegretto.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: II. Variation I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: III. Variation II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IV. Variation III\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: V. Variation IV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VI. Variation V\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VII. Variation VI\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: VIII. Variation VII\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e 8 Variations on an Original Theme for Piano 4-Hands, op. 35, D. 813: IX. Variation VIII\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e A Midsummer Night's Dream, Incidental Music, op. 61 (arr. for 2 Pianos): I. Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e A Midsummer Night's Dream, Incidental Music, op. 61 (arr. for 2 Pianos): II. Scherzo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Piano Trio No. 1 in D Minor, op. 49: I. Molto Allegro, agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Piano Trio No. 1 in D Minor, op. 49: II. Andante con moto, tranquilio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Piano Trio No. 1 in D Minor, op. 49: III. Scherzo - Leggiero e vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Piano Trio No. 1 in D Minor, op. 49: IV. Finale - Allegro assai appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 1 in E Minor, op. 11: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 1 in E Minor, op. 11: II. Romanze (Larghetto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 1 in E Minor, op. 11: III. Rondo (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Introduction et polonaise brillante in C Major, op. 3: I. Introductions\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Introduction et polonaise brillante in C Major, op. 3: II. Alla polacca - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Les Préludes, S. 97 (arr. Liszt for 2 Pianos)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Réminiscences de Don Juan, S. 656 (arr. Liszt for 2 Pianos): I. Grave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Réminiscences de Don Juan, S. 656 (arr. Liszt for 2 Pianos): II. Duetto (Andantino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Réminiscences de Don Juan, S. 656 (arr. Liszt for 2 Pianos): III. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Réminiscences de Don Juan, S. 656 (arr. Liszt for 2 Pianos): IV. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Kinderszenen, op. 15: I. Von fremden Ländern und Menschen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Kinderszenen, op. 15: II. Kuriose Geschichte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Kinderszenen, op. 15: III. Hasche-Mann\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Kinderszenen, op. 15: IV. Bittendes Kind\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Kinderszenen, op. 15: V. Glückes genug\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Kinderszenen, op. 15: VI. Wichtige Begebenheit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Kinderszenen, op. 15: VII. Träumerei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Kinderszenen, op. 15: VIII. Am Kamin\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Kinderszenen, op. 15: IX. Ritter vom Steckenpferd\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Kinderszenen, op. 15: X. Fast zu ernst\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Kinderszenen, op. 15: XI. Fürchtenmachen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Kinderszenen, op. 15: XII. Kind im Einschummern\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Kinderszenen, op. 15: XIII. Der Dichter spricht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Phantasiestücke, op. 73: I. Zart und mit Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Phantasiestücke, op. 73: II. Lebhaft, leicht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Phantasiestücke, op. 73: III. Rasch und mit Feuer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Violin Sonata No. 1 in A Minor, op. 105: I. Mit leidenschaftlichem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Violin Sonata No. 1 in A Minor, op. 105: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Violin Sonata No. 1 in A Minor, op. 105: III. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Violin Sonata No. 2 in D minor, op. 121: I. Ziemlich langsam - Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Violin Sonata No. 2 in D minor, op. 121: II. Sehr lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Violin Sonata No. 2 in D minor, op. 121: III. Leise, einfach\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Violin Sonata No. 2 in D minor, op. 121: IV. Bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto in A Minor, op. 54: I. Allegro affettuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto in A Minor, op. 54: II. Intermezzo (Andante garzioso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto in A Minor, op. 54: III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Phantasiestücke, op. 88: I. Romanze. Nicht schnell, mit innigem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Phantasiestücke, op. 88: II. Humoreske. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Phantasiestücke, op. 88: III. Duett. Langsam und mit Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Phantasiestücke, op. 88: IV. Finale. Im Marsch-Tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Quartet in E-flat Major, op. 47: I. Sostenuto assai - Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Quartet in E-flat Major, op. 47: II. Scherzo (Molto vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Piano Quartet in E-flat Major, op. 47: III. Andante cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Piano Quartet in E-flat Major, op. 47: IV. Finale (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Andante und Variationen for 2 Pianos in B-flat Major, op. 46: I. Andante espressivo - Più animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Andante und Variationen for 2 Pianos in B-flat Major, op. 46: II. Più lento - Animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Andante und Variationen for 2 Pianos in B-flat Major, op. 46: III. Doppio movimento - Più adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Quintet in E-flat Major, op. 44: I. Allegro brillante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Quintet in E-flat Major, op. 44:II. In modo d'una marcia. Un poco largamente\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Quintet in E-flat Major, op. 44: III. Scherzo. Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Quintet in E-flat Major, op. 44: IV. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Violin Sonata No. 1 in A minor, op. 105: I. Mit leidenschaftlichem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Violin Sonata No. 1 in A minor, op. 105: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Violin Sonata No. 1 in A minor, op. 105: III. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 5 Stücke im Volkston, op. 102: I. Mit Humor - Vanitas vanitatum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e 5 Stücke im Volkston, op. 102: II. Lansgam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e 5 Stücke im Volkston, op. 102: III. Nicht schnell, mit viel Ton zu spielen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e 5 Stücke im Volkston, op. 102: IV. Nicht zu rasch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e 5 Stücke im Volkston, op. 102: V. Stark and markirt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Adagio and Allegro in A-flat Major, op. 70: I. Langsam, mit innigem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Adagio and Allegro in A-flat Major, op. 70: II. Allegro, rasch und feurig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): I. Nicht Schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): II. Mit innigem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): III. Andantino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): IV. Innig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): V. Nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e 6 Studien in kanonischer Form, op. 56 (Arr. Debussy for 2 Pianos): VI. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Phantasiestücke, op. 73 (Arr for Flugelhorn and Piano): I. Zart und mit Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Phantasiestücke, op. 73 (Arr for Flugelhorn and Piano): II. Lebhaft, leicht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Phantasiestücke, op. 73 (Arr for Flugelhorn and Piano): III. Rasch und mit Feuer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Concerto pathétique, S. 258 (arr. Liszt for 2 Pianos): I. Allegro energico - Grandioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Concerto pathétique, S. 258 (arr. Liszt for 2 Pianos): II. Quasi fantasia - Andante sostenuto - Allegro agitato assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Concerto pathétique, S. 258 (arr. Liszt for 2 Pianos): III. Andante, quasi marcia funebre - Più mosso - Allegro tionfante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sonata for 2 Pianos in F-minor, op. 34b: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sonata for 2 Pianos in F-minor, op. 34b: II. Andante, un poco adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sonata for 2 Pianos in F-minor, op. 34b: III. Scherzo (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for 2 Pianos in F-minor, op. 34b: IV. Finale (Poco sostenuto - Allegro non troppo - Presto non troppo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: I. Theme. Chorale St. Antoni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: II. Variation I (Andante con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: III. Variation II (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: IV. Variation III (Con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: V. Variation IV (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VI. Variation V (Poco presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VII. Variation VI (Vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: VIII. Variation VII (Grazioso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: IX. Variation VIII (Poco presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Variations on a Theme by Haydn for 2 Pianos, op 56b: X. Finale (Andante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): I. Overture minature\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - I. Marche\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - II. Danse de la Fée Dragée\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - III. Danse russe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - IV. Danse arabe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - V. Danse chinoise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): II. Danses caractéristiques - VI. Dans de mirlitons\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e The Nutcracker, op. 71a (Arr. Economu for 2 Pianos): III. Valse des fleurs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sonata for 2 Pianos, 8-Hands in E-minor, JB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Jungend-Rondo for 2 Pianos, 8-Hands in C major, JB\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Piano Quintet in G-minor, op. 34: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Piano Quintet in G-minor, op. 34: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Piano Quintet in G-minor, op. 34: III. Scherzo- - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Piano Quintet in G-minor, op. 34: IV. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: I. Introduction et marche royale du lion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: II. Poules et coqs\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: III. Hémiones\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: IV. Tortues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: V. L'éléphant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: VI. Kangourous\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: VII. Aquarium\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: VIII. Personnages à longues oreilles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: IX. Le coucou au fond des bois\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: X. Voliére\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: XI. Pianistes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: XII. Fossiles\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: XIII. Le cygne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Le Carnaval des animaux, R. 125: XIV. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Petite suite, for Piano 4-Hands, L.71a: I. En bateau\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Petite suite, for Piano 4-Hands, L.71a: II. Cortège\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Petite suite, for Piano 4-Hands, L.71a: III. Menuet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Petite suite, for Piano 4-Hands, L.71a: IV. Ballet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e En blanc et noir, for Piano 4-Hands, L.139: I. Avec emportement\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e En blanc et noir, for Piano 4-Hands, L.139: II. Lent, sombre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e En blanc et noir, for Piano 4-Hands, L.139: III. Scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Piano Concerto in G-major, M.83: I. Allegramente\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Piano Concerto in G-major, M.83: II. Adagio assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Piano Concerto in G-major, M.83: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Gaspard de la nuit, M.55: I. Ondine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Gaspard de la nuit, M.55: II. Le gibet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Gaspard de la nuit, M.55: III. Scarbo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Valse, M.72 (Arr. Ravel for 2 Pianos)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ma Mère l'Oye for Piano 4-Hands, M. 60: I. Pavane de la Belle au Bois dormant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ma Mère l'Oye for Piano 4-Hands, M. 60: II. Petit Poucet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ma Mère l'Oye for Piano 4-Hands, M. 60: III. Laideronette, Impératrice des Pagodes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ma Mère l'Oye for Piano 4-Hands, M. 60: IV. Les entretiens de la Belle et de la Bête\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Ma Mère l'Oye for Piano 4-Hands, M. 60: V. Le jardine féerique\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Piano Concerto in G-major, M.83: I. Allegramente\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Piano Concerto in G-major, M.83: II. Adagio assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Piano Concerto in G-major, M.83: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Prélude à l'après-midi d'un faune, L.87b (Arr. Debussy for 2 Pianos)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphonic Dances for 2 Pianos, op. 45: I. Non allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphonic Dances for 2 Pianos, op. 45: II. Andante con moto (Tempo di valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphonic Dances for 2 Pianos, op. 45: III. Lento assai - L'istesso tempo, ma agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Suite for 2 Pianos No. 1 in G-minor, op. 5 \"Fantaisie-tableaux\": I. Barcarolle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Suite for 2 Pianos No. 1 in G-minor, op. 5 \"Fantaisie-tableaux\": II. Oh Night, Oh Love\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Suite for 2 Pianos No. 1 in G-minor, op. 5 \"Fantaisie-tableaux\": III. Tears\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Suite for 2 Pianos No. 1 in G-minor, op. 5 \"Fantaisie-tableaux\": IV. Easter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Suite for 2 Pianos No. 2 in C-major, op. 17: I. Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Suite for 2 Pianos No. 2 in C-major, op. 17: II. Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Suite for 2 Pianos No. 2 in C-major, op. 17: III. Romance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Suite for 2 Pianos No. 2 in C-major, op. 17: IV. Tarantella\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 in D major, op. 25 \"Classical\" (Arr. Terashima for 2 Pianos): I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 in D major, op. 25 \"Classical\" (Arr. Terashima for 2 Pianos): II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 in D major, op. 25 \"Classical\" (Arr. Terashima for 2 Pianos): III. Gavotte (Non troppo allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 in D major, op. 25 \"Classical\" (Arr. Terashima for 2 Pianos): IV. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Sonata No. 2 in D major, op. 94bis: I. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Sonata No. 2 in D major, op. 94bis: II. Presto - Poco più mosso del Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Violin Sonata No. 2 in D major, op. 94bis: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Violin Sonata No. 2 in D major, op. 94bis: IV. Allegro con brio - Poco meno mosso - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: I. Barcarolle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: II. Scherzo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: III. Chanson russe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: IV. Valse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: V. Romance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e 6 Morceaux for Piano 4-Hands, op. 11: VI. Slava (Gloria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Romanian Folk Dances, Sz.56 (Arr Székely for Violin and Piano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sonata for 2 Pianos and Percussion, Sz. 110: I. Assai lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sonata for 2 Pianos and Percussion, Sz. 110: II. Lento ma non troppo - Un poco più andante - Agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for 2 Pianos and Percussion, Sz. 110: III. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Sonata No. 1, Sz. 75: I. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Sonata No. 1, Sz. 75: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Violin Sonata No. 1, Sz. 75: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto in C minor, op. 35: I. Allegro moderato - Allegro vivace - Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto in C minor, op. 35: II. Lento - Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto in C minor, op. 35: III. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto in C minor, op. 35: IV. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Concertino for 2 Pianos in A minor, op. 94\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Quintet in G minor, op. 57: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Quintet in G minor, op. 57: II. Fugue (Adagio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Quintet in G minor, op. 57: III Scherzo (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Quintet in G minor, op. 57: IV. Intermezzo (Lento)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Piano Quintet in G minor, op. 57: V. Finale (Allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Trio No. 2 in E minor, op. 67: I. Andante - Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Trio No. 2 in E minor, op. 67: II. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Trio No. 2 in E minor, op. 67: III. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Trio No. 2 in E minor, op. 67: IV. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Sonata for 4-Hands, FP 8: I. Prélude. Modéré\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Sonata for 4-Hands, FP 8: II. Rustique. Naïf et lent\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Sonata for 4-Hands, FP 8: III. Final. Très vite\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Concertino: I. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Concertino: II. Più mosso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Concertino: III. Con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Concertino: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Variations on a Theme by Paganini, for 2 Pianos: Allegro capriccioso - Meno mosso - Ancora piü mosso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Sonata No. 5 in G minor, op. 53: I. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Sonata No. 5 in G minor, op. 53: II. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Sonata No. 5 in G minor, op. 53: III. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Sonata No. 5 in G minor, op. 53: IV. Allegro - Andante - Allegretto - Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Variations on a Theme by Paganini, for 2 pianos\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Fantasia Elvetica: I. Maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Fantasia Elvetica: II. Tranquillo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Fantasia Elvetica: III. Tempo di marcia - Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Fantasia Elvetica: IV. Tempo di polka - Più vivo - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Noches en los jardines de España: I. En el Generalife\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Noches en los jardines de España: II. Danza lejana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Noches en los jardines de España: III. En los jardines de la Sierra de Córdoba\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Taquito militar (Arr. for 2 Pianos by Alejandro Petrasso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Porteña for 2 Pianos: I. Porteña\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Porteña for 2 Pianos: II. Nocturnal\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Porteña for 2 Pianos: III. Cadenza\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Porteña for 2 Pianos: IV. Porteña (quasi jidish)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Porteña for 2 Pianos: V. Secuencia (quasi) canónica\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Porteña for 2 Pianos: VI. Gardeliana\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Porteña for 2 Pianos: VII. Malandra\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Porteña for 2 Pianos: VIII. Tanghora\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Porteña for 2 Pianos: IX. Bajofondo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Porteña for 2 Pianos: X. Corrientes y 9 de julio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Porteña for 2 Pianos: XI. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Romancos argentinos (for 2 pianos): I. Las niñas de Santa Fe\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Romancos argentinos (for 2 pianos): II. Muchacho Jujeño\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Romancos argentinos (for 2 pianos): III. Baile en Cuyo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e 3 Tanghi (Arr. Hubert for 2 Pianos): I. 3 minutos con la realidad\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e 3 Tanghi (Arr. Hubert for 2 Pianos): II. Oblivión\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e 3 Tanghi (Arr. Hubert for 2 Pianos): III. Libertango\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 225491800\u003c\/p\u003e","brand":"Martha Argerich","offers":[{"title":"Default Title","offer_id":53964912460116,"sku":"100496","price":489.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/5632\/2900\/files\/mbid-dabca527-7c0d-4990-98d7-4f4f679302a6-41707891745_thumb500.jpg?v=1773935709","url":"https:\/\/klubplytowy.pl\/products\/martha-argerich-the-warner-classics-edition-complete-emi-classics-teldec-erato-warner-classics-recordings-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}