{"product_id":"maria-callas-la-divina-maria-callas-in-all-her-roles-the-centenary-deluxe-edition-cd","title":"La Divina - Maria Callas In All Her Roles - The Centenary Deluxe Edition CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ite sul colle…Dell'aura tua profetica” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 1. “Svanir le voci!” (Pollione, Flavio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act I, Scene 1. “Meco all'altar di Venere” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act I, Scene 1. “Odi?…I suoi riti a compiere” (Flavio, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act I, Scene 1. “Me protegge, me difende” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act I, Scene 1. “Norma viene” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sediziose voci” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act I, Scene 1. “Casta Diva” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act I, Scene 1. “Fine al rito, e il sacro bosco” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ah! bello a me ritorna” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sgombra è la sacra selva” (Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act I, Scene 1. “Eccola - va, mi lascia” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act I, Scene 1. “Va, crudele” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act I, Scene 1. “Vieni in Roma” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, e li cela entrambi” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 2. “Adalgisa!…Alma, costanza” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, rimembranza!” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ah sì, fa core, abbracciami” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ma di'…l'amato giovine” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, di qual sei tu vittima” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act I, Scene 2. “Perfido!…Or bastil” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, sì, mi lascia, indegno” (Norma, Pollione, Adalgisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act II, Scene 1. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act II, Scene 1. “Dormono entrambil” (Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act II, Scene 1. “Olà! Clotilde!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mi chiami, o Norma?” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act II, Scene 1. “Deh! con te, con te il prendi” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mira, o Norma” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act II, Scene 1. “Cedi…deh cedi!” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act II, Scene 1. “Sì, fino all'ore estreme” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act II, Scene 2. “Non partì?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act II, Scene 2. “Guerrieri! a voi venirne” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act II, Scene 2. “Ah! del Tebro al giogo indegno” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act II, Scene 3. “El tornerà. Sì!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act II, Scene 3. “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act II, Scene 3. “Guerra! guerra!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act II, Scene 3. “Né compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Norma: Act II, Scene 3. “In mia man alfin tu sei” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Norma: Act II, Scene 3. “Già mi pasco ne' tuoi squardi” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Norma: Act II, Scene 3. “Dammi quel ferro!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Norma: Act II, Scene 3. “Qual cor tradisti” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Norma: Act II, Scene 3. “Norma! deh! Norma scòlpati!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Norma: Act II, Scene 3. “Deh! non volerli vittime” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ite sul colle…Dell'aura tua profetica” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 1. “Svanir le voci!!” (Pollione, Flavio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act I, Scene 1. “Meco all'altar di Venere” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act I, Scene 1. “Odi?…I suoi riti a compiere” (Flavio, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act I, Scene 1. “Me protegge, me difende” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act I, Scene 1. “Norma viene” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sediziose voci” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act I, Scene 1. “Costa Diva” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act I, Scene 1. “Fine al rito, e il sacro bosco” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ah! bello a me ritorna” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sgombra è la sacra selva” (Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act I, Scene 1. “Eccola - va, mi lascia” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act I, Scene 1. “Va, crudele” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act I, Scene 1. “Vieni in Roma” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, e li cela entrambi” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 2. “Adalgisa!…Alma, costanza” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, rimembranza!” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ah sì, fa core, abbracciami” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ma di'…l'amato giovine” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, di qual sei tu vittima” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act I, Scene 2. “Perfido!…Or bastil” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, sì, mi lascia, indegno” (Norma, Pollione, Adalgisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act II, Scene 1. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act II, Scene 1. “Dormono entrambil” (Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act II, Scene 1. “Olà! Clotilde!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mi chiami, o Norma?” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act II, Scene 1. “Deh! con te, con te il prendi” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mira, o Norma” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act II, Scene 1. “Cedi…deh cedi!” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act II, Scene 1. “Sì, fino all'ore estreme” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act II, Scene 2. “Non partì?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act II, Scene 2. “Guerrieri! a voi venirne” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act II, Scene 2. “Ah! del Tebro al giogo indegno” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act II, Scene 3. “El tornerà. Sì!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act II, Scene 3. “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act II, Scene 3. “Guerra! guerra!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act II, Scene 3. “Né compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Norma: Act II, Scene 3. “In mia man alfin tu sei” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Norma: Act II, Scene 3. “Già mi pasco ne' tuoi squardi” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Norma: Act II, Scene 3. “Dammi quel ferro!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Norma: Act II, Scene 3. “Qual cor tradisti” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Norma: Act II, Scene 3. “Norma! deh! Norma scòlpati!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Norma: Act II, Scene 3. “Deh! non volerli vittime” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I puritani: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I puritani: Act I, Scene 1. “All'erta! All'erta!” (Bruno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I puritani: Act I, Scene 1. “O di Cromvel guerrieri” (Bruno, Elvira, Arturo, Riccardo, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I puritani: Act I, Scene 1. “A festa!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I puritani: Act I, Scene 1. “Or dove fuggio io mai?” (Riccardo, Bruno)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I puritani: Act I, Scene 1. “Ah! per sempre io fi perdei” (Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I puritani: Act I, Scene 1. “T'appellan le schiere…Bel sogno beato di pace e contento” (Bruno, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I puritani: Act I, Scene 2. “O amato zio, o mio secondo padre!” (Elvira, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I puritani: Act I, Scene 2. “Sai com'arde in petto mio” (Elvira, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I puritani: Act I, Scene 2. “Odi…Qual suon si desta?” (Elvira, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Ad Arturo amore” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e I puritani: Act I, Scene 3. “A te, o cara, amor talora” (Arturo, Elvira, Giorgio, Valton, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Il rito augusto si compia senza mei!” (Valton, Enrichetta, Arturo, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Corr'io, vi unisca” (Valton, Enrichetta, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Son vergin vezzosa” (Elvira, Enrichetta, Arturo, Giorgio, Valton, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Sulla virginea testa” (Enrichetta, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Ferma. Invan rapir pretendi” (Riccardo, Arturo, Enrichetta, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e I puritani: Act I, Scene 3. “È gia al ponte - passa il forte” (Riccardo, Elvira, Giorgio, Valton, Coro, Bruno)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Ah vieni al tempio - fedele Arturo” (Elvira, Bruno, Coro, Riccardo, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e I puritani: Act I, Scene 3. “Ma tu già mi fuggi?” (Elvira, Bruno, Riccardo, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I puritani: Act II. “Ah…dolor! Ah, terror!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I puritani: Act II. “Qual novella?” (Coro, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I puritani: Act II. “Cinta di fiori e col bel crin disciolto” (Coro, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I puritani: Act II. “E di morte lo stral non sarà lento” (Riccardo, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I puritani: Act II. “O rendetemi la speme…Qui la voce sua soave mi chiamava” (Elvira, Giorgio, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I puritani: Act II. “Vien, diletto, è in ciel la luna!” (Elvira)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I puritani: Act II. “Il irval salvar tu dêi” (Giorgio, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I puritani: Act II. “Se tra il buio un fantasma vedrai” (Giorgio, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I puritani: Act II. “Riccardo! Riccardo!” (Giorgio, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I puritani: Act II. “Suoni la tromba” (Giorgio, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I puritani: Act III. “Son salvo, alfin son salvo” (Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e I puritani: Act III. “A una fonte afflitto e solo” (Elvira, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e I puritani: Act III. “Qual suon! Alcun s'appressa” (Arturo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e I puritani: Act III. “Son già lontani!” (Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e I puritani: Act III. “Fini…me lassa!” (Elvira, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e I puritani: Act III. “Ch'ei provò lontan do me?” (Elvira, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e I puritani: Act III. “Vieni fra queste braccia” (Elvira, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e I puritani: Act III. “Alto là! Fedel drappello” (Coro, Arturo, Elvira, Riccardo, Giorgio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e I puritani: Act III. “Cavalier, ti colse il Dio” (Riccardo, Giorgio, Coro, Elvira)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e I puritani: Act III. “Credeasi, misera!” (Arturo, Elvira, Riccardo, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e I puritani: Act III. “Suon d' araldi?” (Arturo, Elvira, Riccardo, Giorgio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Vica! Viva Amina!…Tutto è gioia, tutto è festa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “In Elvezia non v'ha rosa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Care compagne” (Amina, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come per me sereno…Sempre a felice Amina” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Savra il sen la man mi posa” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Io più di tutti, o Amina” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Perdona, o mia diletta” (Elvino, Amina, Tutti, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Prendi: l'anel ti dono” (Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Scritti nel ciel già sono…Ah! vorrei travar parola” (Tutti, Elvino, Amina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Domani, appena aggiorni” (Elvino, Tutti, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come noioso e lunga il cammin…Vi ravviso, o luoghi ameni…È gentil leggiadra molto” (Rodolfo, Lisa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Contezza del paese” (Elvino, Rodolfo, Teresa, Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “A faso cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Basta così Ciascuna si attenga” (Rodolfo, Teresa, Tutti, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Elvino! E me tu lasci” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Son geloso del zefira errante” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Davver, non mi dispiace” (Rodolfo, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Che veggio?” (Rodolfo, Emina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “O ciel! che tento?” (Rodolfo, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Osserevate l'uscio è aperta” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “È menzogna” (Elvino, Coro, Lisa, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “D'un pensiero e d'un accento” (Amina, Elvino, Coro, Alessio, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Coro, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Qui la selva è più folta ed ambrosa” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Reggimi, o buona madre” (Amina, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Vedi, o madre…è afflitto e mesto” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Viva il Conte!” (Voci lontani, Elvino, Amina, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Ah! perché non posso odiarti” (Elvino, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor?…che creder deggio?” (Elvino, Rodolfo, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Oh! se una volta sola” (Amina, Rodolfo, Teresa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non credea mirarti” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non giunge uman pensiero” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Carmen: Prélude (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Sur la place” (Chœur, Moralès, Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Avec la garde montante” (Chœur d'enfants, Moralès, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmen: Act I, Scene 1. “C'est bien là, n'est-ce pas?” (José, Zuniga)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Carmen: Act I, Scene 1. “La clache a sonné…Dans l'air, nous suivons des yeux la fumée” (Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Carmen: Act I, Scene 1. “L'amour est un oiseau rebelle” (Carmen, Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Carmen ! sur tes pas, nous nous pressons tous !” (Chœur, Carmen, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Quels regards ! Quelle effronterie !” (José, Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Parle-moi de ma mère !” (José, Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Reste là maintenant, pendant que je jirai” (José, Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Que se passe-t-il donc là-bas ?…Au secours ! Au secours !” (Zuniga, Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Mon officier, c'était une querelle” (José, Zuniga, Carmen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Près des remparts de Séville” (Carmen, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Carmen: Act I, Scene 1. “Voici l'ordre ; partez” (Zuniga, Carmen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Carmen: Act I, Scene 1. Entr'acte (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Carmen: Act I, Scene 2. “Les tringles des sistres tintaient” (Carmen, Frasquita, Mercédès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Carmen: Act I, Scene 2. “Messieurs, Pastia me dit” (Frasquita, Zuniga, Carmen, Mercédès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Carmen: Act I, Scene 2. “Vivat ! vivat le Terero !” (Chœur, Zuniga)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Carmen: Act I, Scene 2. “Votre toast, je peux vous le rendre” (Escamillo, Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Carmen: Act I, Scene 2. “La belle, un mot” (Escamillo, Carmen, Zuniga)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Carmen: Act I, Scene 2. “Eh bien vite, quelles nouvelles ?…Nous avons en tête une affaire” (Frasquita, Dancaïre, Mercédès, Remendado, Carmen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Carmen: Act II. “Mais qui doc attends-tu ?” (Dancaïre, Carmen, Remendado)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Carmen: Act II. “Halte là !” (José, Carmen, Frasquita, Mercédès, Dancaïre, Remendado)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmen: Act II. “Enfin, c'est toi!…Tout doux, Monsieur, tout doux” (Carmen, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmen: Act II. “La fleur que tu m'avais jetée…Non, tu ne m'aimes pas” (Carmen, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Carmen: Act II. “Holà Carmen ! Holà ! Holà !” (Zuniga, José, Carmen, Dancaïre, Remendado)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Carmen: Act II. Entr'acte (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Carmen: Act III. “Écoute, écoute, compagnon, écoute” (Chœur, Dancaïre, Remendado, José, Carmen, Mercédès, Frasquita)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmen: Act III. “Reposons-nous une heure ici, mes camarades” (Dancaïre, Carmen, José)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmen: Act III. “Mêlons ! Coupons !” (Frasquita, Mercédès, Carmen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmen: Act III. “Eh bien ?” (Carmen, Dancaïre, Frasquita)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Carmen: Act III. “Quant au douanier, c'est notre affaire” (Carmen, Mercédès, Frasquita)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Carmen: Act III. “C'est des contrebandiers le refuge ordinaire…Je dis que rien ne m'épouvante” (Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Carmen: Act III. “Je ne me trompe pas…c'est lui sur ce rocher” (Micaëla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Carmen: Act III. “Quelques lignes plus bas…Holà, holà ! José” (Escamillo, José, Carmen, Dancaïre, Micaëla, Frasquita, Mercédès, Remendado, Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Carmen: Act III. Entr'acte (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Carmen: Act IV. “À deux cuartos ! À deux cuartos !” (Chœur, Zuniga)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Carmen: Act IV. “Les voici ! voici la quadrille !” (Chœur, Escamillo, Carmen, Frasquita)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Carmen: Act IV. “C'est toi !…Carmen, il est temps encore…Viva ! Viva ! la course est belle !” (Carmen, José, Chœur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Medea: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Medea: Act I. “Che? Quando già corona Amor” (Ancelle, Coro, Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Medea: Act I. “O Amore, vieni a me!” (Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Medea: Act I. “No, non temer” (Creonte, Glauce, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Medea: Act I. “O bella Glauce” (Coro, Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Medea: Act I. “Colco! Pensier fatal!” (Glauce, Giasone, Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Medea: Act I. “Or che più non vedrò” (Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Medea: Act I. “Ah, già troppo turbò” (Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Medea: Act I. “Pronube dive” (Creonte, Coro, Glauce, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Medea: Act I. “Signor! Ferma una donna” (Capo delle guardie, Creonte, Medea, Giasone, Glauce, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Medea: Act I. “Qui tremar devi tu” (Creonte, Glauce, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Medea: Act I. “Taci, Giason” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Medea: Act I. “Dei tuoi figli la madre” (Medea)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Medea: Act I. “Son vane qui minacce” (Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Medea: Act I. “Nemici senza cor” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Medea: Act II. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Medea: Act II. “Soffrir non posso” (Medea, Neris, Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Medea: Act II. “Date aimen per pietà” (Medea, Creonte, Neris, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Medea: Act II. “Medea, o Medea!” (Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Medea: Act II. “Solo un pianto con te versare” (Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Medea: Act II. “Creonte a me solo un giorno dà?” (Medea, Neris, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Medea: Act II. “Figli miel, miel tesor” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Medea: Act II. “Hai dato pronto ascolto” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Medea: Act II. “Ah! Triste canto!…Dio dell'Amor!” (Medea, Coro, Creonte, Glauce, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Medea: Act III. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Medea: Act III. “Numi, venite a me” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Medea: Act III. “Del fiero duol che il cor mi frange” (Medea)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Medea: Act III. “Neris, che hai fatto” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Medea: Act III. “E che? Io son Medea!” (Medea, Coro, Giasone, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Percorrete…Percorriamo le spiagge vicine” (Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Tu sei turbato!…E n'ho ben d'onde” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Cruda, funesta smania” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Il tuo dubbio è omai certezza…Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “La pietade in suo favore” (Enrico, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ancor non giunse?” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Regnava nel silenzio alta la notte e bruna” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Quando rapito in estasi” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Egli s'avanza…LUcia, poerdona se ad ora inusitata” (Alisa, Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Sulla tomba che rinserra il tradito genitore” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Qui di sposa eterna fede…Ah, soltanto il nostro foco” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ah, talor del tuo pensiero venga un foglio messaggero” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Verranno a te sull'aure i miei sospiri ardenti” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Lucia fra poco a te verrà…Tremante l'aspetto” (Normanno, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Appressati, Lucia…Il pallor funesta, orrendo” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Soffriva nel pianto…Un folle t'accese” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Che fia?…Suonar di giubilo” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Se tradirmi tu potrai…Tu che vedi il pianto mio” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Per te d'immenso giubilo…Per poco fra le tenebre sparì la vostra stella” (Coro, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Dov'è Lucia?…Qui giungere or la vedrem” (Arturo, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Piange la madre estinta” (Enrico, Lucia, Arturo, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Arturo, Alisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “T'allontana, sciagurato…Rispettate in me di Dio” (Arturo, Enrico, Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Sconsigilato! In queste porte chi ti guida?” (Enrico, Edgardo, Raimondo, Lucia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “D'immenso giubilo s'innalzi un grido” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Dalle stanze ove Lucia tratta avea col suo consorte” (Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Oh! Qual funesto avvenimento!” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Il dolce suono mi colpì di sua voce!…Ardon gli incensi” (Lucia, Raimondo, Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tombe degli avi miei” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Fra poco a me ricovero darà negletto avello” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Percorrete…Percorriamo le spiagge vicine” (Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Tu sei turbato!…E n'ho ben d'onde” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Cruda, funesta smania” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Il tuo dubbio è omai certezza…Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “La pietade in suo favore” (Enrico, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ancor non giunse?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Regnava nel silenzio alta la notte e bruna” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Quando rapito in estasi” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Egli s'avanza…Lucia, perdona se ad ora inusitata” (Alisa, Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Sulla tomba che rinserra il tradito genitore” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Qui di sposa eterna fede…Ah, soltanto il nostro foco” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ah, talor del tuo pensiero venga un foglio messaggero” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Verranno a te sull'aure i miei sospiri ardenti” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Lucia fra poco a te verrà…Tremante l'aspetto” (Normanno, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Appressati, Lucia…Il pallor funesto, orrendo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Soffriva nel pianto…Un foille t'accese” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Che fia?…Suonar di giubilo” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Se tradirmi tu potrai…Tu che vedi il pianto mio” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Per te d'immenso giubilo…Per poco fra le tenebre sparì la vostra stella” (Coro, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Dov'è Lucia?…Qui giungere or la vedrem” (Arturo, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Piange la madre estinta” (Enrico, Lucia, Arturo, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Arturo, Alisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “T'allontana, sciagurato…Rispettate in me di Dio” (Arturo, Enrico, Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Sconsigliato! In queste porte chi ti guida?” (Enrico, Edgardo, Raimondo, Lucia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Esci, fuggi, il furor che mi accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “D'immenso giubilo s'innalzi un grido” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Dalle stanze ove Lucia tratta avea col suo consorte” (Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Oh! Qual funesto avvenimento!” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Il dolce suono mi colpì di sua voce!…Ardon gli incensi” (Lucia, Raimondo, Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tombe degli avi miei” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Fra poco a me ricovero darà negletto avello” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I pagliacci: Prologue. “Si può? Si può?” (Tonio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I pagliacci: Act I, Scene 1. “Son qua!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I pagliacci: Act I, Scene 1. “Un grande spettacolo a ventitré ore” (Canio, Coro, Tonio, Beppe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I pagliacci: Act I, Scene 1. “Un tal gioco, credetemi, è meglio non giocarlo” (Canio, Nedda, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I pagliacci: Act I, Scene 1. “I zampognari!