{"product_id":"kurt-masur-complete-warner-classics-edition-cd","title":"Complete Warner Classics Edition CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 1 in D-flat major, Op. 10: I. Allegro brioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 1 in D-flat major, Op. 10: II. Andante assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 1 in D-flat major, Op. 10: III. Allegro scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto No. 2 in G minor, Op. 16: I. Andantino - Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto No. 2 in G minor, Op. 16: II. Scherzo. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto No. 2 in G minor, Op. 16: III. Intermezzo. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Concerto No. 2 in G minor, Op. 16: IV. Finale. Allegro tempestuoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Overture on Hebrew Themes in C minor\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 3 in C major, Op. 26: I. Andante - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 3 in C major, Op. 26: II. Thème et variations\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 3 in C major, Op. 26: III. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto No. 4 in B-flat major, Op. 53 \"For the left hand\": I. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto No. 4 in B-flat major, Op. 53 \"For the left hand\": II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto No. 4 in B-flat major, Op. 53 \"For the left hand\": III. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Concerto No. 4 in B-flat major, Op. 53 \"For the left hand\": IV. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Concerto No. 5 in G major, Op. 55: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Concerto No. 5 in G major, Op. 55: II. Moderato ben accentuato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Piano Concerto No. 5 in G major, Op. 55: III. Toccata. Allegro con fuocco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Piano Concerto No. 5 in G major, Op. 55: IV. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Piano Concerto No. 5 in G major, Op. 55: V. Vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Maestoso -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Quasi Adagio -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegretto Vivace-Allegro Animato -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 1 in E-flat major, S. 124: Allegro Marziale Animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Adagio Sostenuto Assai-\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Agitato Assai -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Moderato -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Deciso -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Marziale Un Poco Meno Allegro -\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Concerto for Piano and Orchestra no. 2 in A major, S. 125: Allegro Animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Schubert: Wanderer-Fantasie, D760 (Transcr. Liszt c.1852), S366\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Weber: Polonaise Brillante «L'Hilarité», J268 (Transcr. Liszt c.1851), S367\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Fantasie Hongroise pour piano et orchestre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Fantasie pour piano et orchestre sur des thèmes des \"Ruines d'Athènes\", op. 113 de Beethoven\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Grande Fantaisie Symphonique Sur Des Thèmes De «Lélio» De Berlioz (1834), S120\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Malédiction (1833), S121\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Totentanz, Paraphrase Über \"Dies Irae\" (1849), S126\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ce qu'on entend sur la montage (1848-9) After Hugo, S. 95\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tasso: Lamento e trionfo (1849) After Byron, S. 96\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Les Préludes (1848) After Lamartine, S. 97\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Orpheus (1853-4), S. 98\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e No. 5: Prometheus (1850), S. 99\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e No. 6: Mazeppa (1851) After Hugo, S. 100\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e No. 7: Festklänge (1853), S. 101\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e No. 8: Héroïde Funèbre (1849-50), S. 102\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Mephisto Waltz No.2 (1880-81), S. 111\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e No. 9: Hungaria (1854), S. 103\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e No. 10: Hamlet (1858) After Shakespeare, S. 104\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e No. 11: Hunnenschlacht (1856-57) After Kaulbach, S. 105\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e No. 12: Die Ideale (1857) After Schiller, S. 106\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e No. 13, Von der Wiege bis zur Bahre: I. Die Wiege\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e No. 13, Von der Wiege bis zur Bahre: Der Kampf Um's Dasein\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e No. 13, Von der Wiege bis zur Bahre: Zum Grabe (Die Wiege Des Zukünftigen Lebens)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Eine Faust-Symphonie, S. 108: I. Faust (Lento assai - Allegro impetuoso - Allegro agitato ed apassionato assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Eine Faust-Symphonie, S. 108: II. Gretchen (Andante soave)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Eine Faust-Symphonie, S. 108: III. Mephistopheles (Andante mistico)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Zwei Episoden aus Lenaus Faust, S. 110: I. Der nächtliche Zug\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Zwei Episoden aus Lenaus Faust, S. 110: II. Der Tanz in Der Dorfschenke (Mephisto Waltz No.1)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e A Dante Symphony, S. 109: I. Inferno\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e A Dante Symphony, S. 109: II. Purgatorio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto in D major, Op. 61: I. Allegro, Ma Non Troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto in D Major, Op. 61: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto in D Major, Op. 61: III. Rondo (Allegro)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Piano, Violin, Cello and Orchestra in C Major, Op. 56: III. Rondo alla polacca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Romance No. 1 in G Major, Op. 40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Romance No. 2 in F Major, Op. 50\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: II. Adagio di molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto in D minor, op. 47: III. Allegro ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Finlandia, op. 26\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e The Swan of Tuonela, op. 22 no. 