…Din, don. Suona vespero” (Ragazzi, Coro, Canio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Qual fiamma avea nel guardo…Hui! Stridono lassù” (Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Sei là! Credea che te ne fossi andato” (Nedda, Tonio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “So ben che lo scemo contorto son io” (Nedda, Tonio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Nedda!…Silvio! A quest'ora che imprudenza” (Silvio, Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “E fra quest'ansie in eterno vivrai” (Silvio, Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Non mi tentar!” (Nedda, Silvio, Tonio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “E allor perché di', tu m'hai stregato” (Silvio, Nedda, Tonio, Canio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Derisione e scherno!” (Canio, Nedda, Beppe, Tonio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Recitar! Mentre preso dal delirio” (Canio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. “Vesti la giubba” (Canio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e I pagliacci: Act I, Scene 2. Intermezzo (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e I pagliacci: Act 2. “Presto, affrettiamoci” (Coro, Tonio, Beppe, Silvio, Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Pagliaccio, mio marito” (Nedda [Colombina])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Ah! Colombina, il tenero” (Beppe [Arlecchino])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Di fare il segno convenuto” (Nedda [Colombina], Tonio [Taddeo], Beppe[Arlecchino])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Arlecchin!…Colombina!” (Nedda [Colombina], Beppe [Arlecchino], Tonio [Taddeo], Canio [Pagliacci])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Caraggio! Un uomo era con te” (Canio [Pagliacci], Nedda [Colombina], Tonio [Taddeo])\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “No, Pagliaccio non son” (Canio, Coro, Silvio, Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e I pagliacci: Act 2, La commedia. “Suvvia, così terribile” (Canio, Coro, Silvio, Nedda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Cavalleria rusticana: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Cavalleria rusticana: “O Lola ch'hai di latti la cammisa” (Turiddu)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Cavalleria rusticana: Preludio: Seguito e fine (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cavalleria rusticana: “Gli aranci olezzano” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cavalleria rusticana: “Dite, Mamma Lucia” (Santuzza, Mamma Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cavalleria rusticana: “Il cavallo scalpita” (Alfio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Cavalleria rusticana: “Beato voi, compar Alfio” (Mamma Lucia, Alfio, Santuzza)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Cavalleria rusticana: “Regina Coeli, laetare; alleluja!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Cavalleria rusticana: “Inneggiamo, il Signor non è morto” (Santuzza, Coro, Mamma Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Cavalleria rusticana: “Voi lo sapete, o mamma” (Santuzza, Mamma Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Cavalleria rusticana: “Tu qui, Santuzza?” (Turiddu, Santuzza)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Cavalleria rusticana: “Fior di giaggiolo” (Lola, Turiddu, Santuzza)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Cavalleria rusticana: “Ah! Lo vedi, che hai tu detto?” (Santuzza, Turiddu)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Cavalleria rusticana: “No, no, Turiddu, rimani, rimani ancora” (Santuzza, Turiddu)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Cavalleria rusticana: “Oh! Il Signore vi manda, compar Alfio!” (Santuzza, Alfio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Cavalleria rusticana: Intermezzo (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Cavalleria rusticana: “A casa, a casa, amici” (Coro, Turiddu, Lola)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Cavalleria rusticana: “Viva il vino spumeggiante” (Turiddu, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Cavalleria rusticana: “A voi tutti, salute!” (Alfio, Coro, Turiddu, Lola)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Cavalleria rusticana: “Mamma, quel vino è generoso” (Turiddu, Mamma Lucia, Santuzza, Una voce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act I. “Feste e pane!” (Coro, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act I. “E cantan su lor tombe!” (Barnaba, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act I. “Figlia, che reggi il tremulo piè” (Cieca, Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act I. “L'ora non giunse ancor del vespro santo” (Gioconda, Barnaba, Cieca, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act I. “Polso di cerro!” (Coro, Barnaba, Zuàne, Cieca, Isèpo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act I. “Suo covo è un tugurio” (Barnaba, Coro, Isèpo, Zuàne, Cieca, Gioconda, Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act I. “Che? La plebe or qui si arroga” (Alvise, Coro, Gioconda, Laura, Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act I. “Voce di donna o d'angelo” (Cieca, Laura, Enzo, Gioconda, Alvise, Barnaba, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act I. “Enzo Grimaldo, Principe di Santafior, che pensi?” (Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act I. “O grido di quest'anima” (Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act I. “Maledici? Sta ben…l'amor t'accieca” (Barnaba, Isèpo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act I. “O monumento!” (Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act I. “Carneval! Baccanal!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act I. “Angele Dei” (Coro, Barnaba, Gioconda, Cieca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Act II. “Ho! He! Ho! He! Fissa il timone!!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act II. “Pescator, affonda l'esca” (Barnaba, Pilota, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act II. “Pescator, affonda l'esca” (Barnaba, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act II. “Sia gloria ai canti dei naviganti!” (Enzo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act II. “Cielo e mar!” (Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act II. “Ma chi vien?” (Enzo, Barnaba, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act II. “Laggiù nelle nebbie remote” (Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act II. “E il tuo nocchiere or la fuga t'appresta” (Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act II. “Stella del marinar!” (Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act II. “È un anatema!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act II. “Là attesi e il tempo colsi” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act II. “L'amo come il fulgor del creato!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act II. “Il mio braccio t'afferra!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act II. “Maledizion! Ha preso il vol!” (Barnaba, Gioconda, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act II. “Vedi là, nel canal morto” (Gioconda, Enzo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Sì! morir ella de'!” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Ombre di mia prosapia” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Qui chiamata m'avete?…Bella così, madonna” (Laura, Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Morir! è troppo orribile!” (Laura, Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “La gaia canzone” (Coro, Alvise, Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “O madre mia, nell'isola fatale” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Benvenuti messeri! Andrea Sagredo!” (Alvise, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Grazie vi rendo per le vostre laudi” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Prodigio! Incanto!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act III, La danza delle ore. “Vieni!…Lasciami!” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act III, La danza delle ore. “Già ti veggo immota e smorta” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act IV. “Nessun v'ha visto?” (Gioconda, Cantore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act IV. “Suicidio!” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act IV. “Ecco, il velen di Laura” (Gioconda, Prima voce, Seconda voce, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act IV. “Ridarti il sol, la vita!” (Gioconda, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La Gioconda: Act IV. “O furibonda jena” (Enzo, Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La Gioconda: Act IV. “Ten va serenata” (Coro, Gioconda, Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La Gioconda: Act IV. “La barca s'avvicina” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La Gioconda: Act IV. “Quest'ultimo bacio che il pianto” (Gioconda, Laura, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La Gioconda: Act IV. “Ora posso morir. Tutto è compiuto” (Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La Gioconda: Act IV. “Vo' farmi più gaia, più fulgida ancora” (Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act I. “Feste e pane!” (Coro, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act I. “E cantan su lor tombe!” (Barnaba, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act I. “Figlia, che reggi il tremulo piè” (Cieca, Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act I. “L'ora non giunse ancor del vespro santo” (Gioconda, Barnaba, Cieca, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act I. “Polso di cerro!” (Coro, Barnaba, Zuàne Cieca, Isèpo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act I. “Suo covo è un tugurio” (Barnaba, Coro, Isèpo, Zuàne, Cieca, Gioconda, Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act I. “Che? La plebe or qui si arroga” (Alvise, Coro, Gioconda, Laura, Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act I. “Voce di donna o d'angelo” (Cieca, Laura, Enzo, Gioconda, Alvise, Barnaba, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act I. “Enzo Grimaldo, Principe di Santafior, che pensi?” (Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act I. “O grido di quest'anima” (Barnaba, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act I. “Maledici? Sta ben…l'amor t'accieca” (Barnaba, Isèpo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act I. “O monumento!” (Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act I. “Carneval! Baccanal!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act I. “Angele Dei” (Coro, Barnaba, Gioconda, Cieca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Act II. “Ho! He! Ho! He! Fissa il timone!!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act II. “Pescator, affonda l'esca” (Barnaba, Pilota, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act II. “Pescator, affonda l'esca” (Barnaba, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act II. “Sia gloria ai canti dei naviganti!” (Enzo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act II. “Cielo e mar!” (Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act II. “Ma chi vien?” (Enzo, Barnaba, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act II. “Laggiù nelle nebbie remote” (Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act II. “E il tuo nocchiere or la fuga t'appresta” (Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act II. “Stella del marinar!” (Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act II. “È un anatema!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act II. “Là attesi e il tempo colsi” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act II. “L'amo come il fulgor del creato!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act II. “Il mio braccio t'afferra!” (Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act II. “Maledizion! Ha preso il vol!” (Barnaba, Gioconda, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act II. “Vedi là, nel canal morto” (Gioconda, Enzo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Sì! morir ella de'!” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Ombre di mia prosapia” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Qui chiamata m'avete?…Bella così, madonna” (Laura, Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “Morir! è troppo orribile!” (Laura, Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “La gaia canzone” (Coro, Alvise, Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Gioconda: Act III, Scene 1. “O madre mia, nell'isola fatale” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Benvenuti messeri! Andrea Sagredo!” (Alvise, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Grazie vi rendo per le vostre laudi” (Alvise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La Gioconda: Act III, Scene 2. “Prodigio! Incanto!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La Gioconda: Act III, La danza delle ore. “Vieni!…Lasciami!” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La Gioconda: Act III, La danza delle ore. “Già ti veggo immota e smorta” (Barnaba, Cieca, Coro, Alvise, Enzo, Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La Gioconda: Act IV. “Nessun v'ha visto?” (Gioconda, Cantore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La Gioconda: Act IV. “Suicidio!” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Gioconda: Act IV. “Ecco, il velen di Laura” (Gioconda, Prima voce, Seconda voce, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La Gioconda: Act IV. “Ridarti il sol, la vita!” (Gioconda, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La Gioconda: Act IV. “O furibonda jena” (Enzo, Gioconda, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La Gioconda: Act IV. “Ten va serenata” (Coro, Gioconda, Enzo, Laura)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La Gioconda: Act IV. “La barca s'avvicina” (Gioconda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La Gioconda: Act IV. “Quest'ultimo bacio che il pianto” (Gioconda, Laura, Enzo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La Gioconda: Act IV. “Ora posso morir. Tutto è compiuto” (Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La Gioconda: Act IV. “Vo' farmi più gaia, più fulgida ancora” (Gioconda, Barnaba)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La bohème: Act I. “Questo Mar Rosso mi ammollisce e assidera” (Marcello, Rodolfo, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La bohème: Act I. “Abbasso, abbasso l'autor!” (Marcello, Colline, Rodolfo, Schaunard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La bohème: Act I. “Si può?…Chi è là?” (Benoît, Marcello, Schaunard, Colline, Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La bohème: Act I. “Al Quartiere Latin ci attende Momus” (Schaunard, Marcello, Rodolfo, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La bohème: Act I. “Non sono in vena” (Rodolfo, Mimì)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La bohème: Act I. “Che gelida manina!” (Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La bohème: Act I. “Sì. Mi chiamano Mimì” (Mimì, Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La bohème: Act I. “Ehi! Rodolfo!…O soave fanciulla” (Schaunard, Colline, Marcello, Rodolfo, Mimì)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La bohème: Act II. “Aranci datteri!” (Coro, Schaunard, Colline, Rodolfo, Mimì, Marcello, Ragazzi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La bohème: Act II. “Chi guardi?…Odio il profano volgo” (Rodolfo, Colline, Mimì, Schaunard, Marcello, Coro, Parpignol, Ragazzi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La bohème: Act II. “Beviam…Ch'io beva del tossico!” (Mimì, Rodolfo, Marcello, Schaunard, Colline, Coro, Alcindoro, Musetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La bohème: Act II. “Quando men vo” (Musetta, Marcello, Alcindoro, Mimì, Rodolfo, Schaunard, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La bohème: Act II. “Chi l'ha richiesto?…Vediam” (Colline, Schaunard, Rodolfo, Marcello, Coro, Ragazzi, Musetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La bohème: Act III. “Ohè, là, le guardie…Aprite!” (Coro, Doganiere, Musetta, Mimì, Sergente)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La bohème: Act III. “Mimì?!…Speravo di trovarvi qui” (Marcello, Mimì)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La bohème: Act III. “Marcello. Finalmente” (Rodolfo, Marcello, Mimì)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La bohème: Act III. “D'onde lieta uscì al tuo grido d'amore” (Mimì)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La bohème: Act III. “Dunque è proprio finita?” (Rodolfo, Mimì, Marcello, Musetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La bohème: Act IV. “In un coupé?…Con pariglia e livree” (Marcello, Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La bohème: Act IV. “O Mimì, tu più non torni” (Rodolfo, Marcello)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La bohème: Act IV. “Che ora sia?” (Rodolfo, Marcello, Schaunard, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La bohème: Act IV. “C'è Mimì…c'è Mimì che mi segue e che sta male” (Musetta, Rodolfo, Schaunard, Mimì, Marcello, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La bohème: Act IV. “Vecchia zimarra, senti” (Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La bohème: Act IV. “Schaunard, ognuno per diversa via” (Colline, Schaunard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La bohème: Act IV. “Sono andati?” (Mimì, Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La bohème: Act IV. “Oh Dio! Mimì!…Che avvien?” (Rodolfo, Schaunard, Mimì, Musetta, Marcello, Colline)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Madama Butterfly: Act I. “E soffitto… e pareti” (Pinkerton, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Madama Butterfly: Act I. “Questa è la cameriera” (Goro, Pinkerton, Suzuki, Sharpless)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Madama Butterfly: Act I. “Dovunque al mondo” (Pinkerton, Sharpless, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Madama Butterfly: Act I. “Quale smania vi prende!” (Sharpless, Pinkerton, Coro, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Madama Butterfly: Act I. “Quanto cielo!…Ancora un passa or via” (Coro, Butterfly, Sharpless)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Madama Butterfly: Act I. “Gran ventura” (Butterfly, Coro, Pinkerton, Sharpless, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Madama Butterfly: Act I. “L'imperial Commissario” (Goro, Pinkerton, Coro, Butterfly, Cugina, Madre, Yokuside, Zia, Sharpless)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Madama Butterfly: Act I. “Vieni, amor mio!” (Pinkerton, Butterfly, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Madama Butterfly: Act I. “Ieri son salita tutta sola” (Butterfly, Goro, Commissario, Coro, Sharpless, Ufficiale del Registro, Pinkerton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Madama Butterfly: Act I. “Ed eccoci in famiglia” (Pinkerton, Coro, Bonzo, Butterfly, Goro, Suzuki)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Madama Butterfly: Act I. “Vieni la sera” (Pinkerton, Butterfly, Suzuki)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Madama Butterfly: Act I. “Bimba dagli acchi pieni di malia” (Pinkerton, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Madama Butterfly: Act I. “Vogliatemi bene, un bene piccolino” (Pinkerton, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Madama Butterfly: Act II. “E Izaghi ed Izanami” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Madama Butterfly: Act II. “Un bel dì vedremo” (Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Madama Butterfly: Act II. “C'è. Entrate” (Goro, Sharpless, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Madama Butterfly: Act II. “Non lo sapete insomma” (Butterfly, Sharpless, Goro, Yamadori)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Madama Butterfly: Act II. “A voi però giurerei fede costante” (Yamadori, Sharpless, Goro, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Madama Butterfly: Act II. “Ora a noi” (Sharpless, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Madama Butterfly: Act II. “E questo? e questo?” (Sharpless, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Madama Butterfly: Act II. “Che tua madre dovrà” (Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Madama Butterfly: Act II. “Io scendo al piano” (Sharpless, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Madama Butterfly: Act II. “Vespa! Rospo maledetto!” (Suzuki, Butterfly, Goro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Madama Butterfly: Act II. “Una nave da guerra” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Madama Butterfly: Act II. “Scuoti quella fronda di ciliegio” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Madama Butterfly: Act II. “Or vienmi ad adornar” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Madama Butterfly: Act II. “Coro a bocca chiusa” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Madama Butterfly: Act II. “Oh eh! Oh eh! Oh eh!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Madama Butterfly: Act II. “Già il sole!” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Madama Butterfly: Act II. “Povera Butterfly!” (Suzuki, Sharpless, Pinkerton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Madama Butterfly: Act II. “Io so che alle sue pene” (Suzuki, Sharpless, Pinkerton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Madama Butterfly: Act II. “Addio, firito asil” (Pinkerton, Sharpless)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Madama Butterfly: Act II. “Glielo dirai?” (Kate, Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Madama Butterfly: Act II. “Che vuoi da me?” (Butterfly, Suzuki, Sharpless, Kate)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Madama Butterfly: Act II. “Come una mosca priogioniera” (Suzuki, Butterfly)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Madama Butterfly: Act II. “Con onor muore” (Butterfly, Pinkerton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Manon Lescaut: Act I. “Ave, sera gentile” (Edmondo, Coro, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Manon Lescaut: Act I. “Tra voi, belle, brune e bionde” (Des Grieux, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Manon Lescaut: Act I. “Ma bravo!” (Edmondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Manon Lescaut: Act I. “Discendono, vediam!” (Coro, Edmondo, Lescaut, Oste, Des Grieux, Geronte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Manon Lescaut: Act I. “Cortese damigella, il priego mio accettate” (Des Grieux, Manon, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Manon Lescaut: Act I. “Donna non vidi mai” (Das Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Manon Lescaut: Act I. “La tua ventura ci rassicura” (Edmondo, Coro, Geronte, Lescaut, Oste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Manon Lescaut: Act I. “La tua Proserpina di resisterti” (Edmondo, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Manon Lescaut: Act I. “Vedete? Io son fedele alla parola mia” (Manon, Des Grieux, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Manon Lescaut: Act I. “Non c'è più vino?” (Lescaut, Des Grieux, Manon, Edmondo, Geronte, Oste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Manon Lescaut: Act I. “Cavalli pronti avete?” (Lescaut, Geronte, Edmondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Manon Lescaut: Act II. “Dispettosetto questo riccio!” (Manon, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Manon Lescaut: Act II. “Sei splendida e lucente!” (Manon, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Manon Lescaut: Act II. “In quelle trine morbide” (Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Manon Lescaut: Act II. “Poiché tu vuoi saper” (Lescaut, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Manon Lescaut: Act II. “Che ceffi son costor?” (Lescaut, Manon, Musico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Manon Lescaut: Act II. “Paga costor!” (Manon, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Manon Lescaut: Act II. “Vi prego, signorina” (Maestro di ballo, Geronte, Manon, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Manon Lescaut: Act II. “Oh, sarò la più bella!” (Manon, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Manon Lescaut: Act II. “Ah!…Affè, madamigella” (Manon, Geronte, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Manon Lescaut: Act II. “Ah, Manon, mi tradisce” (Des Grieux, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Manon Lescaut: Act II. “Lescaut!…Tu qui?” (Des Grieux, Manon, Lescaut, Sergente)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Manon Lescaut: Intermezzo (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Manon Lescaut: Act III. “Ansia eterna, crudel” (Des Grieux, Lescaut)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Manon Lescaut: Act III. “Manon!…Des Grieux!” (Des Grieux, Manon, Lampionaio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Manon Lescaut: Act III. “All'armi! All'armi!” (Coro, Lescaut, Des Grieux, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Manon Lescaut: Act III. “Il passo m'aprite!” (Sergente, Comandante, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Manon Lescaut: Act III. “Rosetta!” (Sergente, Coro, Lescaut, Manon, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Manon Lescaut: Act III. “Presto in fila! Marciate!” (Sergente, Des Grieux, Coro, Comandante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Manon Lescaut: Act III. “Ah, non v'avvicinate!…Come io piango ed imploro” (Des Grieux, Comandante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Manon Lescaut: Act IV. “Tutta su me ti posa” (Des Grieux, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Manon Lescaut: Act IV. “Manon, senti, amor mio!…Vedi, son io che piango” (Des Grieux, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Manon Lescaut: Act IV. “E nulla! Nulla!” (Des Grieux, Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Manon Lescaut: Act IV. “Sola, perduta, abbandonata” (Manon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Manon Lescaut: Act IV. “Fra le tue braccia, amore” (Manon, Des Grieux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act I. “Ah! Finalmente!” (Angelotti, Sagrestano, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act I. “Dammi i colori…Recondita armonia” (Cavaradossi, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act I. “Ah, quegli occhi…Quale occhio al mondo può star di paro” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act I. “È buona la mia Tosca” (Cavaradossi, Angelotti, Sagrestano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act I. “Or tutto è chiaro…Tosca? Che non mi veda…Mario! Mario!” (Scarpia, Tosca, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act I. “Tre sbirri, una carrozza” (Scarpia, Spoletta, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act II. “Ha più forte” (Scarpia, Sciarrone, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act II. “Meno male!” (Scarpia, Spoletta, Coro, Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act II. “Dov'è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act II. “Ed or fra noi parliam da buoni amici…Sciarrone, che dice il Cavalier?” (Scarpia, Tosca, Sciarrone, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act II. “Nel pozzo…nel giardino” (Scarpia, Sciarrone, Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act II. “Vissi d'arte” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Act II. “E qual via scegliete?” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Act III. “Io de' sospiri” (Voce del pastore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Act III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Act III. “E lucevan le stelle” (Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Act III. “O dolci mani mansuete e pure” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Act III. “E non giungono” (Tosca, Cavaradossi, Carceriere)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Act III. “Com'è lunga l'attesa!” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Act III. “Presto! Su, Mario! Mario! Su! Presto! Andiam!” (Tosca, Voci, Sciarrone, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act I. “Ah! Finalmente!” (Angelotti, Sagrestano, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act I. “Dammi i colori…Recondita armonia” (Cavaradossi, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act I. “Mario! Mario! Mario!” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act I. “Ah, quegli occhi…Quale occhio al mondo può star di paro” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act I. “È buona la mia Tosca” (Cavaradossi, Angelotti, Sagrestano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act I. “Or tutto è chiaro…Tosca? Che non mi veda…Mario! Mario!” (Scarpia, Tosca, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act I. “Ed io venivo a lui tutta dogliosa” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act I. “Tre sbirri, una carrozza” (Scarpia, Spoletta, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act II. “Ha più forte” (Scarpia, Sciarrone, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act II. “Meno male!” (Scarpia, Spoletta, Coro, Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act II. “Dov'è dunque Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act II. “Ed or fra noi parliam da buoni amici…Sciarrone, che dice il Cavalier?” (Scarpia, Tosca, Sciarrone, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act II. “Nel pozzo…nel giardino” (Scarpia, Sciarrone, Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act II. “Se la giurata fede debbo tradir” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act II. “Vissi d'arte” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act II. “Vedi, le man giunte io stendo a te!” (Tosca, Scarpia, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Act II. “E qual via scegliete?” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Act III. “Io de' sospiri” (Voce del pastore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Act III. “Mario Cavaradossi? A voi” (Carceriere, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Act III. “E lucevan le stelle” (Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Act III. “O dolci mani mansuete e pure” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Act III. “E non giungono” (Tosca, Cavaradossi, Carceriere)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Act III. “Com'è lunga l'attesa!” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Act III. “Presto! Su, Mario! Mario! Su! Presto! Andiam!” (Tosca, Voci, Sciarrone, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Turandot: Act I. “Popolo di Pekino!” (Mandarino, Folla, Liù)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Turandot: Act I. “Padre! Mio padre!” (Il principe ignoto [Calaf], Liù, Folla, Timur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Turandot: Act I. “Perduta la battaglia” (Il principe ignoto [Calaf], Liù, Folla, Timur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Turandot: Act I. “Gira la cote! Gira!” (Folla, Servi del boia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Turandot: Act I. “Perché tarda la luna?” (Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Turandot: Act I. “Là, sui monti dell'est” (Ragazzi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Turandot: Act I. “O giovinetto!” (Folla, Principe, Sacerdoti bianchi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Turandot: Act I. “Figlio, che fai?” (Timur, Principe, Liù, Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Turandot: Act I. “Fermo! che fai? T'arresta!” (Ministri [Ping, Pong, Pang], Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Turandot: Act I. “Silenzio, olà!” (Ancelle, Ministri, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Turandot: Act I. “Guardalo, Pong!” (Ministri, Timur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Turandot: Act I. “Non indugiare!” (Fantasmi, Principe, Ministri, Timur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Turandot: Act I. “Signore, ascolta!” (Liù)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Turandot: Act I. “Non piangere, Liù” (Principe, Liù, Timur)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Turandot: Act I. “Ah! per l'ultima volta!” (Timur, Liù, Ministri, Principe, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Turandot: Act II, Scene 1. “Olà, Pang! Olà, Pong!” (Ministri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Turandot: Act II, Scene 1. “O Cina, o Cina” (Ministri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Turandot: Act II, Scene 1. “Ho una casa nell'Honan” (Ministri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Turandot: Act II, Scene 1. “O mondo, pieno di pazzi innamorati!” (Ministri, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Turandot: Act II, Scene 1. “Addio, amore!” (Ministri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Turandot: Act II, Scene 1. “Noi si sogna” (Ministri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Gravi, enorme ed impotenti” (Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Un giuramento atroce mi costringe” (Imperatore, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Diecimila anni ai nostro imperatore!” (Folla, Mandarino, Ragazzi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Turandot: Act II, Scene 2. “In questa reggia” (Turandot, Folla, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Straniero, ascolta! Nella cupa notte” (Turandot, Principe, Sapienti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Giuzza al pari di fiamma” (Turandot, Imperatore, Folla, Liù, Principe, Sapienti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Gelo che ti dà foco” (Turandot, Imperatore, Folla, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e29.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Gloria, o vincitore!” (Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Figlio del cielo!” (Turandot, Imperatore, Folla, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e31.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Tre engimi m'hai proposto!” (Principe, Imperatore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32.\u003c\/strong\u003e Turandot: Act II, Scene 2. “Ai tuoi piedi ci prostriam” (Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Così comanda Turandot” (Araldi, Voci Iontane)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Nessun dorma!” (Principe, Voci di donne)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Tu che guardi le stelle” (Ministri, Principe, Donne, Folla, Sgherri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Principessa divina!” (Ping, Turandot, Principe, Liù, Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Quel nome!” (Ping, Liù, Timur, Principe, Folla, Turandot)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Turandot: Act III, Scene 1. “L'amore?…Tanto amore, segreto e inconfessato” (Turandot, Liù, Ping, Principe, Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Tu, che di gel sei cinta” (Liù, Folla, Principe, Timur, Ping)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Liù… bontà!” (Timur, Ministri, Folla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Principessa di morte!” (Principe, Turandot)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Che è mai di me? Perduta!” (Turandot, Principe, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Turandot: Act III, Scene 1. “Del primo pianto! Sì…La mia gloria è il tuo amplesso!” (Turandot, Principe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Turandot: Act III, Scene 2. “Diecimila anni ai nostro Imperatore!” (Folla, Turandot)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il barbiere di Siviglia: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Piano, pianissimo, senza parlar” (Fiorello, Coro, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Ecco ridente in cielo” (Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Ehi, Fiorello?” (Conte, Fiorello, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Mille grazie, mio signore” (Conte, Fiorello, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Gente indiscreta!” (Conte, Fiorello, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “La ran la le ra, la ran la la. Largo al factotum” (Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Ah, che bella vita!” (Figaro, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Se il mio nome saper voi bramate” (Conte, Rosina, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “Oh, cielo!” (Conte, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 1. “All'idea di quel metallo” (Conte, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Una voce poco fa” (Rosina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Sì, sì, la vincerò” (Rosina, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ah, disgraziato Figaro!” (Bartolo, Rosina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ah! Barbiere d'inferno” (Bartolo, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “La calunnia è un venticello” (Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ah! Che ne dite?” (Bartolo, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ma bravi! Ma benone!” (Figaro, Rosina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Dunque io son” (Figaro, Rosina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ora mi sento meglio” (Rosina, Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “A un dottor della mia sorte” (Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Finora in questa camera” (Berta, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ehi, di casa, buona gente” (Conte, Bartolo, Rosina, Berta, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Che cosa accadde, signori miei” (Conte, Bartolo, Rosina, Berta, Basilio, Figaro, Coro, Ufficiale)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Fredda ed immobile” (Rosina, Conte, Bartolo, Figaro, Basilio, Berta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il barbiere di Siviglia: Act I, Scene 2. “Ma signor…ma un dottor” (Bartolo, Coro, Rosina, Basilio, Berta, Conte, Figaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Ma vedi il mio destino!” (Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Pace e gioia sia con voi” (Conte, Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Insomma, mio signore, chi è lei?” (Conte, Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Venite, signorina” (Bartolo, Rosina, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Contro un cor che accende amore” (Rosina, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Bella voce! Bravissima!” (Conte, Rosina, Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Quando, mi sei vicina” (Bartolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Bravo, signor barbiere, ma bravo!” (Bartolo, Figaro, Rosina, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Don Basilio!…Cosa veggo!” (Rosina, Conte, Figaro, Bartolo, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Buona sera, mio signore” (Rosina, Conte, Figaro, Bartolo, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Che vecchio sospettoso!” (Berta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Il vecchiotto cerca moglie” (Berta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. Temporale (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Alfine eccoci qua” (Figaro, Conte, Rosina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Ah, qual colpo inaspettato!” (Rosina, Figaro, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Ah, disgraziati noi!” (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Insomma io ho tutti i torti” (Bartolo, Figaro, Conte, Rosina, Basilio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Il barbiere di Siviglia: Act II. “Di sì felice innesto” (Figaro, Bartolo, Basilio, Berta, Coro, Rosina, Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il turco in Italia: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Nostra pastria è mondo intero” (Coro, Zaida, Albazar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Ho da fare un dramma buffo” (Prosdocimo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Ah! se di questi zingari l'arrivo” (Prosdocimo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Vado in traccia di una zingara” (Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Chi vuoi farsi astologar?” (Coro, Geronio, Zaida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Ah, mia moglie, san ci sono” (Geronio, Zaida, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Non si dà follia maggiore” (Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Voga, voga, a terra, a terra” (Coro, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Bella Italia, alfin ti miro” (Selim, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Serva… Servo” (Selim, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Amici… soccorretemi” (Geronio, Narciso, Prosdocimo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 1. “Un marito scimunito!” (Geronio, Narciso, Prosdocimo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Olà, tosto il caffè. Sedete” (Fiorilla, Selim)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Siete turchi, non vi credo” (Fiorilla, Selim, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Io stupisco, mi sorprende” (Fiorilla, Selim, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Come! sì grave scorno soffrir potete in pace?” (Fiorilla, Selim, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Un vecchio far non può maggior follia” (Geronio, Prosdocimo, Fiorillo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “Per piacere alla signora” (Geronio, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 2. “No, mia vita, io tesoro” (Geronio, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Gran meraviglie” (Coro, Zaida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Per la fuga è tutto lesto” (Selim, Prosdocimo, Zaida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Perché mai se sib traduti” (Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Evviva d'amore il foco vitale” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Chi servir non brama amor s'allontani” (Fiorilla, Selim)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Qui mia moglie ha da venire” (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Ah! che il cor non m'ingannava” (Geronio, Fiorilla, Selim, Narciso, Prosdocimo, Zaida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Il turco in Italia: Act I, Scene 3. “Vada via, si guardi bene di cercar l'amante mio” (Selim, Prosdocimo, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “A proposito, amico” (Selim, Prosdocimo, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “D'un bell'uso di Turchia” (Selim, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “Se Fiorilla di vender bramate” (Selim, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “Non v'è piacer perfetto se nol procura amor” (Coro, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “Che turca impertinente!” (Fiorilla, Zaida, Selim)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “Credete alle femmine che dicon d'amarvi!” (Selim, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “In Italia certamente non si fa l'amor così” (Selim, Fiorilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 1. “Fermate…cisa c'è” (Prosdocimo, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 2. “E Selim non si vede!” (Fiorilla, Narciso, Selim, Zaida, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 2. “Oh! guardate che accidente!” (Fiorilla, Narciso, Selim, Zaida, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 2. “Dunque seguitemi” (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 2. “Questo vecchio maledetto” (Selim, Narciso, Fiorilla, Zaida, Geronio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 3. “Sì, mi è forza partir” (Fiorilla, Prosdocimo, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 3. “Son la vite sul campo appassita” (Fiorilla, Prosdocimo, Geronio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 3. “Rida a voi sereno il cielo” (Coro, Selim, Zaida, Prosdocimo, Fiorilla, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il turco in Italia: Act II, Scene 3. “Restate contenti” (Coro, Selim, Zaida, Prosdocimo, Fiorilla, Geronio, Narciso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Act I, Scene 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Act I, Scene 1. “Se quel guerriero io fossi!” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Act I, Scene 1. “Celeste Aida” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Act I, Scene 1. “Quale isolita gioia nel tuo sguardo!” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Act I, Scene 1. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Act I, Scene 1. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Ministri, Capitani)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Act I, Scene 1. “Su! del Nilo al sacro lida” (Re, Ramfis, Ministri, Capitani, Aida, Radamès, Amneris, Sacerdoti, Messaggero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act I, Scene 1. “Ritorna vincitor!” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Act I, Scene 2. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Sacerdoti, Sacerdotesse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Act I, Scene 2. “Immenso Fthà!…Mortal, diletto ai numi” (Sacerdotesse, Ramfis, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Act I, Scene 2. “Nume, custode e vindice” (Ramfis, Radamès, Sacerdoti, Sacerdotesse, Sacerdotessa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Act II, Scene 1. “Chi mai fra gi'inni e i plausi” (Schiave, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Act II, Scene 1. Danza di piccoli schiavi mori (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Act II, Scene 1. “Vieni, sul crin ti piovano” (Schiave, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Act II, Scene 1. “Fu la sorte dell'armi a'tuoi funesta” (Amneris, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Act II, Scene 1. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Act II, Scene 1. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Aida: Act II, Scene 2. “Gloria, all'Egitto, ad Iside” (Papolo, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Aida: Act II, Scene 2. Marcia trionfale (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Aida: Act II, Scene 2. Ballabile (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Aida: Act II, Scene 2. “Vieni, o guerriero vindice” (Popolo, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Aida: Act II, Scene 2. “Salvator della patria” (Re, Radamès, Ramfis, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Aida: Act II, Scene 2. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Schiave, Prigioineri, Ramfis, Sacerdoti, Amneris, Amonasro, Re, Popolo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Aida: Act II, Scene 2. “Il dolor che in quel volto favella” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Aida: Act II, Scene 2. “O Re, pei sacri numi…Gloria all'Egitto” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Act III. “O tu che sei d'Osiride” (Coro, Ramfis, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Act III. “Vieni d'Iside al tempio” (Coro, Ramfis, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Act III. “Qui Radamès verrà!” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Act III. “O patria mia” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Act III. “Ciel! mio padre!” (Aida, Amonasro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Act III. “Riverdrai le foreste imbalsamate” (Aida, Amonasro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Act III. “Pur ti riveggo, mia dolce Aida” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Act III. “Nel fiero anelito di nuova guerra” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act III. “Fuggiam gli ardori inospiti…Là, tra foreste vergini” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Act III. “Ma dimmi; per qual via” (Aida, Radamès, Amonasro, Amneris, Ramfis)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Act IV, Scene 1. “L'aborrita rivale a me sfuggia” (Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Già i sacerdoti adunansi” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Ohimè! morir mi sento!” (Amneris, Ramfis, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Spirto del nume” (Amneris, Ramfis, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Act IV, Scene 1. “A lui vivo, la tomba!…Sacerdoti; compiste un delitto!” (Amneris, Ramfis, Sacerdoti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Act IV, Scene 2. “La fatal pietra socra me si chiuse” (Radamès, Aida, Sacerdoti, Sacerdotesse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Act IV, Scene 2. “Vedi? Di morte l'angelo…Immenso Fthà” (Radamès, Aida, Sacerdoti, Sacerdotesse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Act IV, Scene 2. “O terra, addio” (Aida, Radamès, Coro, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Un ballo in maschera: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Posa in pace, a'bei sogni ristora” (Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “S'avanza il Conte” (Oscar, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “La rivedrà nell'estasi” (Riccardo, Oscar, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Alla vita che t'arride” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Il primo giudice” (Oscar, Riccardo, Giudice)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Volta la terrea” (Oscar, Riccardo, Giudice, Renato, Samuel, Tom, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Zitti…l'incanto non dessi turbare…Re dell'abisso, affrettati” (Coro, Ulrica)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Arrivo il primo!…È lui, è lui!” (Riccardo, Coro, Ulrica)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Su, fatemi largo, sapere vo' il mio fato” (Silvano, Ulrica, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Rallegrati omai” (Ulrica, Silvano, Riccardo, Coro, Servo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Che v'agita così?” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Della città all'occaso” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Consentimi, o Signore” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Figlia d'averno, schiudi la chiostra” (Coro, Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Di' tu se fedele” (Riccardo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Finisci il vaticinio” (Riccardo, Ulrica, Coro, Samuel, Tom, Silvano, Oscar, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Un ballo in maschera: Act II. Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ecco l'orrido campo ove s'accoppia” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ma dall'arido stelo divulsa” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Un ballo in maschera: Act II. “Teco io sto” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Un ballo in maschera: Act II. “Non sai tu che se l'anima mia” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Un ballo in maschera: Act II. “Oh, qual soave brivido” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ahimè! s'appressa alcun” (Amelia, Riccardo, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Un ballo in maschera: Act II. “Amico, gelosa t'affido una cura” (Riccardo, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Un ballo in maschera: Act II. “Odi tu come fremono cupi” (Amelia, Renato, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Un ballo in maschera: Act II. “Seguitemi” (Renato, Amelia, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ve', se di notte qui colla sposa” (Renato, Amelia, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “A tal colpa è nulla il pianto” (Renato, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Morrò, ma prima in grazia” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Alzati! là tuo figlio” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Eri tu che macchiavi quell'anima…O dolcezze perdute! O memorie” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Siam soli, Udite” (Renato, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Dunque l'onta di tutti sol una” (Renato, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “D'uno grazia ci supplico” (Renato, Samuel, Tom, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Qual è dunque l'eletto?…Ah! del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Ah! Di che fulgor, che musiche” (Renato, Oscar, Amelia, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Forse la soglia attinse” (Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Ma se m'è forza perderti” (Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Ah! dessa è là” (Riccardo, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Fervono amori e danze” (Coro, Samuel, Renato, Tom, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Saper vorreste di che si veste” (Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Fervono amori e danze” (Coro, Renato, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Ah! perché qui! fuggite” (Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La forza del destino: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La forza del destino: Act I. “Buona notte, mia figlia” (Marchese, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La forza del destino: Act I. “Temea restasse qui fino a domani!” (Curra, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La forza del destino: Act I. “Me, pellegrina ed orfana” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La forza del destino: Act I. “M'aiuti, signorina, più presto andrem” (Curra, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La forza del destino: Act I. “Ah, per sempre, o mio bell'angiol” (Alvaro, Leonora, Curra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La forza del destino: Act I. “Vil seduttor! Infame figlia!” (Marchese, Leonora, Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Holà, holà, holà! Ben giungi, o mulattier” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “La cena è pronta” (Alcade, Coro, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Che vedo! Mio fratello!” (Leonora, Alcade, Carlo, Coro, Trabuco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Viva la guerra!” (Preziosilla, Carlo, Alcade, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Al suan del tamburo” (Preziosilla, Carlo, Alcade, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Padre Eterna Signor” (Coro, Carlo, Alcade, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Viva la buona compagnia!” (Carlo, Preziosilla, Alcade, Coro, Trabuco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Poich'è imberbe l'incognito” (Carlo, Coro, Alcade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Son Pereda, son ricco d'onore” (Carlo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La forza del destino: Act II, Scene 1. “Sta bene” (Alcade, Preziosilla, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Sono giunta! Grazie, o Dio!” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Madre, pietosa Vergine” (Leonora, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Chi siete?” (Melitone, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Chi mi cerca?” (Guardiano, Leonora, Melitone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Infelice, delusa, reietta” (Leonora, Guardiano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “Il santo nome di Dio Signore sia benedetto” (Guardiano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e La forza del destino: Act II, Scene 2. “La Vergine degli Angeli” (Melitone, Guardiano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La forza del destino: Act III, Scene 1. “Attenti al gioco, attenti, attenti al gioco” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La forza del destino: Act III, Scene 1. “La vita è inferno all'infelice” (Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La forza del destino: Act III, Scene 1. “O tu che in seno agli angeli” (Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La forza del destino: Act III, Scene 1. “Al tradimento!” (Carlo, Coro, Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La forza del destino: Act III, Scene 1. “All'armi!” (Coro, Chirurgo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La forza del destino: Act III, Scene 2. “Piano…qui posi…approntisi il mio letto” (Coro, Alvaro, Carlo, Chirurgo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La forza del destino: Act III, Scene 2. “Salenne in quest'ora” (Alvaro, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La forza del destino: Act III, Scene 2. “Morir! Tremenda cosa!” (Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La forza del destino: Act III, Scene 2. “Urna fatale del mio destino” (Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La forza del destino: Act III, Scene 2. “E s'altra prova rinvenir potessi?” (Carlo, Chirurgo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Compagni, sostiamo” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Né gustare m'è dato un'ora di quiete” (Alvaro, Carlo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Lorchè pifferi e tamburi par che assordino la terra” (Coro, Preziosilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Qua, vivandiere, un sorso” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “A buon mercato chi vuol comprare?” (Trabuco, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Pane, pan per carità!” (Coro, Preziosilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Nella guerra è la follia” (Coro, Preziosilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Toh! Toh! Poffare il mondo! Che tempone!” (Melitone, Coro, Preziosilla)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La forza del destino: Act III, Scene 3. “Rataplan, rataplan, della gloria” (Preziosilla, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La forza del destino: Act IV, Scene 1. “Fate la carità, è un'ora che aspettiamo!” (Coro, Melitone, Guardiano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La forza del destino: Act IV, Scene 1. “Giunge qualcuno, aprite” (Guardiano, Melitone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La forza del destino: Act IV, Scene 1. “Invano Alvaro ti celasti al mondo” (Carlo, Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La forza del destino: Act IV, Scene 1. “Le minaccie, i fieri accenti” (Carlo, Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La forza del destino: Act IV, Scene 2. “Pace, pace mio Dio!” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La forza del destino: Act IV, Scene 2. “Io muoia! Confessione!” (Carlo, Alvaro, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La forza del destino: Act IV, Scene 2. “Non imprecare, umiliati a Lui ch'è giusto e santo” (Guardiano, Leonora, Alvaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Rigoletto: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Della mia bella incognita borghese” (Duca, Borsa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Questa o quella” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Partite? crudele!” (Duca, Contessa, Ceprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “In testa che avete” (Rigoletto, Borsa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Gran nuova! Gran nuova!” (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Ch'io gli parli” (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “O tu che la festa audace” (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Quel vecchio maledivami!” (Rigoletto, Sparafucile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Pari siamo!” (Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Figlia!… Mio padre!…” (Rigoletto, Gilda, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Ah, veglia, o donna” (Rigoletto, Gilda, Giovanna, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Giovanna, ho dei rimorsi” (Gilda, Giovanna, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “È il sol dell'anima” (Duca, Gilda, Ceprano, Borsa Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Addio! speranza ed anima” (Duca, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Gualtier Maldè!…Caro nome” (Gilda, Borsa, Ceprano, Marullo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Riedo!…perché?…Silenzio!” (Rigoletto, Borsa, Ceprano, Marullo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Zitti, zitti, moviamo a vendetta” (Borsa, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Soccorso, padre mio!” (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Rigoletto: Act II. “Ella mi fu rapita!” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rigoletto: Act II. “Parmi veder le lagrime” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Rigoletto: Act II. “Duca, Duca!…Ebben?” (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rigoletto: Act II. “Povero Rigoletto!” (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rigoletto: Act II. “Cortigiani, vil razza dannata” (Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rigoletto: Act II. “Mio padre!…Dio! mia Gilda!” (Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rigoletto: Act II. “Tutte le feste al tempio” (Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rigoletto: Act II. “Compiuto pur quanto” (Rigoletto, Gilda, Usciere, Monterone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Rigoletto: Act II. “Sì, vendetta, tremenda vendetta” (Rigoletto, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Rigoletto: Act III. “E l'ami?” (Rigoletto, Gilda, Duca, Sparafucile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Rigoletto: Act III. “La donna è mobile” (Duca, Sparafucile, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Rigoletto: Act III. “Un dì, se ben rammentomi” (Doca, Maddalena, Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Rigoletto: Act III. “Bella figlia dell'amore” (Doca, Maddalena, Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rigoletto: Act III. “Venti scudi, hai tu detto?” (Rigoletto, Sparafucile, Duca, Maddalena, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Rigoletto: Act III. “È amabile invero” (Maddalena, Sparafucile, Gilda, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Rigoletto: Act III. “Della vendetta alfin giunge l'instante!” (Rigoletto, Sparafucile, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Rigoletto: Act III. “Chi è mai, chi è qui in sua vece?” (Rigoletto, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act I. “Dell'invito trascorsa è già l'ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act I. “Libiamo, ne' lieti calici” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act I. “Che è ciò” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act I. “Un dì felice, eterea” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act I. “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act I. “Si ridesta in ciel l'aurora” (Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act I. “È strano! È strano!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act I. “Ah, fors'è lui che l'anima” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act I. “Follie! follie! Delirio vano è questo!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act I. “Sempre libera” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Lunge da lei” (Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act II, Scene 1. “De' miei bollenti spiriti” (Alfredo, Annina, Violetta, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Annina, done vieni?…Alfredo?…Per parigi or or partiva” (Alfredo, Annina, Violetta, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Pura siccome un angelo” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Non sapete quale affetto” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Un dì, quando le veneri” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah! dite alla giovine” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Imponete…Non amarlo ditegli” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Morrò! La mia memoria” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Dammi tu forza, o cielo!” (Violetta, Annina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Che fai?…Nulla” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah, vive sol quel core all'amor mio!” (Alfredo, Commissionario, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Di Provenza il mar” (Germont, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Avram lieta di maschere la notte” (Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Noi siamo zingarelle” (Coro, Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di Madride noi siam mattadori” (Coro, Gastone, Flora, Dottore, Marchese)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo! Voi!” (Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Violetta, Barone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Invitato a qui seguirmi” (Alfredo, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Ogni suo aver tal femmina” (Alfredo, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di sprezzo degno sé stesso rende” (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo, Alfredo, di questo core” (Violetta, Flora, Germont, Gastone, Barone, Dottore, Marchese, Coro, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act III. Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act III. “Annina?…Comandate?” (Violetta, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act III. “Teneste la promessa” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act III. “Addio, del passato” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act III. “Largo al quadrupede” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act III. “Signora!…Che t'accadde?” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act III. “Parigi, o cara” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act III. “Ah, non più, a un tempio” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act III. “Ah! gran Dio! Morir sì giovine” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act III. “Ah, Violetta!…Voi, signor!” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act III. “Prendi, quest'è l'immagine” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act III. “Se una pudica vergine” (Violetta, Germont, Alfredo, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il trovatore: Act I, Scene 1. “All'erta! All'erta!” (Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il trovatore: Act I, Scene 1. “Di due figli vivea padre beato” (Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il trovatore: Act I, Scene 1. “Abbietta zingara, fosca vegliardo!” (Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il trovatore: Act I, Scene 1. “Brevi e tristi giorni visse” (Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il trovatore: Act I, Scene 1. “Sull'orlo dei tetti” (Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Che più l'arresti?” (Ines, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Tacea la notte placida” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Quanto narrasti di turbamento m'ha piena l'alma!” (Ines, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Di tale amor” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Tace la notte!” (Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Il trovator! Io fremo!…Deserto sulla terra” (Conte, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Anima mia!…Più dell'usato” (Conte, Leonora, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il trovatore: Act I, Scene 2. “Di geloso amor sprezzato” (Conte, Leonora, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Vedi! le fosche notturne spoglie” (Coro delle incudini)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Stride las vampa!” (Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Zingaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Soli or siamo” (Manrico, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Condotta ell'era in ceppi” (Manrico, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Non son tuo figlio!” (Manrico, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Mal reggendo all'aspro assalto” (Manrico, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “L'usato messo Ruiz invia!” (Manrico, Azucena, Messo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Il trovatore: Act II, Scene 1. “Perigliarti ancor languente” (Azucena, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Tutto è deserto” (Conte, Ferrando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Il balen del suo sorriso” (Conte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Qual suono! Oh ciel!” (Conte, Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Per me ora fatale” (Conte, Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Ah! se l'error t'ingombra” (Conte, Ferrando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “Perché piangete?…O dolci amiche” (Leonora, Ines, Conte, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e29.\u003c\/strong\u003e Il trovatore: Act II, Scene 2. “E deggio e posso crederlo?” (Leonora, Conte, Manrico, Ines, Coro, Ferrando, Ruiz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il trovatore: Act III, Scene 1. “Or co' dadi, ma fra poco” (Coro, Ferrando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il trovatore: Act III, Scene 1. “In braccio al mio rival!” (Conte, Ferrando, Coro, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il trovatore: Act III, Scene 1. “Giorni poveri vivea” (Conte, Ferrando, Coro, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il trovatore: Act III, Scene 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il trovatore: Act III, Scene 2. “Quale d'armi fragor” (Leonora, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il trovatore: Act III, Scene 2. “Ah sì, ben mio, coll'essere io tuo” (Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il trovatore: Act III, Scene 2. “L'onda de' suoni mistici pura discenda al cor!” (Manrico, Leonora, Ruiz, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il trovatore: Act III, Scene 2. “Di quella pira, l'orrendo foco” (Manrico, Leonora, Ruiz, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Siam giunti, ecco la torre” (Ruiz, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “D'amor sull'ali rosee” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Miserere…Quel suon quelle preci” (Coro, Leonora, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Di te, di te scordarmi! Tu vedrai che amore in terra” (Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Udiste?” (Conte, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Mira, d'acerbe lagrime” (Conte, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Conte!…Né basti!” (Conte, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il trovatore: Act IV, Scene 1. “Colui vivrà…Vivrà! Contende il giubilo” (Conte, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Madre, non dormi?” (Azucena, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Sì, la stanchezza m'opprime” (Azucena, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Ai nostri monti ritorneremo” (Azucena, Manrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Che! Non m'inganna” (Manrico, Leonora, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Parlar non vuoi?…Ha quest'infame l'amor venuto” (Manrico, Leonora, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Ti scosta!” (Manrico, Leonora)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Il trovatore: Act IV, Scene 2. “Prima che d'altri vivere” (Leonora, Manrico, Conte, Azucena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tristano e Isotta: Liebestod, Act III. “Dolce e calmo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I. “Casta Diva”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I. “Ah! bello a me ritorna”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I puritani: Act II. “O rendetemi la speme”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I puritani: Act II. “Qui la voce sua soave”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I puritani: Act II. “Vien, diletto, è in ciel la luna”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Don Giovanni: Act III. “Non mi dir” (Take 1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Don Giovanni: Act III. “Non mi dir” (Take 2)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Macbeth: Act IV. “”Una macchia è qui tuttora\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Semirande: Act I. “Bel raggio lusinghier”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I vespri siciliani: Act IV. “Arrigo! ah parli a un core”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucrezia Borgia: Prologue. “Tranquillo ei posa…Com'è bello”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Guglielmo Tell: Act II. “S'allontanano alfine…Selva opaca”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Semirande: Act I. “Bel raggio lusinghier”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il pirata: Act I. “Sorgete…Lo sognai ferito, esangue”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Don Carlo: Act IV. “O don fatale”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Cenerentola: Act II. “Nacqui all'affanno…Non più mesta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Oberon: Act II. “Ocean! thou mighty monster”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Act III. “Pur ti riveggo, mia dolce Aida”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I Lomnbardi alla prima crociata: Act I. “Te, Vergin santa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il trovatore: Act IV. “Vanne…D'amor sull'ali rosee”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I vespri siciliani: Act IV. “Arrigo! ah, parli a un core”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Attila: Act I. “Arrigo! ah, parli a un core”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il corsaro: Act II. “Verró…Ah conforto èsol la speme”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I Lombardi alla prima crociata: Act I. “Te, Vergin santa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Manon Lescaut: Act II. “In quelle trine morbide”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Manon Lescaut: Act IV. “Sola, perduta, abbandonata”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Madama Butterfly: Act II. “Un bel dì vedremo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Madama Butterfly: Act II. “Con onor muore”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La bohème: Act I. “Sì. Mi chiamano Mimì”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La bohème: Act III. “Donde lieta uscì”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Suor Angelica: “Senza mamma”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Gianni Schicchi: “O mio babbino caro”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Turandot: Act I. “Signore, ascolta!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Turandot: Act II. “In questa reggia”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Turandot: Act III. “Tu che di gel sei cinta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Adriana Lecouvreur: Act I. “Ecco: respiro appena. Io son l'umile ancella”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Adriana Lecouvreur: Act IV. “Poveri fiori”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Andrea Chénier: Act III. “La mamma morta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Wally: Act I. “Ebben? ne andrò lontana”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Mefistofele: Act III. “L'altra notte in fondo al mare”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Dinorah: Act II. “Ombra leggera” (Aria dell'ombra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lakmé: Act II. “Dov'è l'indiana bruna?” (Aria delle campanelle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I vespri siciliani: Act V. “Mercé, dilette amiche”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act I. “Compagne, teneri amici…Come per me sereno”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act III. “Oh! se una volta sola…Ah! non credea mirarti…Ah! non giunge”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Medea: Act I. “Dei tuoi figli”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La vestale. Act II. “Tu che invoco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La vestale. Act II. “O Nume tutelar”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La vestale. Act III. “Caro oggetto”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Macbeth: Act I. “Nel dì della vittoria…Vieni! t'affretta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act II. “La luce langue”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Macbeth: Act IV. “Una macchia è qui tuttora”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Nabucco: Act II. “Ben io t'invenni…Anch'io dischiuso un giorno”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ernani: Act I. “Surta èla notte…Ernani, Ernani, involami”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Don Carlo: Act V. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Anna Bolena: Act II. “Piangete voi?…Al dolce guidami castel natio”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Hamlet: Act IV. “À vos jeux…Partagez-vous mes fleurs…Et maintenant, écoutez ma chanson”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il pirata: Act II. “Oh! s'io potessi…Col sorriso d'innocenza”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Orphée et Eurydice: Act IV. “J'ai perdu mon Eurydice”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Alceste: Act I. “Divinités du Styx”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmen: Act I. “L'amour est un oiseau rebelle” (Habanera)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmen: Act I. “Près des remparts de Séville” (Séguedille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Samson et Dalila: Act I. “Printemps qui commence”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Samson et Dalila: Act II. “Samson, recerchant ma présence…Amour ! Viens aider ma fablesse !”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Samson et Dalila: Act II. “Mon cœur s'ouvre à ta voix”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Roméo et Juliette: Act I. “Ah! Je veux vivre dans ce réve”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Mignon: Act II. “Ah, our ce soir…Je suis Titania” (Polonaise)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le Cid: Act III. “Du cet affreux combat…Pieurez, mes yeux !”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Louise: Act III. “Depuis le jour”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Iphigénie en Touride: Act II. “Ô malheureuse Iphigénie !”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Damnation de Faust: “D'amour l'ardente flamme”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Les Pêcheurs de perles: Act II. “Me voilà seule…Comme autrefois”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Manon: Act II. “Je ne suis qui faiblesse…Adieu, notre petite table”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Manon: Act III. “Suis-je gentille ainsi ?…Je marche sur tous les chemins”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Werther: Act III. “Werther ! Werther ! Qui m'aurait dit la place” (Air des lettres)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Faust: Act III. “Je vaudrais bien savoir…Il était un Roi de Thulé…Les grands seigneurs…Ah ! Je ris” (Chanson du Roi de Thulé et Air des bijoux)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La Cenerentola: Act II. “Nacqui all'affanno…Non più mesta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Guglielmo Tell: Act II. “S'allontanano alfine!…Selva apaca”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La figlia del reggimento: Act I. “Convien partir”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Semirande: Act I. “Bel raggio lusinghier”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucrezia Borgia: Prologue. “Tranquillo ei posa…Com'è bello”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e L'elisir d'amore: Act II. “Prendi, prendi; per me sei libero”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Scena \u0026amp; Aria: “Ah! perfido”, op. 65\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Don Giovanni: Act I. “Or sai chi l'onore”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Le nozze di Figaro: Act II. “Porgi, amor”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Oberon: Act II. “Ocean! thou mighty monster”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Don Giovanni: Act II. “Crudele? … Non mi dir”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Don Giovanni: Act II. “In quali eccessi, o Numi! … Mi tradi quell'alma ingrata”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Otello: Act IV. “Mi parea…Mia madre aveva una povera ancella”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Otello: Act IV. “Piangea cantando”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Otello: Act IV. “Ave Maria piena di grazie”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aroldo: Act I. “Ciel, ch'io respiri!…Salvami, salvami tu, gran Dio!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Don Carlo: Act III. “O don fatale”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aroldo: Act II. “O Cielo! Dove son io?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Don Carlo: Act II. “Non pianger, mia compagna”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I Lombardi: Act II. “O madre, dal cielo soccorri”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Attila: Act I. “Liberamente or piangi…Oh! nel fuggente nuvolo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il corsaro: Act I. “Egli non riede ancora…Non so le tetre immagini”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il corsaro: Act II. “Né sulla terra…Vola talor dal carcere”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il trovatore: Act I. “Tacea la notte placida…Di tale amor”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I vespri siciliani: Act IV. “Arrigo! ah, parli a un core”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ecco l'orrido campo…Ma dell'arido stelo divulsa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Un ballo in maschera: Act III. “Morrò, ma prima in grazia”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act I. “Ritorna vincitor!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ite sul colle … Dell'aura tua profetica” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 1. “Svanir le voci!” (Pollione, Flavio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act I, Scene 1. “Meco all'altar di Venere” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act I, Scene 1. “Odi? … I suoi riti a compiere” (Flavio, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act I, Scene 1. “Me protegge, me difende” (Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act I, Scene 1. “Norma viene” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sediziose voci” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act I, Scene 1. “Casta Diva” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act I, Scene 1. “Fine al rito, e il sacro bosco” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act I, Scene 1. “Ah! bello a me ritorna” (Norma, Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act I, Scene 1. “Sgombra è la sacra selva” (Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act I, Scene 1. “Eccola - va, mi lascia” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act I, Scene 1. “Va, crudele” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act I, Scene 1. “Vieni in Roma” (Pollione, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, e li cela entrambi” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Norma: Act I, Scene 2. “Adalgisa! - Alma, costanza” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, rimembranza” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ah sì, fa core, abbracciami” (Norma, Adalgisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Norma: Act I, Scene 2. “Ma di' … l'amato giovane”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act I, Scene 2. “Oh, di qual sei tu vittima” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I, Scene 2. “Perfido! - Or basti!” (Norma, Adalgisa, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I, Scene 2. “Vanne, sì, mi lascia, indegno” (Norma, Pollione, Adalgisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Act II, Scene 1. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Act II, Scene 1. “Dormono entrambi!” (Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Norma: Act II, Scene 1. “Olà! Clotilde!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mi chiami, o Norma?” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Norma: Act II, Scene 1. “Deh! con te, con te li prendi” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Norma: Act II, Scene 1. “Mira, o Norma” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Norma: Act II, Scene 1. “Cedi… deh cedi!” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Norma: Act II, Scene 1. “Sì, fino all'ore estreme” (Adalgisa, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Norma: Act II, Scene 2. “Non partì?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Norma: Act II, Scene 2. “Guerrieri! a voi venirne” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Norma: Act II, Scene 2. “Ah! del Tebro al giogo indegno” (Oroveso, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Norma: Act II, Scene 3. “El tornerà. Sì!” (Norma, Clotilde)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Norma: Act II, Scene 3. “Squilla il bronzo del Dio!” (Coro, Oroveso, Norma)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Norma: Act II, Scene 3. “Guerra! guerra!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Norma: Act II, Scene 3. “Né compi il rito, o Norma?” (Oroveso, Norma, Clotilde, Coro, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Norma: Act II, Scene 3. “In mia man alfin tu sei” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Norma: Act II, Scene 3. “Già mi pasco ne' tuoi sguardi” (Norma, Pollione)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Norma: Act II, Scene 3. “Dammi quel ferro!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Norma: Act II, Scene 3. “Qual cor tradisti” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Norma: Act II, Scene 3. “Norma! deh! Norma, scolpati!” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Norma: Act II, Scene 3. “Deh! Non volerli vittime” (Coro, Norma, Pollione, Oroveso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il pirata: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Ciel! qual procella orribile” (Coro, Solitario)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Nume, che imperi ai turbini, che affreni i venti, il mare” (Coro, Solitario)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Caraggio! Caraggio!” (Coro, Solitario)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Io vivo ancor!” (Gualtiero, Solitario, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Ascolta, Nel furor delle tempeste” (Gualtiero, Solitario)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Del disastro di questi infelici” (Coro, Solitario, Gualtiero, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Per te di vane lagrime” (Coro, Solitario, Gualtiero, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Sargete; è in me dover” (Imogene, Itulbo, Adele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Lo sognai ferito, esangue” (Imogene, Adele, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Quando a un tratto il mio consorte” (Imogene, Coro, Itulbo, Adele, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il pirata: Act I, Scene 1. “Sventurata, anch'io deliro” (Imogene, Adele, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Evviva! … Allegri!” (Coro, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Ebbene? - Verrà” (Imogene, Adele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Perché cotanta io prendo” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Se un giorno fia che ti tragga” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Tu sciagurato! Ah! fuggi…” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Pietosa al padre!” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il pirata: Act I, Scene 2. “Bagnato dalle lagrime d'un cor” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “Più temuto, più splendido nome” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “Sì, vincemmo” (Ernesto, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “M'abbraccia, o donna” (Ernesto, Imogene, Solitario, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “All'accento, al manto” (Ernesto, Itulbo, Gualtiero, Solitario, Imogene, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “Parlati ancor per poco” (Gualtiero, Ernesto, Imogene, Adele, Itulbo, Solitario, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “Ebben; cominci, o barbara” (Gualtiero, Ernesto, Imogene, Adele, Itulbo, Solitario, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Il pirata: Act I, Scene 3. “Ah! partiamo: i miei tormenti sian celati” (Gualtiero, Ernesto, Imogene, Adele, Itulbo, Solitario, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Meno agitata e oppressa” (Adele, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Vieni; siam sole alfin” (Adele, Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Arresta… Ognor mi fuggi!” (Ernesto, Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Tu m'apristi in cor ferita” (Ernesto, Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Ah! Lo sento: fra poco disciolta” (Ernesto, Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il pirata: Act II, Scene 1. “Che rechi?” (Ernesto, Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il pirata: Act II, Scene 2. “Lasciami, forza imana non può” (Gualtiero, Itulbo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il pirata: Act II, Scene 2. “Eccomi a te, Gualtiero” (Imogene, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il pirata: Act II, Scene 2. “Per noi tranquillo un porto” (Gualtiero, Imogene, Ernesto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il pirata: Act II, Scene 2. “Cedo al destin orribile” (Gualtiero, Imogene, Ernesto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il pirata: Act II, Scene 2. “Parti alfine: il tempo vola” (Gualtiero, Imogene, Ernesto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il pirata: Act II, Scene 3. “Lasso! perir così” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Il pirata: Act II, Scene 3. “Fermate. Nessun s'appressi” (Gualtiero, Adele, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Il pirata: Act II, Scene 3. “Tu verdrai la sventurata” (Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Il pirata: Act II, Scene 3. “Già s'aduna il gran consesso” (Coro, Gualtiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Il pirata: Act II, Scene 3. “Ma non fia sempre odiata” (Gualtiero, Coro, Adele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Il pirata: Act II, Final Scene. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Il pirata: Act II, Final Scene. “Oh! s'io potessi dissipar le nubi” (Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Il pirata: Act II, Final Scene. “Col sorriso d'innocenza” (Imogene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Il pirata: Act II, Final Scene. “Qual Suono ferale echeggia” (Imogene, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Il pirata: Act II, Final Scene. “Oh, Sole! ti vela di tenebra fonda” (Imogene, Adele, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Viva! Viva Amina! … Tutto è gioia, tutto è festa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “In Elvezia non v'ha rosa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Care compagne” (Amina, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come per me sereno … Sempre, o felice Amina” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Sovra il sen la man mi posa” (Alessio, Amina, Lisa, Teresa, Copro, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Io più di tutti, o Amina” (Alessio, Amina, Lisa, Teresa, Copro, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Perdona, o mia diletta” (Elvino, Amina, Tutti, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Prendi: l'anel ti dono” (Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Scritti nel ciel già sono … Ah! vorrei trovar parole” (Tutti, Elvino, Amina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Domani, appena aggiorni” (Elvino, Tutti, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come noioso e lungo il cammin … Vi ravviso, o luoghi ameni … È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Contezza del paese” (Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “A fosco cielo, a notte bruna” (Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Basta così, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Elvino! E me tu lasci” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Son geloso del zefiro errante” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Davver, non mi dispiace” (Rodolfo, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Che veggio?” (Rodolfo, Amina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “O ciel! che tento?” (Rodolfo, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Osservate: l'uscio è aperto” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “È menzogna” (Elvino, Coro, Lisa, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “D'un pensiero e d'un accento” (Amina, Elvino, Coro, Alessio, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Qui la selva è più folta ed ombrosa” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Reggimi, o buona madre” (Anima, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Vedi, o madre… è afflitto e mesto” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Viva il Conte!” (Coro, Elvino, Amina, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Ah! perché non posso odiarti” (Elvino, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Lasciami: aver compreso” (Lisa, Alessio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “De' lieti auguri” (Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “E fia pur vero, Elvino” (Lisa, Elvino, Rodolfo, Alessio, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor Conte, agli occhi miei” (Elvino, Rodolfo, Coro, Lisa, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Lisa! Mendace anch'essa!” (Elvino, Teresa, Lisa, Rodolfo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor? … che creder deggio?” (Elvino, Rodolfo, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Oh! se una volta sola” (Amina, Rodolfo, Teresa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non credea mirarti” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non giunge uman pensiero” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Viva! Viva Amina!… Tutto è gioia, tutto è festa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “In Elvezia non v'ha rosa” (Coro, Lisa, Alessio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Care compagne” (Amina, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come per me sereno … Sempre, o felice Amina” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Sovra il sen la man mi posa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Io più di tutti, o Amina” (Alessio, Amina, Lisa, Teresa, Coro, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Perdona, o mia diletta” (Elvino, Amina, Tutti, Notaro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Prendi: l'anel ti dono” (Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Scritti nel ciel già sono … Ah! vorrei trovar parole” (Tutti, Elvino, Amina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Domani, appena aggiorni” (Elvino, Tutti, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Come noioso e lungo il cammin … Vi ravviso, o luoghi ameni … È gentil, leggiadra molto” (Rodolfo, Lisa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Contezza del paese” (Elvino, Rodolfo, Teresa, Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “A fosco cielo, a notte bruna” (Elvino, Rodolfo, Teresa, Lisa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Basta così. Ciascuno si attenga” (Rodolfo, Teresa, Tutti, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Elvino! E me tu lasci” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La sonnambula: Act I, Scene 1. “Son geloso del zefiro errante” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Davver, non mi dispiace” (Rodolfo, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Che veggio?” (Rodolfo, Amina, Lisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “O ciel! che tento?” (Rodolfo, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Osservate: l'uscio è aperto” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “È menzogna” (Elvino, Coro, Lisa, Amina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “D'un pensiero e d'un accento” (Amina, Elvino, Coro, Alessio, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La sonnambula: Act I, Scene 2. “Non più nozze” (Elvino, Tutti, Amina, Lisa, Alessio, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Qui la selva è più folta ed ombrosa” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Reggimi, o buona madre” (Amina, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Vedi, o madre… èafflitto e mesto” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Viva il Conte!” (Coro, Elvino, Amina, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La sonnambula: Act II, Scene 1. “Ah! perché non posso odiarti” (Elvino, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “E fia pur vero. Elvino” (Lisa, Elvino, Rodolfo, Alessio, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor Conte, agli occhi miei” (Elvino Rodolfo, Coro, Lisa, Teresa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Signor?… che creder deggio?” (Elvino, Rodolfo, Teresa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Oh! se una volta sola” (Amina, Rodolfo, Teresa, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non credea mirarti” (Amina, Elvino)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “No, più non reggo” (Elvino, Amina, Rodolfo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La sonnambula: Act II, Scene 2. “Ah! non giunge uman pensiero” (Amina, Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Medea: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Medea: Act I. “Che? Quando già corona Amor” (Ancelle, Coro, Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Medea: Act I. “O Amore, vieni a me!” (Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Medea: Act I. “No, non temer” (Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Medea: Act I. “O bella Glace” (Coro, Glauce)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Medea: Act I. “Colco! Pensier fatal!” (Glauce, Giasone, Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Medea: Act I. “Or che più non vedro” (Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Medea: Act I. “Ah, già troppo turbò” (Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Medea: Act I. “Pronube dive” (Creonte, Coro, Glauce, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Medea: Act I. “Signor! Ferma una donna” (Capo delle guardie, Creonte, Medea, Giasone, Glauce, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Medea: Act I. “Qui tremar devi tu” (Creonte, Glauce, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Medea: Act I. “Taci, Giason” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Medea: Act I. “Dei tuoi figli la madre” (Medea)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Medea: Act I. “Son vane qui minacce” (Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Medea: Act I. “Nemici senza cor” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Medea: Act II. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Medea: Act II. “Soffrir non posso” (Medea, Neris, Creonte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Medea: Act II. “Date almen per pietà” (Medea, Creonte, Neris, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Medea: Act II. “Medea, o Medea!” (Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Medea: Act II. “Solo un pianto con te versare” (Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Medea: Act II. “Creonte a me solo un giorno dà?” (Medea, Neris, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Medea: Act II. “Figli miei, miei tesor” (Medea, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Medea: Act II. “Hai dato pronto ascolto” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Medea: Act II. “Ah! Triste canto! … Dio dell'amor!” (Medea, Coro, Creonte, Glauce, Giasone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Medea: Act III. Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Medea: Act III. “Numi, venite a me” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Medea: Act III. “Del fiero duol che il cor mi frange” (Medea)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Medea: Act III. “Neris, che hai fatto” (Medea, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Medea: Act III. “E che? Io son Medea!” (Medea, Coro, Giasone, Neris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Né venne il Re?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Ella di me, sollecita” (Giovanna, Smeton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Sì taciturna e mesta mai non vidi assemblea” (Anna, Giovanna, Smeton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Deh! non voler costringere” (Smeton, Anna, Giovanna, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Come, innocente giovane” (Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Ma poche omai rimangono” (Anna, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Non v'ha sguardo a cui sia dato” (Anna, Giovanna, Smeton, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Oh! qual parlar fu il suo!” (Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Tremate voi! Sì, tremo” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “La mia fama è a' piè dell'ara” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Anna pure amor m'offria” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Tu mi lasci?” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Anna Bolena: Act I, Scene 1. “Ah! qual sia cercar non oso” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Chi veggo? In Inghilterra” (Rochefort, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Da quel di che, lei perduta” (Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Già la caccia si raduna” (Rochefort, Coro, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Ah! così nei di ridenti” (Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Desta sì tosto” (Enrico, Anna, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Voi, Regina! E fia pur vero” (Percy, Anna, Enrico, Rochefort, Hervey)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Io sentii sulla mia mano” (Anna, Enrico, Hervey, Percy, Rochefort, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Or che reso ai patrii lidi” (Enrico, Percy, Anna, Rochefort)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Anna Bolena: Act I, Scene 2. “Questo di per noi puntato” (Anna, Percy, Hervey, Rochefort, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Tutto è deserto” (Smeton)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Bada, bada, tropp'oltre vai” (Anna, Rochefort)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Né uscir poss'io!” (Smeton, Anna, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “S'ei t'aborre, io t'amo ancora” (Percy, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Alcun potria ascoltarti in queste mura” (Anna, Percy, Smeton, Rochefort, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Tace ognuno, è ognun tremante!” (Enrico, Smeton, Percy, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e29.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “In quegli sguardi impresso” (Anna, Enrico, Rochefort, Giovanna, Smeton, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “In separato carcere tutti costor sian tratti” (Anna, Enrico, Rochefort, Giovanna, Smeton, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e31.\u003c\/strong\u003e Anna Bolena: Act I, Scene 3. “Ah! segnata è la mia sorte” (Anna, Giovanna, Smeton, Percy, Rochefort, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Oh! Dove mai ne andarono le turbe adulatrici” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Regina! Duolmi l'amaro incarco” (Hervey, Anna, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Dio, che me vedi in core” (Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Piange l'afflitta” (Giovanna, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Tali son trame ordite” (Giovanna, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Sul guanciale del regio letto” (Giovanna, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Dal mio cor punita io sono” (Giovanna, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Anna Bolena: Act II, Scene 1. “Va, infelice, e teco reca” (Giovanna, Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Ebben? dinanzi ai giudici” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Ecco, ecco Hervey” (Coro, Hervey)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Scostatevi, il Re giunge” (Hervey, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Arresta, Enrico” (Anna, Enrico, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Sarò fra poco innanzi” (Anna, Enrico, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Fin dall'età più tenera” (Anna, Enrico, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Salirà d'Inghilterra sul trono” (Anna, Enrico, Percy)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Sposa a Percy” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Anna vid'io, l'intesi” (Enrico, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Per questa fiamma indomita” (Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Stolta! non sai” (Enrico, Giovanna, Hervey)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Anna Bolena: Act II, Scene 2. “Ah! pensate che ricolti” (Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Chi può vederla a ciglio asciutto” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Piangete voi? D'onde tal pianto?” (Anna, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Al dolce guidami castel natio” (Anna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Qual mesto suon?” (Anna, Hervey, Percy, Rochefort, Smeton, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Cielo, a' miei lunghi spasimi” (Anna, Smeton, Percy, Rochefort, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Anna Bolena: Act II, Scene 3. “Coppia iniqua, l'estrema vendetta” (Anna, Smeton, Percy, Rochefort, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Percorrete … Percorriamo le spiagge vicine” (Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Tu sei turbato!…E n'ho ben d'onde” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Cruda, funesta smania” (Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “Il tuo dubbio è omai certezzo…Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 1. “La pietade in suo favore” (Enrico, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ancor non giunse?” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Regnava nel silenzio alta la notte e bruna” (Lucia, Alisa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Quando rapito in estasi” (Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Egli s'avanza…Lucia, perdona se ad ora inusitata” (Alisa, Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Sulla tomba che rinserra il tradito genitore” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Qui di sposa eterna fede…Ah, soltanto il nostro foco” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Ah, talor del tuo pensiero venga un foglio messaggero” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act I, Scene 2. “Verranno a te sell'aure i miei sospiri ardenti” (Edgardo, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Lucia fra poco a te verrà…Tremante l'aspetto” (Normanno, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Appressati, Lucia…Il pallor finesto, orrendo” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Soffriva nel pianto…Unfolle l'accese” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Che fia?…Suonar di giubilo” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 1. “Se tradirmi tu potrai…Tu che vedi il pianto mio” (Enrico, Lucia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Per te d'immenso giubilo…Per poco fra le tenebre spari la vostra stella” (Coro, Arturo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Dov'è Lucia?…Qui giungere or la vedrem” (Arturo, Enrico, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Piange la madre estinta” (Enrico, Lucia, Arturo, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Chi mi frena in tal momento” (Edgardo, Enrico, Lucia, Raimondo, Arturo, Alisa, Coro) [BIS]\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “T'allontana, sciagurato…Rispettate in me di Dio” (Arturo, Enrico, Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Sconsigliato! In queste porte chi ti guida?” (Enrico, Edgardo, Raimondo, Lucia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lucia di Lammermoor: Act II, Scene 2. “Esci, fuggi, il furor che m'accende” (Arturo, Enrico, Coro, Raimondo, Lucia, Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “D'immenso giubilo s'innalzi un grido” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Dalle stanze ove Lucia tratta avea col suo consorte” (Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Oh! Qual funesto avvenimento!” (Coro, Raimondo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Il dolce suono mi colpi di sua voce!…Ardon gli incensi” (Lucia, Raimondo, Normanno, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 1. “Spargi d'amaro pianto” (Lucia, Raimondo, Coro, Enrico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tombe degli avi miei” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Fra poco a me ricovero darà negletto avello” (Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Oh, meschina! Oh, fato orrendo!” (Coro, Edgardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Lucia di Lammermoor: Act III, Scene 2. “Tu che a Dio spiegasti l'ali” (Edgardo, Raimondo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Poliuto: Sinfonia (con coro): “O Nume pietoso” (Orchestra, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Scendiam… scendiam… Silenzio” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Tu sei commosso!” (Nearco, Poliuto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “D'un'alma troppo fervida” (Poliuto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Ove m'inoltro?” (Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Fin ché si compia il rito” (Nearco, Un cristiano, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Infiamma quest'alma” (Poliuto, Nearco, Cristiani, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Di quai soavi lagrime” (Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Mira… - Donna!” (Nearco, Poliuto, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Oggetto de' miei numi” (Poliuto, Paolina, Nearco, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Omai da lunge” (Cristiano, Nearco, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Poliuto: Act I, Scene 1. “Perché di stolto giubilo” (Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Poliuto: Act I, Scene 2. “Plausi all'inclito Severo” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Poliuto: Act I, Scene 2. “Decio, signor del mondo” (Severo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Poliuto: Act I, Scene 2. “Di tua beltade immagine” (Severo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Poliuto: Act I, Scene 2. “Come fausta è a noi l'aurora” (Callistene, Severo, Felice)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Poliuto: Act I, Scene 2. “No, l'acciar non fu spietato” (Severo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Inoltra il piè” (Callistene, Severo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Donna… - Che! Possenti numi!” (Severo, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Il più lieto dei viventi, ah!” (Severo, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Ah! chi ti guida, incauto?” (Severo, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Quest'alma è troppo debole” (Severo, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Veleno è l'aura ch'io respiro!” (Poliuto, Cristiano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Poliuto: Act II, Scene 1. “Sfolgorò divino raggio” (Poliuto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Poliuto: Act II, Scene 2. “Celeste un'aura pel tempio move!” (Coro, Callistene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Poliuto: Act II, Scene 2. “Magistrati, guerrieri, popolo” (Callistene, Coro, Severo, Nearco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Poliuto: Act II, Scene 2. “La sacrilega parola” (Severo, Paolina, Poliuto, Nearco, Felice, Callistene, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Poliuto: Act II, Scene 2. “Alla morte lo serbate” (Severo, Paolina, Poliuto, Nearco, Felice, Callistene, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Poliuto: Act II, Scene 2. “Lasciami in pace morire” (Severo, Paolina, Poliuto, Nearco, Felice, Callistene, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Poliuto: Act III, Scene 1. “Ecco il sommo Pontefice” (Coro, Callistene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Poliuto: Act III, Scene 1. “Alimento alla fiamma si porga” (Coro, Callistene)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Donna! Malvagio!” (Poliuto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Chi giunge!” (Poliuto, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Ah! fuggi da morte” (Poliuto, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “La grazia nell'alma ti scende” (Poliuto, Paolina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Alle fiere chi oltraggia gli dei” (Paolina, Poliuto, Callistene, Severo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Più s'indugia?” (Paolina, Poliuto, Callistene, Severo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Poliuto: Act III, Scene 2. “Il suon dell'arpe angeliche” (Paolina, Poliuto, Callistene, Severo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Andrea Chénier: Act I. “Questo azzurro sofà là collochiam” (Maestro di casa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Andrea Chénier: Act I. “Compiacente a' colloqui” (Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Andrea Chénier: Act I. “Son sessant'anni, o vecchio” (Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Andrea Chénier: Act I. “Il giorno intorno già s'insera lentamente!” (Maddalena, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Andrea Chénier: Act I. “Via, v'affrette” (Contessa, Gérard, Maddalena, Bersi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Andrea Chénier: Act I. “Soffoco, moro tutta chiusa” (Maddalena, Bersi, Contessa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Andrea Chénier: Act I. “Oh! Come elegante” (Contessa, Fléville, Maddalena, L'Abate)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Andrea Chénier: Act I. “Debole è il Re” (L'Abate, Fléville, Contessa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Andrea Chénier: Act I. “Passiamo la sera allegramente!” (Fléville, Coro, L'Abate)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Andrea Chénier: Act I. “O pastorelle, addio!” (Coro di pastori e pastorelle)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Andrea Chénier: Act I. “Signor Chénier - Madama la Contessa?” (Contessa, Chénier, Fléville, L'Abate, Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Andrea Chénier: Act I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Andrea Chénier: Act I. “Colpito qui m'avete, ov'io geloso celo” (Chénier)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Andrea Chénier: Act I. “Un dì all'azzurro spazio” (Chénier, Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Andrea Chénier: Act I. “Ma udite! È un gaio suon della gavotta” (Contessa, Coro, Gérard, Maestro di casa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Andrea Chénier: Act II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Andrea Chénier: Act II. “Temer? Perché?” (Bersi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Andrea Chénier: Act II. “No, non m'inganno!” (L'Incredibile, Chénier, Roucher)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Andrea Chénier: Act II. “Credo a una possanza arcana … Io non ho amato ancor!” (Chénier, Roucher)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Andrea Chénier: Act II. “Calligrafia invero femminil!” (Roucher, Chénier, Coro, Mathieu, L'Incredibile, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Andrea Chénier: Act II. “Eccole! Strani tempi!” (Roucher, Chénier, Bersi, L'Incredibile, Mathieu)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Andrea Chénier: Act II. “Ecco l'altare” (Maddalena, Chénier, L'Incredibile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Andrea Chénier: Act II. “Eravate possente” (Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Andrea Chénier: Act II. “Udite! Son sola! … Ora soave, sublime ora d'amore!” (Maddalena, Chénier)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Andrea Chénier: Act II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Andrea Chénier: Act III. “Dumouriez traditore e giacobino” (Mathieu, Coro, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Andrea Chénier: Act III. “Lacrime e sangue dà la Francia!” (Gérard, Coro, Madelon)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Andrea Chénier: Act III. “Son la vecchia Madelon” (Madelon, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Andrea Chénier: Act III. “Amici ancor cantiam!” (Coro, L'Incredibile, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Andrea Chénier: Act III. “Donnina innamorata” (L'Incredibile, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Andrea Chénier: Act III. “Nemico della patria?!” (L'Incredibile, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Andrea Chénier: Act III. “Carlo Gérard - Là entrate!” (Maddalena, Mathieu, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Andrea Chénier: Act III. “Io t'ho voluto allor che tu piccina” (Gérard, Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Andrea Chénier: Act III. “La mamma morta” (Maddalena, Gérard)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Andrea Chénier: Act III. “Il tuo perdono è la mia forza!” (Gérard, Mathieu, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Andrea Chénier: Act III. “Passo ai giurati!” (Mathieu, Gérard, Coro, Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Andrea Chénier: Act III. “Gravier de Vergennes!” (Dumas, Fouquier-Tinville, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Andrea Chénier: Act III. “Andrea Chénier - Coraggio! … Sì, fui soldato” (Dumas, Gérard, Maddalena, Coro, Fouquier-Tinville, Chénier)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Andrea Chénier: Act III. “Udiamo i testimoni!” (Fouquier-Tinville, Gérard, Coro, Chénier, Dumas, Maddalena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Andrea Chénier: Act IV. “Cittadino, men duol, ma è tardi assai” (Schmidt, Roucher, Chénier)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Andrea Chénier: Act IV. “Come un bel dì di maggio” (Chénier)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Andrea Chénier: Act IV. “La Marseillaise … Viene a costei concesso” (Mathieu, Gérard, Schmidt)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Andrea Chénier: Act IV. “Il vostro giuramento vi sovvengo!” (Maddalena, Schmidt)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Andrea Chénier: Act IV. “Benedico il destino!” (Maddalena, Gérard, Chénier, Schmidt)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Alceste: Sinfonia (Orchestra) \/ Act I. “Salvate il padre” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Alceste: Act I. “Sveglia il dolor l'addormentato cor” (Araldo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Alceste: Act I. “Non più pianti” (Evandro, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Alceste: Act I. “A voi, nel mio dolor supremo” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Alceste: Act I. “O Dei, del mio fato tiranno” (Alceste, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Alceste: Act I. Pantomima (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Alceste: Act I. “Allontana, o Nume, dal trono” (Sommo Sacerdote, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Alceste: Act I. “O Apollo immortal!” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Alceste: Act I. Pantomima (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Alceste: Act I. “È sensibile Apollo” (Sommo Sacerdote)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Alceste: Act I. “Entr'oggi il Rege morrà” (Oracolo, Sommo Sacerdote, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Alceste: Act I. “Che avvenne?” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Alceste: Act I. “Altro non puoi raccogliere” (1767, Atto II, Scena 2) (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Alceste: Act I. “Lo so, Numi, lo so” (1767, Atto II, Scena 2) (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Alceste: Act I. “Divinità infernal” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Alceste: Act I. “Dunque vieni, la morte t'accetta” (1767, Atto II, Scena 2) (Tanato, Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Alceste: Act II. “Splendido sorge il di” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Alceste: Act II. Danze (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Alceste: Act II. “O mio Re!” (Coro, Evandro, Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Alceste: Act II. “Dei più sereni dì” (Coro, Alceste, Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Alceste: Act II. “Benigni Dei, felici amanti” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Alceste: Act II. “O Divina voluttà” (Admeto, Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Alceste: Act II. “Perché nutrire terror cotanto” (Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Alceste: Act II. “Tu m'ami, io t'adoro” (Admeto, Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Alceste: Act II. “Cotanta grazia” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Alceste: Act II. “A' vostri lai io pur” (Alceste, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Alceste: Act III. “Troppo, ahi, non è” (Erandro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Alceste: Act III. “O Numi! Ispiratemi ardire!” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Alceste: Act III. “Sciagurata, ove vai” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Alceste: Act III. “O funesta Dea” (Alceste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Alceste: Act III. “Ciel! Admeto!” (Alceste, Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Alceste: Act III. “Vivi e guarda il sovvenir” (Alceste, Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Alceste: Act III. “Caronte appella” (Tanato, Coro, Alceste, Admeto, Apollo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Alceste: Act III. “O amici miei!” (Admeto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Alceste: Act III. Danze (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “O Dei! Propiziate il destino” (Ifigenia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “La calma rinasca, ma, in fondo al mio cor” (Ifigenia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Oh notte rea! Sogno spietato!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Di Pelope la stirpe! Stirpe ognor fatale” (Ifigenia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “O tu, che in tua pietà crudel” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Ah! quando, o Dei, del lagrimar … Ciel! mi persegue dei Numi il furor!” (Coro, Toante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Ciel! mi persegue dei Numi il furor!” (Toante, Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Presentimento reo la debil mente assale” (Toante)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Placava il nume il suo furor … Me infelice! … Or va, la lama affila” (Coro, Ifigenia, Toante, Scita)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Le colpe ad espiar” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Ifigenia in Tauride: Act I. Danze (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Ifigenia in Tauride: Act I. “Qual destin, qual follia vi spingea, o sciagurati” (Toante, Pilade, Oreste, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Oh silenzio feral!” (Pilade, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Oh de' misfatti miei, Numi, autori, fatali!” (Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Perché di tanto affanno turbar colui che l'ama” (Pilade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Un sol desio mi preme” (Pilade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Sventurati stranier, io vi debbo separar” (Ministro del tempio, Pilade, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Nume, patrono dei funesti lidi” (Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “La calma torna nel mio cor!” (Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Ifigenia in Tauride: Act II. Pantomima (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “L'oltraggio alla natura alfin punito andrà” (Coro, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Tutto scorgo l'orror” (Ifigenia, Oreste, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Sommi Dei! Tutti estinti i cari miei!” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “O dolce suol natio” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “O sventurata Ifigenia” (Ifigenia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “Onorate con me quest'eroe …” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Ifigenia in Tauride: Act II. “La mia voce in un sol pianto” (Ifigenia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Il voto pago andrà” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Io ti veggio ad ogni istante” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “S'avanzano i due prigionier” (Coro, Ifigenia, Oreste, Pilade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Se deluder saprò del re la furia orrenda” (Ifigenia, Oreste, Pilade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Oh celeste gioir!” (Pilade, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “E me d'amar, o mio fedel, presumi” (Pilade, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Che! non saprò domar resistenze funeste?” (Pilade, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Ahi! Qual pietà” (Ifigenia, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Che! Me stimi salvar la desiata morte?” (Ifigenia, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Ifigenia in Tauride: Act III. “Divinità de l'alme grandi” (Pilade)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Ah! l'esecrando rito non so perpetrar” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Io t'imploro anclante, o implacabile Dea!” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Sii, Diana, a noi propizia!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “La forza m'abbandona, o condanna crudel!” (Ifigenia, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Casta figlia di Latona” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Sommi Dei, sommi Dei, soccorso a me!” (Ifigenia, Coro, Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Non evocar immagini funeste!” (Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Sventura! ahimé! Disvelato è il mistero!” (Donna greca, Coro, Ifigenia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Scoverti sono alfin tuoi fini pravi … Dunque vuoi che lo tragga all'ara” (Toante, Ifigenia, Oreste, Pilade, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “V'arrestate e s'ascolti il mio parlar!” (Diana)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “In questa eterea forma” (Oreste)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Ifigenia in Tauride: Act IV. “Trascorso il tempo omai” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act I. “Ah! Finalmente!” (Angelotti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act I. “E sempre lava!” (Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act I. “Angelus Domini nuntiavit Mariae” (Sagrestano, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act I. “Dammi i colori” (Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act I. “Recondita armonia” (Cavaradossi, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act I. “Ma con quei cani di volterriani” (Sagrestano, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act I. “Pieno è il paniere” (Sagrestano, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act I. “Gente là dentro!” (Cavaradossi, Angelotti, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act I. “Mario! - Son qui!” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act I. “Ora stammi a sentir” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Act I. “Non la sospiri la nostra casetta” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Act I. “Or lasciami al lavoro” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Act I. “Ah, quegli occhi - Quale occhio al mondo” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Act I. “Mia gelosia!” (Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Act I. “È buona mia Tosca” (Cavaradossi, Angelotti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Act I. “Il cannon del castello! … Sommo giubilo, Eccellenza!” (Angelotti, Cavaradossi, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Act I. “Tutta qui la cantoria! Presto!” (Sagrestano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Act I. “Un tal baccano in chiesa!” (Scarpia, Sagrestano, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Act I. “Or tutto è chiaro” (Scarpia, Tosca, Sagrestano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Tosca: Act I. “La corona! Lo stemma!” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Tosca: Act I. “Oh mio bel nido insozzato di fango!” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Tosca: Act I. “Tre sbirri, una carrozza” (Scarpia, Spoletta, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act II. “Tosca è un buon falco!” (Scarpia, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tosca: Act II. “Ha più forte” (Scarpia, Sciarrone, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Tosca: Act II. “O galantuomo, com'andò la caccia?” (Scarpia, Spoletta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Tosca: Act II. “Ch'io lo trassi in arresto” (Spoletta, Scarpia, Coro, Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tosca: Act II. “Ov'è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Act II. “Pria le forme orginarie” (Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Act II. “Ed or fra noi parliam da buon amici” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Act II. “Sciarrone: che dice il Cavalier?” (Scarpia, Sciarrone, Tosca, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Act II. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Act II. “Floria - Amore” (Cavaradossi, Tosca, Scarpia, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Act II. “Nel pozzo del giardino. Va, Spoletta!” (Scarpia, Cavaradossi, Tosca, Sciarrone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Act II. “L'alba vindice appar” (Cavaradossi, Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Act II. “La povera mia cena fu interrotta” (Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Act II. “Quanto? … Il prezzo!” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Act II. “Se la giurata fede debbo tradir … Già mi struggea l'amor” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Act II. “Come tu m'odii!” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Act II. “Vissi d'arte” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Act II. “Vedi… le man giunte io stendo a te” (Tosca, Scarpia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Act II. “Chi è là” (Scarpia, Spoletta, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Tosca: Act II. “Io tenni la promessa” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Tosca: Act II. “Tosca, finalmente mia!” (Scarpia, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Tosca: Act II. “Or gli perdono!” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Tosca: Act III. [Andante sostenuto] (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Tosca: Act III. “Io de' sospiri” (Un pastore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Tosca: Act III. [Lento] (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Tosca: Act III. “Mario Cavaradossi?” (Carceriere)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Tosca: Act III. “Vi resta un'ora” (Carceriere, Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Tosca: Act III. [Dolcissimo espressivo] (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e29.\u003c\/strong\u003e Tosca: Act III. “E lucevan la stelle” (Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e30.\u003c\/strong\u003e Tosca: Act III. “Ah! Franchigia a Floria Tosca” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e31.\u003c\/strong\u003e Tosca: Act III. “Il tuo sangue o il mio amore volea” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e32.\u003c\/strong\u003e Tosca: Act III. “O dolci mani mansuete e pure” (Cavaradossi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e33.\u003c\/strong\u003e Tosca: Act III. “Senti, l'ora è vicina” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e34.\u003c\/strong\u003e Tosca: Act III. “Amaro sol per te m'era il morire” (Cavaradossi, Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e35.\u003c\/strong\u003e Tosca: Act III. “E non giungono” (Tosca, Cavaradossi, Carceriere)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e36.\u003c\/strong\u003e Tosca: Act III. “Comè lunga l'attesa!” (Tosca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e37.\u003c\/strong\u003e Tosca: Act III. “Presto, su! Mario!” (Tosca, Spoletta, Sciarrone, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Armida: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Armida: Act I. “Lieto, ridente oltre l'usato” (Coro di Paladini, Goffredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Armida: Act I. “Sì! guerrieri, fian sacre” (Goffredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Armida: Act I. “Signor, tanto il tuo nome” (Armida, Goffredo, Idraote, Eustazio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Armida: Act I. “Sventurata! or che mi resta?” (Armida, Goffredo, Idraote, Eustazio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Armida: Act I. “Or che farò? Ceder dovrò?” (Armida, Goffredo, Idraote, Eustazio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Armida: Act I. “Cedei, guerrieri, è ver” (Goffredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Armida: Act I. “Non soffrirò l'offesa … Ah, tutti v'unite” (Gernando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Armida: Act I. “Grata quest'alma! … Amor! Possente nome!” (Rinaldo, Armida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Armida: Act I. “Vacilla a quegli accenti” (Rinaldo, Armida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Armida: Act I. “Ecco il guerriero, il duce” (Gernando, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Armida: Act I. “Se pari agli accenti” (Rinaldo, Gernando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Armida: Act I. “Deh! se cara a te io sono” (Armida, Rinaldo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Armida: Act II. “Alla voce d'Armida possente” (Coro, Astarotte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Armida: Act II. “Sovrumano potere” (Astarotte, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Armida: Act II. “Dove son io? - Al fianco mio” (Rinaldo, Armida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Armida: Act II. “Mio ben, questa che premi” (Armida, Rinaldo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Armida: Act II. “Canzoni amorose” (Ninfe)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Armida: Act II. “D'Amore al dolce impero” (Armida, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Armida: Act II. Balletto e finale (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Armida: Act III. “Come l'aurette placide” (Ubaldo, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Armida: Act III. “Oh quanto, amico, d'Ascalona” (Ubaldo, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Armida: Act III. “In quale aspetto imbelle” (Rinaldo, Carlo, Ubaldo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Armida: Act III. “S'hai cor bastante in petto” (Rinaldo, Carlo, Ubaldo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Armida: Act III. “Sia lode al ciel!” (Ubaldo, Carlo, Rinaldo, Armida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Armida: Act III. “Se al mio crudel tormento” (Armida, Rinaldo, Ubaldo, Carlo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Armida: Act III. “Dove son io? … Fuggì!” (Armida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: Introduzione (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La vestale: Act I. “Presso il sublime tempio” (Cinna, Licinio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La vestale: Act I. “Alma Vesta, del ciel” (Gran Vestale, Giulia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La vestale: Act I. “Che si vuole da me?” (Giulia, Gran Vestale)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La vestale: Act I. “Oh! di funesta possa … Ti vedrò fra momenti” (Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La vestale: Act I. “Di lauri il suol spargiamo” (Coro, Licinio, Gran Vestale, Cinna, Giulia, Sommo Sacerdote)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La vestale: Act I. Balletto (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La vestale: Act I. “Omai cessi il tripudio” (Sommo Sacerdote, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Le vestale: Act II. “Divin foco” (Gran Vestale, Coro, Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Le vestale: Act II. “Tu che invoco” (Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Le vestale: Act II. “Giulia! - È la voce sua” (Licinio, Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Le vestale: Act II. “Licinio!” (Cinna, Giulia, Licinio, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Le vestale: Act II. “Oh delitto! Oh sventura” (Sommo Savcerdote, Giulia, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le vestale: Act II. “O Nume tutelar” (Giulia, Sommo Sacerdote, Coro, Gran Vestale)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Le vestale: Act III. “Ohimè! Quale apparato!” (Licinio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Le vestale: Act III. “Cinna, l'arme che fan?” (Licinio, Cinna, Sommo Sacerdote, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Le vestale: Act III. “La Vestale infida mora” (Licinio, Cinna, Sommo Sacerdote, Coro, Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Le vestale: Act III. “Sul profanato altar” (Sommo Sacerdote, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le vestale: Act III. “Caro oggetto” (Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Le vestale: Act III. “Fermate, Satelliti di morte!” (Licinio, Cinna, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Le vestale: Act III. “Lieti concenti” (Coro, Licinio, Giulia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Act I, Scene 1. “Sì, corre voce che l'Etiope ardisca” (Ramfis, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Act I, Scene 1. “Se quel guerriero io fossi!” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Act I, Scene 1. “Celeste Aida” (Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Act I, Scene 1. “Quale insolita gioia nel tuo sguardo!” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Act I, Scene 1. “Vieni, o diletta, appressati” (Amneris, Aida, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Act I, Scene 1. “Alta cagion v'aduna” (Re, Messaggero, Aida, Radamès, Amneris, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Act I, Scene 1. “Su! del Nilo al sacro lido” (Re, Ramfis, Aida, Radamès, Amneris, Messaggero, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act I, Scene 1. “Ritorna vincitor!” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Act I, Scene 2. “Possente Fthà…Tu che dal nulla hai tratto” (Sacerdotessa, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Act I, Scene 2. “Immenso Fthà!…Mortal, diletto ai numi” (Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Act I, Scene 2. “Nume, custode e vindice” (Ramfis, Radamès, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Act II, Scene 1. “Chi mai fra gl'inni e i plausi” (Coro, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Act II, Scene 1. Danza degli schiavi mori (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Act II, Scene 1. “Vieni, sul crin ti piovano” (Coro, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Act II, Scene 1. “Fu la sorte dell'armi a' tuoi funesta” (Amneris, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Act II, Scene 1. “Pietà ti prenda del mio dolor” (Coro, Aida, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Act II, Scene 1. “Su! del Nilo al sacro lido…Numi, pietà” (Coro, Aida, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Aida: Act II, Scene 2. “Gloria all'Egitto, ad Iside” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Aida: Act II, Scene 2. Marcia trionfale (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Aida: Act II, Scene 2. Ballabile (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Aida: Act II, Scene 2. “Vieni, o guerriero vindice” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Aida: Act II, Scene 2. “Salvator della patria” (Re, Radamès, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Aida: Act II, Scene 2. “Che veggo! Egli? Mio padre!…Anch'io pugnai…Ma tu, Re, tu signore possente” (Aida, Amneris, Amonasro, Re, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Aida: Act II, Scene 2. “Il dolor che in quel volto favella” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Aida: Act II, Scene 2. “O Re, pei sacri numi…Gloria all'Egitto” (Radamès, Amneris, Amonasro, Re, Aida, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Aida: Act III. “O tu che sei d'Osiride” (Coro, Ramfis, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Aida: Act III. “Vieni d'Iside al tempio” (Coro, Ramfis, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Aida: Act III. “Qui Radamès verrà” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Aida: Act III. “O patria mia” (Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Aida: Act III. “Ciel! mio padre!” (Aida, Amonasro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Aida: Act III. “Rivedrai le foreste imbalsamate” (Aida, Amonasro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Aida: Act III. “Pur ti riveggo, mia dolce Aida” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Aida: Act III. “Nel fiero anelito di nuova guerra” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Aida: Act III. “Fuggiam gli ardori inospiti…Là, tra foreste vergini” (Radamès, Aida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Aida: Act III. “Ma dimmi: per qual via” (Aida, Radamès, Amonasro, Amneris, Ramfis)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Aida: Act IV, Scene 1. “L'aborrita rivale a me sfuggia” (Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Già i sacerdoti adunansi” (Amneris, Radamès)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Ohimè! morir mi sento!” (Amneris, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Aida: Act IV, Scene 1. “Spirto del nume” (Amneris, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Aida: Act IV, Scene 1. “A lui vivo, la tomba!…Sacerdoti: compiste un delitto!” (Amneris, Ramfis, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Aida: Act IV, Scene 2. “La fatal pietra sovra me si chiuse” (Radamès, Aida, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Aida: Act IV, Scene 2. “Vedi? Di morte l'angelo…Immenso Fthà” (Radamès, Aida, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Aida: Act IV, Scene 2. “O terra, addio” (Aida, Radamès, Coro, Amneris)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Un ballo in maschera: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Posa in pace, a' bei sogni ristora” (Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “S'avanza il Conte” (Oscar, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “La rivedrà nell'estasi” (Riccardo, Oscar, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Il cenno mio di là con essi attendi” (Riccardo, Oscar, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Alla vita che t'arride” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Il primo giudice” (Oscar, Riccardo, Giudice)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Volta la terrea” (Oscar, Riccardo, Giudice, Renato, Samuel, Tom, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 1. “Ogni cura si doni al diletto” (Riccardo, Renato, Oscar, Samuel, Tom, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Zitti…l'incanto non dessi turbare…Re dell'abisso, affrettati” (Coro, Ulrica)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Arrivo il primo!…È lui, è lui!” (Riccardo, Coro, Ulrica)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Su, fatemi largo, saper vo' il mio fato” (Silvano, Ulrica, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Rallegrati omai” (Ulrica, Silvano, Riccardo, Coro, Servo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Che v'agita così?” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Della città all'occaso” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Consentimi, o Signore” (Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Figlia d'averno, schiudi la chiostra” (Coro, Ulrica, Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Su, profetessa, monta il treppiè” (Coro, Oscar, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Di' tu se fedele” (Riccardo, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Chi voi siate, l'audace parola” (Ulrica, Riccardo, Samuel, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Un ballo in maschera: Act I, Scene 2. “Finisci il vaticinio” (Riccardo, Ulrica, Coro, Samuel, Tom, Silvano, Oscar, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Un ballo in maschera: Act II. Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ecco l'orrido campo ove s'accoppia” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ma dall'arido stelo divulsa” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Un ballo in maschera: Act II. “Teco io sto” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Un ballo in maschera: Act II. “Non sai tu che se l'anima mia” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Un ballo in maschera: Act II. “Oh, qual soave brivido” (Riccardo, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ahimè! s'appressa alcun” (Amelia, Riccardo, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Un ballo in maschera: Act II. “Amico, gelosa t'affido una cura” (Riccardo, Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Un ballo in maschera: Act II. “Odi tu come fremono cupi” (Amelia, Renato, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Un ballo in maschera: Act II. “Seguitemi” (Renato, Amelia, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Un ballo in maschera: Act II. “Ve', se di notte qui colla sposa” (Renato, Amelia, Coro, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “A tal colpa è nulla il pianto” (Renato, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Morrò, ma prima in grazia” (Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Alzati! là tuo figlio” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Eri tu che macchiavi quell'anima…O dolcezze perdute! O memorie” (Renato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Siam soli. Udite” (Renato, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Dunque l'onta di tutti sol una” (Renato, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “D'una grazia vi supplico” (Renato, Samuel, Tom, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Qual è dunque l'eletto?…Ah! del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 1. “Ah! Di che fulgor, che musiche” (Renato, Oscar, Amelia, Samuel, Tom)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Forse la soglia, attinse” (Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Ma se m'è forza perderti” (Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 2. “Ah! dessa è là” (Riccardo, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Fervano amori e danze” (Coro, Samuel, Renato, Tom, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Saper vorreste di che si veste” (Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Fervono amori e danze” (Coro, Renato, Oscar)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Ah! perché qui! fuggite” (Amelia, Riccardo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Un ballo in maschera: Act III, Scene 3. “Ella è pura: in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Coro, Samuel,)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Macbeth: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act I, Scene 1. “Che faceste? Dite su!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Macbeth: Act I, Scene 1. “Giorno non vidi mai” (Macbeth, Banco, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Macbeth: Act I, Scene 1. “Pro Macbetto! Il tuo signore” (Coro, Macbeth, Banco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Macbeth: Act I, Scene 1. “Due vaticini compiuti or sono” (Coro, Macbeth, Banco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Macbeth: Act I, Scene 1. “S'allontanarono!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Nel dì della vittoria io le incontrai” (Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Vieni! t'affretta!” (Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Al cader della sera il re qui giunge” (Servo, Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Or tutti sorgete, ministri infernali” (Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Oh, donna mia!” (Macbeth, Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Sappia la sposa mia” (Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Regna il conno su tutti” (Lady Macbeth, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Fatal mia donna! un murmure” (Lady Macbeth, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Allor questa voce m'intesi nel petto” (Lady Macbeth, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Il pugnal là riportate” (Lady Macbeth, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Di destarlo per tempo il re m'impose” (Macduff, Banco, Lady Macbeth, Macbeth, Malcolm, Dama, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Macbeth: Act I, Scene 2. “Schiudi, inferno” (Macduff, Banco, Lady Macbeth, Macbeth, Malcolm, Dama, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Macbeth: Act II, Scene 1. “Perché mi sfuggi” (Lady Macbeth, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Macbeth: Act II, Scene 1. “La luce langue” (Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Macbeth: Act II, Scene 2. “Chi v'impose unirvi a noi?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Macbeth: Act II, Scene 2. “Studia il passo, o mio figlio!” (Banco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Macbeth: Act II, Scene 2. “Come dal ciel precipita” (Banco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Salve, o re!” (Coro, Macbeth, Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Si colmi il calice” (Lady Macbeth, Dama, Macduff, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Tu di sangue hai brutto il volto” (Macbeth, Sicario)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Che ti scosta, o re mio sposo” (Lady Macbeth, Macbeth, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Si colmi il calice” (Lady Macbeth, Dama, Macduff, Coro, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e29.\u003c\/strong\u003e Macbeth: Act II, Scene 3. “Sangue a me quell'ombra chiede” (Lady Macbeth, Dama, Macduff, Coro, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Macbeth: Act III. “Tre volte miagola la gatta in fregola” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act III. Ballo (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Macbeth: Act III. “Finché appelli” (Macbeth, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Macbeth: Act III. “Fuggi, regal fantasima” (Macbeth, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Macbeth: Act III. “Ondine e silfidi dall'ali candide” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Macbeth: Act III. “Ove son io?” (Macbeth, Araldo, Lady Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Macbeth: Act IV, Scene 1. “Patria oppressa!” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Macbeth: Act IV, Scene 1. “O figli miei!” (Macduff)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Macbeth: Act IV, Scene 1. “Ah, la paterna mano” (Macduff)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Macbeth: Act IV, Scene 1. “Dove siam? che bosco è quello?” (Malcolm, Macduff, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Macbeth: Act IV, Scene 2. “Vegliammo invan due notti” (Medico, Dama)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Macbeth: Act IV, Scene 2. “Una macchia è qui tuttora” (Lady Macbeth, Medico, Dama)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Macbeth: Act IV, Scene 3. “Perfidi! All'Anglo contro me v'unite!” (Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Macbeth: Act IV, Scene 3. “Pietà, rispetto, amore” (Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Macbeth: Act IV, Scene 3. “Ella è morta!” (Coro, Macduff, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Macbeth: Act IV, Scene 4. “All'armi! all'armi!” (Coro, Macduff, Macbeth)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Macbeth: Act IV, Scene 4. “Vittoria!” (Coro, Malcolm, Macduff)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Nabucco: Sinfonia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Gli arredi festivi giù cadano infranti” (Coro di Ebrei, Leviti e Vergini ebree)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Sperate, o figli! Iddio del suo poter” (Zaccaria, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “D'Egitto là sui lidi” (Zaccaria, Coro, Ismaele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Come notte a sol fulgente, come polve in preda al vento” (Zaccaria, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Fenena!… O mia diletta!” (Ismaele, Fenena, Abigaille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Io t'amava! Una furia è quest'amore” (Ismaele, Fenena, Abigaille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Lo vedeste?… Fulminando egli irrompe” (Coro, Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Viva Nabucco!” (Abigaille, Coro, Zaccaria, Ismaele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Che tenti?” (Zaccaria, Nabucco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Tremin gl'insani” (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Abigaille, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “O vinti, il capo” (Nabucco, Zaccaria, Ismaele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Nabucco: Part 1 (Gerusalemme). “Mio furor” (Nabucco, Fenena, Ismaele, Anna, Zaccaria, Abigaille, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Ben io t'invenni, o fatal scritto! …” (Abigaille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Anch'io dischiuso un giorno” (Abigaille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Chi s'avanza?” (Abigaille, Gran Sacerdote, Coro di Magi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Vieni, o Levita!” (Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Tu sul labbro de' veggenti fulminasti” (Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Che si vuol? chi mai ci chiama?” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Il maledetto non ha fratelli” (Coro di Leviti, Ismaele)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Deh, fratelli, perdonate! Un'ebrea salvata egli ha” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “S'appressan gl'istanti d'un'ira fatale” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “S'oda or me!” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Nabucco: Part 2 (L'empio). “Chi mi toglie il regio scettro?” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “È l'Assiria una regina” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “Eccelsa donna, che d'Assiria il fato reggi” (Gran Sacerdote, Abigaille, Nabucco, Abdallo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “Donna, chi sei?” (Nabucco, Abigaille)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “Va, pensiero, sull'ali dorate” (Coro di schiavi ebrei)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “Oh chi piange? di gemmine imbelli” (Zaccaria, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Nabucco: Part 3 (La profezia). “Del futuro nel buio discerno” (Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Son pur queste mie membra!” (Nabucco, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Dio di Giuda!… l'ara e il tempio” (Nabucco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Porta fatal, oh, t'aspira” (Nabucco, Abdallo, Coro di guerrieri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Cadran, cadranno i perfidi” (Nabucco, Abdallo, Coro di guerrieri)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). Marcia funebra\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Va! la palma del martirio” (Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Oh, dischiuso e il firmamento” (Fenena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Viva Nabucco!” (Zaccaria, Fenena, Anna, Ismaele, Coro di ebrei, Nabucco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Ah, torna Israello, torna alle gioie del patrio suol!” (Tutti)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Oh! chi vegg'io?” (Nabucco, Coro di ebrei)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Nabucco: Part 4 (L'idolo infranto). “Su me… morente… esanime…” (Abigaille, Coro di ebrei, Zaccaria)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Rigoletto: Prelude (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Della mia bella incognita borghese” (Duca, Borsa)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Questa o quella” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Partite? crudele!” (Duca, Contessa, Ceprano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “In testa che avete” (Rigoletto, Borsa, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Gran nuova! Gran nuova!” (Marullo, Borsa, Coro, Duca, Ceprano, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “Ch'io gli parli” (Monterone, Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rigoletto: Act I, Scene 1. “O tu che la festa audace” (Duca, Borsa, Rigoletto, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Quel vecchio maledivami!” (Rigoletto, Sparafucile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Pari siamo!” (Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Figlia!… Mio padre!…” (Rigoletto, Gilda, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Ah, veglia, o donna” (Rigoletto, Gilda, Giovanna, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Giovanna, ho dei rimorsi” (Gilda, Giovanna, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “È il sol dell'anima” (Duca, Gilda, Ceprano, Borsa, Giovanna)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Addio! speranza ed anima” (Duca, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Gualtier Maldè!…Caro nome” (Gilda, Borsa, Ceprano, Marullo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Riedo!…perché?…Silenzio!” (Rigoletto, Borsa, Ceprano, Marullo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Zitti, zitti, moviamo a vendetta” (Borsa, Marullo, Ceprano, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Rigoletto: Act I, Scene 2. “Soccorso, padre mio!” (Gilda, Borsa, Marullo, Ceprano, Coro, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Rigoletto: Act II. “Ella mi fu rapita!” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rigoletto: Act II. “Parmi veder le lagrime” (Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Rigoletto: Act II. “Duca, Duca!…Ebben?” (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Rigoletto: Act II. “Povero Rigoletto!” (Marullo, Rigoletto, Coro, Borsa, Ceprano, Paggio)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rigoletto: Act II. “Cortigiani, vil razza dannata” (Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rigoletto: Act II. “Mio padre!…Dio! mia Gilda!” (Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Rigoletto: Act II. “Tutte le feste al tempio” (Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Rigoletto: Act II. “Compiuto pur quanto” (Rigoletto, Gilda, Monterone, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Rigoletto: Act II. “Sì, vendetta, tremenda vendetta” (Rigoletto, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Rigoletto: Act III. “E l'ami?” (Rigoletto, Gilda, Duca, Sparafucile)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Rigoletto: Act III. “La donna è mobile” (Duca, Sparafucile, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Rigoletto: Act III. “Un di, se ben rammentomi” (Duca, Maddalena, Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Rigoletto: Act III. “Bella figlia dell'amore” (Duca, Maddalena, Gilda, Rigoletto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rigoletto: Act III. “Venti scudi hai tu detto?” (Rigoletto, Sparafucile, Duca, Maddalena, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Rigoletto: Act III. “È amabile invero” (Maddalena, Sparafucile, Gilda, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Rigoletto: Act III. “Della vendetta alfin giunge l'istante!” (Rigoletto, Sparafucile, Duca)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Rigoletto: Act III. “Chi è mai, chi è qui in sua vece?” (Rigoletto, Gilda)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act I. “Dell'invito trascorsa è già l'ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act I. “Libiamo, ne' lieta calici” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act I. “Che è ciò?” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act I. “Un dì felice, eterea” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act I. “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act I. “Si ridesta in ciel l'aurora” (Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act I. “È strano! È strano!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act I. “Ah, fors'è lui che l'anima” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act I. “Follie! follie! Delirio vano è questo!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act I. “Sempre libera” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Lunge da lei” (Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act II, Scene 1. “De' miei bollenti spiriti” (Alfredo, Annina, Violetta, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Annina, donde vieni?…Alfredo?…Per Parigi or or partiva” (Alfredo, Annina, Violetta, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Pura siccome un angelo” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Non sapete quale affetto” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Un dì, quando le venderi” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah! dite alla giovine” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Imponete…Non amarlo ditegli” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Morrò! La mia memoria” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Dammi tu forza, o cielo!” (Violetta, Annina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Che fai?…Nulla” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah, vive sol quel core all'amor mio!” (Alfredo, Commissionario, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Di Provenza il mar” (Germont, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Avram lieta di maschere la notte” (Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Noi siamo zingarelle” (Coro, Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di Madride noi siam mattadori” (Coro, Gastone, Flora, Dottore, Marchese)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo! Voi!” (Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Violetta, Barone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Invitato a qui seguirmi” (Alfredo, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Ogni suo aver tal femmina” (Alfredo, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di sprezzo degno sé stesso rende” (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo, Alfredo, di questo core” (Violetta, Flora, Germont, Gastone, Barone, Dottore, Marchese, Coro, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act III. Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act III. “Annina?…Comandate?” (Violetta, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act III. “Teneste la promessa” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act III. “Addio, del passato” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act III. “Largo al quadrupede” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act III. “Signora!…Che t'accadde?” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act III. “Parigi, o cara” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act III. “Ah, non più, a un tempio” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act III. “Ah! gran Dio! Morir sì giovine” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act III. “Ah, Violetta!…Voi, signor!” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act III. “Prendi, quest'è l'immagine” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act III. “Se una pudica vergine” (Violetta, Germont, Alfredo, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act I. “Dell'invito trascorsa è già l'ora” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act I. “Libiamo, ne' lieti calici” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act I. “Che è ciò?” (Coro, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act I. “Un dì, felice, eterea” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act I. “Ebben? Che diavol fate?” (Gastone, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act I. “Si ridesta in ciel l'aurora” (Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act I. “È strano! È strano!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act I. “Ah, fors'è lui che l'anima” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act I. “Follie! follie! Delirio vano è questo!” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act I. “Sempre libera” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Lunge da lei” (Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act II, Scene 1. “De' miei bollenti spriti” (Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Annina, donde vieni?…Alfredo?…Per Parigi or or partiva” (Alfredo, Annina, Violetta, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Pura siccome un angelo” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Non sapete quale affetto” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Un dì, quando le veneri” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah! dite alla giovine” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Imponete…Non amarlo ditegli” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Morrò! La mia memoria” (Germont, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Dammi tu forza, o cielo!” (Violetta, Annina)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Che fai?…Nulla” (Alfredo, Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Ah, vive sol quel core all'amor mio!” (Alfredo, Commissario, Germont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e La traviata: Act II, Scene 1. “Di Provenza il mar” (Germont, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Avrem lieta di maschere la notte” (Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Noi siamo zingarelle” (Coro, Flora, Marchese, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di Madride noi siam mattadori” (Coro, Gastone, Flora, Dottore, Marchese)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo! Voi!” (Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Violetta, Barone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Invitato a qui seguirmi” (Flora, Gastone, Dottore, Marchese, Coro, Alfredo, Violetta, Barone)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Ogni Suo aver tal femmina” (Alfredo, Gastone, Barone, Dottore, Marcello, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Di sprezzo degno sé stesso rende” (Germont, Alfredo, Flora, Gastone, Barone, Dottore, Marchese, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e La traviata: Act II, Scene 2. “Alfredo, Alfredo, di questo core” (Violetta, Flora, Germont, Gastone, Barone, Dottore, Marchese, Coro, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e La traviata: Act III. Preludio (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e La traviata: Act III. “Annina?…Comandate?” (Violetta, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e La traviata: Act III. “Teneste la promessa” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La traviata: Act III. “Addio, del passato” (Violetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e La traviata: Act III. “Largo al quadrupede” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La traviata: Act III. “Signora!…Che t'accadde?” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e La traviata: Act III. “Parigi, o cara” (Annina, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e La traviata: Act III. “Ah, non più, a un tempio” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La traviata: Act III. “Ah! gran Dio! Morir sì giovane” (Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e La traviata: Act III. “Ah, Violetta!…Voi, signor!” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e La traviata: Act III. “Prendi, quest'è l'immagine” (Germont, Violetta, Alfredo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e La traviata: Act III. “Se una pudica vergine” (Violetta, Germont, Alfredo, Annina, Dottore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I vespri siciliani: Sinfonia (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I vespri siciliani: Act I. “A te, ciel natio” (Tebaldo, Roberto, Coro di francesi, Coro di siciliani)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I vespri siciliani: Act I. “Qual s'offre al mio sguardo” (Vaudemont, Béthune, Danieli, Elena, Roberto, Tebaldo, Ninetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I vespri siciliani: Act I. “In alto mare e battuto dai venti” (Elena, Danieli, Ninetta, Coro di siciliani, Monforte, Roberto, Coro di francesi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I vespri siciliani: Act I. “O donna!” (Arrigo, Elena, Ninetta, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I vespri siciliani: Act I. “Qual'è il tuo nome?” (Monforte, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I vespri siciliani: Act I. “Ah, fuggi! fuggi! il tel comando!” (Monforte, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I vespri siciliani: Act II. “O patria, o cara patria” (Procida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I vespri siciliani: Act II. “O tu, Palerno, terra adorata” (Procida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I vespri siciliani: Act II. “Miei fidi amici, alfine io vi riveggo!” (Procida, Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I vespri siciliani: Act II. “Quale, o prode, al tuo coraggio” (Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e I vespri siciliani: Act II. “Cavalier, questo foglio il viceré v'invia!” (Béthune, Arrigo, Elena, Procida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e I vespri siciliani: Act II. Finale: Tarantella (Roberto, Procida, Tebaldo, Coro di siciliani, Coro di francesi, Ninetta)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e I vespri siciliani: Act II. “Il rossor mi copri! Il terror ho nel sen!” (Danieli, Coro di siciliani, Elena, Procida, Manfredo, Vaudemont)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I vespri siciliani: Act III. “Sì, m'abborriva ed a ragion!” (Monforte, Béthune)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I vespri siciliani: Act III. “In braccio alle dovizie” (Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I vespri siciliani: Act III. “Sogno, o son desto? … Mentre contemplo” (Arrigo, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I vespri siciliani: Act III. “Ma che? fuggi il mio sguardo, o figlio?” (Arrigo, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I vespri siciliani: Act III. “Ah! figlio, invano crudo mi chiami” (Arrigo, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I vespri siciliani: Act III. Il ballo delle quattro stagioni: L'inverno (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I vespri siciliani: Act III. Il ballo delle quattro stagioni: La primavera (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I vespri siciliani: Act III. Il ballo delle quattro stagioni: L'estate (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I vespri siciliani: Act III. Il ballo delle quattro stagioni: L'autunno (Orchestra)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I vespri siciliani: Act III. “O splendide feste! O notti feconde” (Coro, Procida, Arrigo, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I vespri siciliani: Act III. “Colpo orrendo, inaspettato!” (Elena, Arrigo, Danieli, Monforte, Procida, Béthune, Coro di siciliani, Coro di francesi)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I vespri siciliani: Act IV. “È di Monforte il cenno” (Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I vespri siciliani: Act IV. “Giorno di pianto” (Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I vespri siciliani: Act IV. “O sdegni, tacete” (Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e I vespri siciliani: Act IV. “Arrigo! ah! parli a un core” (Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e I vespri siciliani: Act IV. “Pensando a me! È dolce raggio” (Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e I vespri siciliani: Act IV. “Alma leal, sollievo al nostro martir” (Procida, Elena, Béthune, Monforte, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e I vespri siciliani: Act IV. “Addio, mia patria, invendicato” (Procida, Monforte, Arrigo, Elena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e I vespri siciliani: Act IV. “De profundis clamavi ad te, Domine” (Coro, Procida, Elena, Arrigo, Monforte)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e I vespri siciliani: Act IV. “Ministro di morte, arresta!” (Monforte, Elena, Procida, Arrigo, Coro di francesi, Coro di siciliani)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e I vespri siciliani: Act V. “Si