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Karelia Overture, op. 10\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 4 in F minor, Op. 36: I. Andante sostenuto – Moderato con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 4 in F minor, Op. 36: II. Andantino in modo di canzona\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 4 in F minor, Op. 36: III. Scherzo. Pizzicato ostinato – Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 6 in B minor, Op. 74 \"Pathétique\": I. Adagio – Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 6 in B minor, Op. 74 \"Pathétique\": II. Allegro con grazia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 6 in B minor, Op. 74 \"Pathétique\": III. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 6 in B minor, Op. 74 \"Pathétique\": IV. Finale. Adagio lamentoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 5 in E minor, Op. 64: I. Andante – Allegro con anima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 5 in E minor, Op. 64: II. Andante cantabile, con alcuna licenza\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 5 in E minor, Op. 64: III. Valse. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 5 in E minor, Op. 64: IV. Finale. Andante maestoso – Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 3 in A Minor, Op. 56, \"Scottish\": I. Andante con moto - Allegro un poco agitato - Assai animato Andante come prima\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 3 in A Minor, Op. 56, \"Scottish\": II. Vivace non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 3 in A Minor, Op. 56, \"Scottish\": III. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 3 in A Minor, Op. 56, \"Scottish\": IV. Allegro vivacissimo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony No. 4 in A Major, Op. 90, \"Italian\": I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony No. 4 in A Major, Op. 90, \"Italian\": II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony No. 4 in A Major, Op. 90, \"Italian\": III. Con moto moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony No. 4 in A Major, Op. 90, \"Italian\": IV. Saltarello (Presto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Capriccio billant in B minor for piano and orchestra, Op. 40\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto No. 2 in D minor, Op. 40: I. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto No. 2 in D minor, Op. 40: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Concerto No. 2 in D minor, Op. 40: III. Finale: Presto scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Sonata no. 1 in G major, op. 37: I. Moderato e risoluto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Sonata no. 1 in G major, op. 37: II. Andante non troppo quasi moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Sonata no. 1 in G major, op. 37: III. Scherzo. Allegro giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Sonata no. 1 in G major, op. 37: IV. Finale. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": Ia. Maestoso con moto - Allegro - Maestoso con moto come I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": Ib. Allegretto un poco agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": Ic. Adagio religioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IIa. Allegro moderato maestoso - Animato - Allegro di molto (Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IIb. Molto più moderato ma con fuoco (Sopran, Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IIIa. Rezitativ (Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IIIb. Allegro moderato (Tenor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IV. Chor. A tempo moderato (Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": V. Andante (Sopran I \u0026amp; II, Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": VI. Allegro un poco agatito (Tenor, Sopran)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": VII. Allegro maestoso e molto vivace (Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": VIII. Andante con moto (Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": IX. Andante sostenuto assai (Tenor, Sopran)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Sinfonie No. 2 B-dur, Op. 52 \"Lobgesang\": X. Allegro non troppo (Chor)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 in C minor op. 11: I. Allegro di molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 in C minor op. 11: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 in C minor op. 11: III. Menuetto. Allegro molto - Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 in C minor op. 11: IV. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony No. 5 in D Major, op. 107: I. Andante - Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony No. 5 in D Major, op. 107: II. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony No. 5 in D Major, op. 107: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony No. 5 in D Major, op. 107: IV. Choral: Ein feste Burg ist unser Gott! Andante con moto - Allegro vivace - Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 in G minor, Op. 13 \"Winter Dreams\": I. Allegro tranquillo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 in G minor, Op. 13 \"Winter Dreams\": II. Adagio cantabile ma non tanto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 in G minor, Op. 13 \"Winter Dreams\": III. Scherzo. Allegro scherzando giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 in G minor, Op. 13 \"Winter Dreams\": IV. Finale. Andante lugubre – Allegro moderato – Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Francesca da Rimini, Op. 32, Orchestral fantasy after Dante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: Allegro non troppo e molto maestoso - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: Andantino semplice - Prestissimo - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: I. Allegro affettuoso - Andante Espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: II. Intermezzo. Andantino grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto in A minor, op. 54: III. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 B flat major op. 38: I. Andante un poco maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 B flat major op. 38: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 B flat major op. 38: III. Scherzo - Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 B flat major op. 38: IV. Allegro animato e grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony No. 4 d minor op. 120: Andante con moto - vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony No. 4 d minor op. 120: Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony No. 4 d minor op. 120: Scherzo - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphony No. 4 d minor op. 120: Largo - Allegro vivace - Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 17 \"Little Russian\": I. Andante sostenuto – Allegro vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 17 \"Little Russian\": II. Andante marziale, quasi moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 17 \"Little Russian\": III. Scherzo (Allegro molto vivace)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 2 in C minor, op. 17 \"Little Russian\": IV. Finale (Moderato assai)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Romeo and Juliet, TH 42, fantasy overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphonie No. 2 C-dur, Op. 61: I. Sostenuto assai - Un poco più vivace - Allegro, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphonie No. 2 C-dur, Op. 61: II. Scherzo: Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphonie No. 2 C-dur, Op. 61: III. Adagio espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphonie No. 2 C-dur, Op. 61: IV. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphonie No. 3 Es-dur, Op. 97 \"Rheinische\": I. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphonie No. 3 Es-dur, Op. 97 \"Rheinische\": II. Scherzo: Sehr mäßig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphonie No. 3 Es-dur, Op. 97 \"Rheinische\": III. Nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Symphonie No. 3 Es-dur, Op. 97 \"Rheinische\": IV. Feierlich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Symphonie No. 3 Es-dur, Op. 97 \"Rheinische\": V. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Ouvertüre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Text \"Hier ist das Blatt\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 1 Scherzo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 2 Melodram \"Über Täler und Höh'n\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Elfenmarsch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 3 Lied mit Chor \"Kommt! Einen Ringel\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 4 Melodram \"Was du wirst erwachend seh'n\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 5 Intermezzo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 6 Melodram. \"Welch hausgebackenes Volk\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Notturno\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Text \"Nun, toller Geist\" - No. 8 \"Melodram als wäre nichts geschehen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 9 Hochzeitsmarsch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Text \"Nun kommt!\" - No.10 Melodram \"Was das bedeuten soll\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Text \"Beliebt es Euer Hoheit\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 11 Ein Tanz von Rüpeln\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: Text \"Zu Bett geliebte Freunde!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 12 Melodram \"Jetzt beheult der Wolf den Mond\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Ein Sommernachtstraum, Op. 61, MWV M13: No. 13 Finale \"Bei des Feuers mattem Flimmern\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Pictures at an Exhibition: Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Pictures at an Exhibition: 1. Gnomus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Pictures at an Exhibition: Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Pictures at an Exhibition: 2. Il vecchio castello\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Pictures at an Exhibition: Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Pictures at an Exhibition: 3. Tuileries\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Pictures at an Exhibition: 4. Bydlo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Pictures at an Exhibition: Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Pictures at an Exhibition: 5. Ballet of the Unhatched Chickens\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Pictures at an Exhibition: 6. Samuel Goldenberg and Schmuyle\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Pictures at an Exhibition: Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Pictures at an Exhibition: 7. Limoges\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Pictures at an Exhibition: 8. Catacombae. Sepulchrum romanum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Pictures at an Exhibition: Cum mortuis in lingua mortua\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Pictures at an Exhibition: 9. The Hut on Hen's Legs (Baba-Yaga)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Pictures at an Exhibition: 10. The Great Gate of Kiev\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Symphony No. 1 in D major: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Symphony No. 1 in D major: II. Larghetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Symphony No. 1 in D major: III. Non troppo allegro. Gavotte\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Symphony No. 1 in D major: IV. Molto vivace. Finale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Alexander Nevsky, Op. 78: Russia Under the Mongolian Yoke\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Alexander Nevsky, Op. 78: Song About Alexander Nevsky\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Alexander Nevsky, Op. 78: The Crusaders in Pskov\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Alexander Nevsky, Op. 78: Arise, Ye Russian People\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Alexander Nevsky, Op. 78: The Battle on Ice\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Alexander Nevsky, Op. 78: The Field of the Dead\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Alexander Nevsky, Op. 78: Alexander's Entrance Into Pskov\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Scythian Suite, Op. 20: The Adoration of Weles and Ala\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Scythian Suite, Op. 20: Tshushbog and the Dance of the Spirits of Darkness\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Scythian Suite, Op. 20: The Night\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Scythian Suite, Op. 20: Departure of Lolli and Followers to the Sun\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto - Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Manfred Symphony in B minor, op. 58: II. Vivace con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Manfred Symphony in B minor, op. 58: III. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Cello Concerto in A minor, op. 129: 1. Nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Cello Concerto in A minor, op. 129: 2. Langsam - Etwas labhafter - Schneller\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Cello Concerto in A minor, op. 129: 3. Sehr lebhaft - Kadenz - Tempo 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cello Concerto no. 1: 1. Pesante - Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cello Concerto no. 1: 2. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cello Concerto no. 1: 3. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Cello Concerto no. 1: 4. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in D major, Op. 29 \"Polish\": I. Introduzione e Allegro Moderato assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in D major, Op. 29 \"Polish\": II. Alla tedesca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in D major, Op. 29 \"Polish\": III. Andante elegiaco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in D major, Op. 29 \"Polish\": IV. Scherzo. Allegro vivo – Trio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 3 in D major, Op. 29 \"Polish\": V. Finale. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Mazeppa: Gopak (Act 1), TH 7\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Festival Coronation March in D Major, Op. 49\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 7: I. Allegro Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 7: II. Adagio - Sehr feierlich und sehr langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 7: III. Scherzo - Sehr Schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 7: IV. Finale - Bewegt, doch nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 9 in E minor, op. 95 \"From the New World\": I. Adagio, Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 9 in E minor, op. 95 \"From the New World\": II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 9 in E minor, op. 95 \"From the New World\": III. Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 9 in E minor, op. 95 \"From the New World\": IV. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Slavonic Dances no. 2 in E minor, op. 72: Dumka\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Slavonic Dances no. 6 in B-flat major, op. 46: Sousedská\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Slavonic Dances no. 8 in G minor, op. 46: Furiant\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Variations on \"America\": Theme\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Variations on \"America\": Variation 1\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Variations on \"America\": Variation 2\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Variations on \"America\": Interlude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Variations on \"America\": Variation 3\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Variations on \"America\": Variation 4\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Variations on \"America\": Interlude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Variations on \"America\": Variation 5\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Chorale St. Antoni. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. I. Poco più animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. II. Più vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. III. Con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. IV. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. V. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. VI. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. VII. Grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Var. VIII. Presto non trope\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Variations on a Theme by Joseph Haydn, op. 56a: Finale. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Andante grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation I. L'istesso tempo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation II. Poco agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation III. Con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation IV. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation V. Quasi presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation VI. Sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e26.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation VII. Andante grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e27.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Variation VIII. Molto sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e28.\u003c\/strong\u003e Variations and Fugue on a Theme by Mozart, op. 132: Fugue (Allegretto grazioso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Elias, Op. 70: Einleitung. \"So wahr der Herr, der Gott Israels lebet\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Elias, Op. 70: Ouvertüre\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Hilf, Herr!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Elias, Op. 70: Duett im Chor. \"Herr, höre unser Gebet\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Zerreisset eure Herzen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Elias, Op. 70: Arie. \"So ihr mich von ganzem Herzen suchet\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Aber der Herr sieht es nicht\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Elias, gehe weg von hinnen!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Elias, Op. 70: Doppelquartett. \"Denn er hat seinen Engeln befohlen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Nun auch der Bach vertrocknet ist\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Elias, Op. 70: Rezitativ, \"Arie und Duett. Was hast du an mir getan\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Wohl dem, der den Herrn fürchtet\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"So wahr der Herr Zebaoth lebet\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Baal, erhöre uns!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"Rufet lauter!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"Rufet lauter! Er hört euch nicht\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Elias, Op. 70: \"Kommt her, alles Volk\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Elias, Op. 70: Quartett. \"Wirf dein Anliegen auf den Herrn\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"Der du deine Diener machst zu Geistern\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Elias, Op. 70: Arie. \"Ist nicht der Herrn Wort wie ein Feuer\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Elias, Op. 70: Arioso. \"Weh ihnen, dass sie von mir weichen!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"Hilf deinem Volk, du Mann Gottes!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Dank sei dir Gott\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Elias, Op. 70: Arie. \"Höre, Israel höre des Herrn Stimme\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Elias, Op. 70: \"So spricht der Herr: Ich bin euer Tröster\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Fürchte dich nicht, spricht unser Gott\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Elias, Op. 70: Rezitativ mit Chor. \"Der Herr hat dich erhoben\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Wehe ihm, er muss sterben!