celebri alfine tra i canti” (Coro di cavalieri, Coro di giovinette)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e I vespri siciliani: Act V. “Mercè, dilette amiche” (Elena, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e I vespri siciliani: Act V. “La brezza aleggia intorno” (Arrigo, Elena)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e I vespri siciliani: Act V. “Al tuo cor generoso” (Procida, Elena, Arrigo)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e I vespri siciliani: Act V. “Ecco, per l'aura spiegasi” (Arrigo, Elena, Procida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e I vespri siciliani: Act V. “In fra di noi s'oppone” (Arrigo, Elena, Procida)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e I vespri siciliani: Act V. “Ah, vieni; il mio mortal dolore” (Arrigo, Monforte, Procida, Elena, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Parsifal: Preludio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Parsifal: Act I. “Eh, oh! Guardia, così fate voi dormendo?” (Gurnemanz, Cavalieri, 1ᵒ e 2ᵒ Scudiero, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Parsifal: Act I. “Sì, qui… Sta ben… Possiamo un po'” (Amfortas, 2ᵒ Cavaliere, Gurnemanz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Parsifal: Act I. “Non dir! Ah, ah… E se non giova?” (Kundry, 3ᵒ e 4ᵒ Scudiero, Gurnemanz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Parsifal: Act I. “Oh, Santa Lancia, prodigioso acciar!” (Gurnemanz, 1ᵒ, 2ᵒ e 3ᵒ Scudiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Parsifal: Act I. “Titurel, il pio campion, ben lo conobbe” (Gurnemanz, 3ᵒ e 4ᵒ Scudiero)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Parsifal: Act I. “Ah! Chi fu quell'empio?” (Cavalieri, Gurnemanz, 4 Scudieri, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Parsifal: Act I. “Or di! Sinor a nulla hai risposto” (Gurnemanz, Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Parsifal: Act I. “Dal bagno già ritorna il Re” (Gurnemanz, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Parsifal: Act I. “Il tempo qui, figliuolo, diventa spazio” (Gurnemanz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Parsifal: Act I. “Tu bada ben: or si vedrà” (Gurnemanz, Cavalieri, Voci di giovanetti, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Parsifal: Act I. “Mio figlio Amfortas, sei pronto al rito?” (Titurel, Amfortas)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Parsifal: Act I. “Pietà fa saggio” (Coro, Cavalieri, Titurel)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Parsifal: Act I: “Il mio sangue sia vin, il mio corpo sia pan” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Parsifal: Act I: “O giubilo santo!” (Titurel, Voci di giovanetti, Cavalieri, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Parsifal: Act I: “Che fai tu qui? Sai tu che vedesti?” (Gurnemanz, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Parsifal: Act II: “È giunto il dì. Dal mio castello il folle attratto” (Klingsor, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Parsifal: Act II: “Il più forte convien quest'oggi domar” (Klingsor, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Parsifal: Act II: “Qui fu il clamore: armi, fiere grida!” (Fanciulle Fiore, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Parsifal: Act II: “Vien, vien, mio bel damo” (Fanciulle Fiore, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Parsifal: Act II: “Parsifal resta!” (Kundry, Parsifal, Fanciulle Fiore)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Parsifal: Act II: “Un sogno tutto ciò non è?” (Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Parsifal: Act II: “Ho visto il figlio sul materno sen” (Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Parsifal: Act II: “Ahimè! Ahimè! Che feci?” (Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Parsifal: Act II: “Amfortas, la piaga, la piaga!” (Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Parsifal: Act II: “Ah, crudel, gli altrui dolori atroci nel cor tu senti” (Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Parsifal: Act II: “Vi via, o femmia vil!” (Parsifal, Kundry, Klingsor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Parsifal: Preludio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Parsifal: Act III. “Di là venuto èil grido” (Gurnemanz, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Parsifal: Act III. “Salve fratel! smarrito qui” (Gurnemanz, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Parsifal: Act III. “Dio mi fa ritrovarti” (Gurnemanz, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Parsifal: Act III. “Signor, se un reo poter ti deviò dal tuo cammin” (Gurnemanz, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Parsifal: Act III. “No, no! la sacra fonte sia vital lavacro al pellegrin” (Gurnemanz, Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Parsifal: Act III. “Con l'onda pura sii tu” (Gurnemanz, Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Parsifal: Act III. “Ma pur non è così” (Gurnemanz, Parsifal, Kundry)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Parsifal: Act III. “Mazzodì… è questa l'ora” (Gurnemanz)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Parsifal: Act III. “Nell'arca qui rinchiuso scortiam il Gral pel mistico rito” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Parsifal: Act III. “Sì onta, onta su di me!” (Amfortas, Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Parsifal: Act III. “Soltano un'arma val” (Parsifal)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Parsifal: Act III. “O divin prodigo” (Coro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e “Deh! Torna mio bene” (Aria e variazioni)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act I. “Vieni! T'affretta…Or tutti sorgete”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Nabucco: Act II. “Ben io t'invenni…Anch'io dischiuso un giorno”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Lucia di Lammermoor: Act III. “Il dolce suono…Ardon gli incensi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lakmé: Act II. “Dove l'indiana bruna?” (Bell Song)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Die Entführung aus dem Serail: Act II. “Tutte le torture”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Dinorah: Act II. “Ahimè! che notte oscura…Ombra leggera” (Shadow Song)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Louise: Act III. “Depuis le jour”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Armida: Act II. “D'Amore di dolce impero”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: Act II. “Tu che invoco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I puritani: Act I. “La dama d'Arturo…Ah, vieni al tempio”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Semirande: Act I. “Bel raggio lusinghier”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Hamlet: Act IV. “Al vostri giochi…Ed ora a voi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il trovatore: Act IV. “Vanne,m lasciami…D'amor sull'ali rosee”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La forza del destino: Act IV. “Pace, pace, mio Dio!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tristan und Isolde: Act III. “Dolce e calmo” (Liebestod)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lucia di Lammermoor: Act I. “Regnava nel silenzio…Quando rapito in estasi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Hamlet: Act IV. “Al vostri giochi…Ed ora a voi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Hamlet: Encore: “Ed ora a voi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La traviata: Act I. “E strano…Ah! fors'è lui…Sempre libera”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e I puritani: “O rendetemi la speme…Qui la voce…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e I puritani: Act II. “Vien, diletto”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Anna Bolena: Act II. “Piangete voi?…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Anna Bolena: Act II. “Al dolce guidami…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Anna Bolena: Act II. “Qual mesto suon…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Anna Bolena: Act II. “Suon festivo?…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Anna Bolena: Act II. “Coppia iniqua”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Macbeth: Act I. “Nel dì della vittoria…Vieni! t'affretta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Die Entführung aus dem Serail: Act II. Kostanze aria: “Tutte le torture”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Tosca: Act II. “Vissi d'arte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Act I. “Casta Diva”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Madama Butterfly: Act II. “Un bel dì vedremo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La bohème: Act I. “Sì. Mi chiamano Mimi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Mefistofele: Act II. “L'altra notte in fondo al mare”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Macbeth: Act IV. “Una macchia è qui tuttora”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il pirata: Act II. “Oh! s'io potessi dissipar le nubi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: “Sediziose voci”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: “Casta Diva”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: “Fine al rito, e il sacro bosco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il trovatore: “Vanne, lasciami…D'amor sull'ali rosee”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il trovatore: “Miserere”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il barbiere di Siviglia: “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: “Tosca è un buon falco!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: “Ella verrà per amor del suo Mario!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: “Tal violenza!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: “Ed or fra noi parliam da buoni amici”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: “Orsù, Tosca, parlate”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: “Floria! Amore!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: “La povera mia cena fu interrotta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: “Già, mi dicon venal”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: “Vissi d'arte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: “Sei troppo bella, Tosca”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: “Tosca, finalmente mia!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: Act II. “Tu che invoco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act I. “Nel dì della vittoria…Vieni! t'affretta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Don Carlo: Act IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Act II. “Oh! s'io potessi dissipar le nubi…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il pirata: Act II. “Col sorriso d'innocenza…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il pirata: Act II. “Qual suono ferale echeggia…Oh, Sole! ti vela”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: “Or che vedi il mio tormento” (Tu che invoco)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Act I. “Nel dì della vittoria…Vieni! t'afretta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Don Carlo: Act IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Act II. “Oh! s'io potessi dissipar le nubi…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il pirata: Act II. “Col sorriso d'innocenza…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il pirata: Act II. “Qual suono ferale echeggia…Oh, Sole! ti vela”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: Act II. “Tu che invoco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ernani: Act I. “Sura èla notte…Ernani! Ernani, involami”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Don Carlo: Act IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il pirata: Act II. “Oh! s'io potessi dissipar le nubi…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Act II. “Col sorriso d'innocenza…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Il pirata: Act II. “Qual suono ferale echeggia…Oh, Sole! ti vela”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Oberon: Act II. “Ocean! thou mighty monster”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Le Cid: Act III. “De cet affreux combat…Pleurez ! pleurez, mes yeux !”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Cenerentola: Act II. “Nacqui all'affanno…Non più mesta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Macbeth: Act II. “La luce langue” (incomplete)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Anna Bolena: Act II. “Piangete voi?…Al dolce guidami castei natio”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Don Carlo: Act IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Carmen: Act I. Prélude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmen: Act I. “L'amour est un oiseau rebelle” (Habanera)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmen: Act III. Entracte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmen: Act I. “Près des remparts de Séville”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Le Cid: Act III. “De cet affreux combat…Pieurez ! pleurez, mes yeux !”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Don Carlo: Act IV. “Tu che le vanità” (incomplete)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Mefistofele: Act III. “[L'altra notte in fondo al mare]…In funero sopore” (incomplete)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Semirande: Act I. “Bel raggio lusinghier”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e La Cenerentola: Act II. “Nacqui all'affanno…Non più mesta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Manon: Act II. “Je ne suis que faiblesse…Adieu, notre petite table”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Werther: Act III. “Werther ! Qui m'aurait dit…Des cris joyeux”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Nabucco: Act II. “Den io t'invenni…Anch'io dischiuso un giorno”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La bohème: Act II. “Quando men vo”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Madama Butterfly: Act II. “Tu? tu? tu? tu? Piccolo iddio!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Gianni Schicchi: “O mio babbino caro”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Scena \u0026amp; Aria: “Ah! perfido”, op. 65 (Metastasio) (incomplete)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Opening Introduction\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Atto I. “Sediziose voci”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Norma: Atto I. “Casta Diva”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Norma: Atto I. “Fine al rito, e il sacro bosco”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Norma: Atto I. “Ah! bello a mei ritorna”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Introduction to Il trovatore\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Il trovatore: Parte IV. “Vanne… lasciami”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il trovatore: Parte IV. “D'amor sull'ali rosee”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il trovatore: Parte IV. “Miserere d'un'alma già vicina”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Introduction to Il barbiere di Siviglia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il barbiere di Siviglia: Atto I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Introduction to Tosca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Atto II. “Tosca è un buon falco!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Atto II. “Ha più forte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Atto II. “Egli è là”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Atto II. “Dov'è dunque Angelotti?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Atto II. “Ed or fra noi parliam da buoni amici”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Tosca: Atto II. “Orsù, Tosca, parlate”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Tosca: Atto II. “Flora! - Amore…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Tosca: Atto II. “Vittoria! Vittoria!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Tosca: Atto II. “Se la giurata fede”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Tosca: Atto II. “Vissi d'arte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Tosca: Atto II. “Vedi, le man giunte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Tosca: Atto II. “E qual via scegliete?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e La vestale: Atto II. “Tu che invoco con orrore”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Macbeth: Atto I. “Nel di della vittoria io le incontrai … Vieni, t'affretta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Atto I. “Una voce poco fa”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Don Carlo: Atto IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Il pirata: Atto II. “Oh! s'io potessi dissipar le nubi”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Le Cid : Acte III. “De cet affreux combat … Pleurez, mes yeux”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Mireille: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Carmen : Prélude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Carmen : Acte I. Habanera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Carmen : Acte III. Entr'acte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Carmen : Acte I. Séguedille\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e La forza del destino: Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Ernani: Parte I. “Surta è la notte … Ernani, involami”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e La Cenerentola: Atto II. “Nacqui all'affanno e al pianto … Non più mesta”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Don Carlo: Atto III. “O don fatale, o don crudel”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Credits\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Don Carlo: Atto IV. “Tu che le vanità”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Carmen : Prélude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Carmen : Acte I. Habanera\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Carmen : Acte III. Entr'acte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Carmen : Acte I. Séguedille\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Tosca: Atto II. “Tosca è un buon falco!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Tosca: Atto II. “Ha più forte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Tosca: Atto II. “Egli è là”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Tosca: Atto II. “Dov'è dunque Angelotti?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Tosca: Atto II. “Ed or fra noi parliam da buoni amici”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Tosca: Atto II. “Orsù, Tosca, parlate”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Tosca: Atto II. “Flora! - Amore…”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Tosca: Atto II. “Vittoria! Vittoria!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Tosca: Atto II. “Se la giurata fede”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Tosca: Atto II. “Vissi d'arte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Tosca: Atto II. “Vedi, le man giunte”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Tosca: Atto II. “E qual via scegliete?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Semirande: “Bel raggio lusinghier”: Takes 3-4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Armida: “D'amor al dolce impero”: (Test) Takes 62-63\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Cenerentola: “Nacqui all'affanno”: Takes 18-20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Guillaume Tell: “Selva opaca”: Takes 24-25\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Semirande: “Bel raggio lusinghier”: Takes 56-60\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Anna Bolena: “Come innocente giovane”: Rehearsal (Test)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lucrezia Borgia: “Tranquillo ei posa”: Takes 61-62\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Il pirata: “Sorgete, è in me dover quella pietade”: Rehearsal (Test)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Il pirata: “Sorgete, è in me dover quella pietade”: Take 82\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Il pirata: “Sorgete, è in me dover quella pietade”: Take 85\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Il pirata: “Sorgete, è in me dover quella pietade”: Take 90\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Il pirata: “Sorgete, è in me dover quella pietade”: Take 91\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Oberon: “Ocean! thou mighty monster”: (Test) Take 29\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Manon: “Je ne suis que faiblesse”: Takes 3-5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Les Pêcheurs de perles: “Me voilà seule … Comme autrefois”: Take 31\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Les Pêcheurs de perles: “Me voilà seule … Comme autrefois”: Take 35\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e La Damnation de Faust: “D'amour l'ardente flamme”: Take 37\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e I Lombardi: “Te, Vergin santa”: Take 470\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Don Giovanni: Act II. “Non mi dir”: 1953 Studio recording by Marias Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Don Giovanni: Act II. “Non mi dir”: Master Class: Kyu Do Park\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Don Giovanni: Act II. “Non mi dir”: 1963 Studio recording by Marias Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Fidelio: Act II. “Abscheulicher!”: Master Class: Pamela Hebert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Medea: Act I. “Dei tuoi figli”: Master Class: Luba Tcheresky\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Medea: Act I. “Dei tuoi figli”: 1955 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Norma: Act I. “Casta diva”: Master Class: Pamela Hebert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Norma: Act I. “Casta diva”: Master Class: 1954 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”: Master Class: Syble Young\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Il barbiere di Siviglia: Act I. “Una voce poco fa”: 1957 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rigoletto: Act II. “Cortigiani, vil razza dannata”: Master Class: Sung Kii Kim\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Don Carlo: Act II. “Nei giardin del bello” (Conzone del velo): Master Class: Sheila Nadler\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Werther: Act III. “Qui m'aurait dit…Des cris joyeux“ (Air des lettres): Master Class: Anita Terzian\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Werther: Act III. “Qui m'aurait dit…Des cris joyeux“ (Air des lettres): 1963 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La bohème: Act I. “Sì, mi chlamano Mimì“: Master Class: Kyu Do Park\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La bohème: Act I. “Sì, mi chlamano Mimì“: 1954 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Madama Butterfly: Act II. “Che tua madre“: Master Class: Akiko Ikuo Hayashi\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Madama Butterfly: Act II. “Che tua madre“: 1955 Studio recording by Maria Callas\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Callas' Farewell to the Students\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Libretti and sung texts for all Studio albums (CD 1-69) (PDF)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Liner notes from the Callas 2014 Studio \u0026amp; 2017 Live Editions: all Studio albums (CD 1-69), most of the Live operas (CD 70-75, 78-99, 102-17, 110-117, Blu-rays) (PDF)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 1. Interviews in homage to Maria Callas: Interview de Nicola Rossi Lemeni par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 2. Interviews in homage to Maria Callas: Interview de Herbert von Karajan par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 3. Interviews in homage to Maria Callas: Interview de Margherita Wallmann par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 4. Interviews in homage to Maria Callas: Interview de Tito Gobbi par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 5. Interviews in homage to Maria Callas: Interview de Fedora Barbieri par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 6. Interviews in homage to Maria Callas: Interview de Giulietta Simionato par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 7. Interviews in homage to Maria Callas: Interview de Jon Vickers par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 8. Interviews in homage to Maria Callas: Interview de Georges Prêtre par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 9. Interviews in homage to Maria Callas: Interview de Carlo Maria Giulini par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 10. Interviews in homage to Maria Callas: Interview de Montserrat Caballé par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 11. Interviews in homage to Maria Callas: Interview de Michel Glotz par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 12. Interviews in homage to Maria Callas: Interview de Georges Auric par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 13. Interviews in homage to Maria Callas: Interview de Charles Vannes par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 14. Interviews in homage to Maria Callas: Interview de Janine Reiss par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 15. Interviews in homage to Maria Callas: Interview de Jacques Bourgeois par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 16. Interviews in homage to Maria Callas: Interview de Bernard Lefort par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 17. Interviews in homage to Maria Callas: Interview de Robert Hirsch par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 18. Interviews in homage to Maria Callas: Interview de Edwige Feuillère par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 19. Interviews in homage to Maria Callas: Interview de Michael Denard par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 20. Interviews in homage to Maria Callas: Interview de Rolf Liebermann par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 21. Interviews in homage to Maria Callas: Interview de Pierre-Jean Rémy par Alain Lanceron\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 22. Interviews in homage to Maria Callas: Interview de Maria Callas par Jacques Bourgeois\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 22. Maria Callas in conversation with Edward Downes: Edward Downes: “Well, Madame Callas...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 23. Maria Callas in conversation with Edward Downes: Edward Downes: “And the same thing seems to me...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 24. Maria Callas in conversation with Edward Downes: Edward Downes: “But – you know – you are speaking of not being traditional...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 25. Maria Callas in conversation with Edward Downes: Edward Downes: “You were speaking a moment ago about your ‘first’ career.”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 26. Maria Callas in conversation with Edward Downes: Maria Callas: “There is always a certain limit, even in ‘corone’...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 27. Maria Callas in conversation with Edward Downes: Edward Downes: “Tell me – one thing that I would have thought...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 28. Maria Callas in conversation with Edward Downes: Edward Downes: “You know – there’s another question...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 29. Maria Callas in conversation with Edward Downes: Edward Downes: “You said that you have had to struggle...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 30. Maria Callas in conversation with Edward Downes: Edward Downes: “I’d heard so many stories about you...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 31. Maria Callas in conversation with Edward Downes: Edward Downes: “Well – now tell me – when you’re singing the bel canto roles...”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e 32. Maria Callas in conversation with Edward Downes: Maria Callas: “Music has to be well performed.”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Liner notes (in English, French \u0026amp; German PDF) \u0026amp; Recording sheets (JPEG) for the bonus CD (CD 134)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 22 549 18 00\u003c\/p\u003e","brand":"Maria Callas","offers":[{"title":"Default Title","offer_id":53975516741972,"sku":"100935","price":1319.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/5632\/2900\/files\/mbid-8a025cb5-3137-4072-a886-1c0453b480fe-41761818135_thumb500.jpg?v=1774525095","url":"https:\/\/klubplytowy.pl\/products\/maria-callas-la-divina-maria-callas-in-all-her-roles-the-centenary-deluxe-edition-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}