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Du Mann Gottes\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Elias, Op. 70: Arie. \"Es ist genug!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Siehe, er schläft\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Elias, Op. 70: Terzett. \"Hebe deine Augen auf zu den Bergen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Siehe, der Hüter Israels\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Stehe auf, Elias\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Elias, Op. 70: Arie. \"Sei stille dem Herrn\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Wer bis an das Ende beharrt\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Herr, es wird Nacht um mich\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Der Herr ging vorüber\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Seraphim standen über ihm\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Elias, Op. 70: Quartett mit Chor. \"Heilig ist Gott der Herr\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Elias, Op. 70: Chor-Rezitativ. \"Gehe wiederum hinab!\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Elias, Op. 70: Arioso. \"Ja, es sollen wohl Berge weichen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Und der Prophet Elias brach hervor\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Elias, Op. 70: Arie. \"Dann werden die Gerechten leuchten\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Elias, Op. 70: Rezitativ. \"Darum ward gesendet der Prophet Elias\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e23.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Aber einer erwacht von Mitternacht\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e24.\u003c\/strong\u003e Elias, Op. 70: Quartett. \"Wohlan, alle, die ihr durstig seid\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e25.\u003c\/strong\u003e Elias, Op. 70: Chor. \"Alsdann wird euer Licht hervorbrechen\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony in D minor: I. Lento - Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony in D minor: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony in D minor: III. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Les Eolides (Symphonic poem)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 2 in D Major, Op. 73: I. Allegro Non Troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 2 in D Major, Op. 73: II: Adagio Non Troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 2 in D Major, Op. 73: III: Allegretto Grazioso - Presto Ma Non Assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 2 in D Major, Op. 73: IV. Allegro Con Sprito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Academic Festival Overture, Op. 80\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 1 in D major \"Titan\": Langsam - Schleppend - Wie ein Naturlaut\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 1 in D major \"Titan\": Kräftig bewegt, doch nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 1 in D major \"Titan\": Feierlich und gemessen, ohne zu schleppen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 1 in D major \"Titan\": Stürmisch bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Lieder eines fahrenden Gesellen: Wenn mein Schatz Hochzeit macht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Lieder eines fahrenden Gesellen: Ging heut' Morgen übers Feld\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Lieder eines fahrenden Gesellen: Ich hab' ein glühend Messer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Lieder eines fahrenden Gesellen: Die zwei blauen Augen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 5 in C minor, Op. 67: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 5 in C minor, Op. 67: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 5 in C minor, Op. 67: III. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 5 in C minor, Op. 67: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Egmont, Op. 84: Ouverture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Egmont, Op. 84: Lied \"Die Trommel gerühret!\" (Klärchen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Egmont, Op. 84: Zwischenakt I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Egmont, Op. 84: Zwischenakt II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Egmont, Op. 84: Lied \"Freudvoll und leidvoll\" (Klärchen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Egmont, Op. 84: Zwischenakt III\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Egmont, Op. 84: Zwischenakt IV\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Egmont, Op. 84: Musik, Klärchens Tod bezeichnend\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Egmont, Op. 84: Melodrama \"Süßer Schlaf\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Egmont, Op. 84: Siegessymphonie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Mazeppa, S. 100: Symphonic poem after Victor Hugo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Mephisto Waltz No. 1, S110: \"Der Tanz in der Dorfschenke\"\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Theatre Overture\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Háry János, Suite: I. Prelude The Fairy tale begins\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Háry János, Suite: II. Viennese Musical Clock\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Háry János, Suite: III. Song\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Háry János, Suite: IV. The battle and defeat of Napoleon\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Háry János, Suite: V. Intermezzo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Háry János, Suite: VI. Entrance of the emperor and his court\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: I. Allegro brillante e molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: II. Andante non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 2 in G major, op. 44: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto no. 3 in E-flat major, op. posth.75: Allegro brillante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Babi Yar (recitation)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 13 in B-flat minor, op. 113 \"Babi Yar\": I. Babi Yar: Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 13 in B-flat minor, op. 113 \"Babi Yar\": II. Humour: Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 13 in B-flat minor, op. 113 \"Babi Yar\": III. In the Store: Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Symphony no. 13 in B-flat minor, op. 113 \"Babi Yar\": IV. Fears: Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 13 in B-flat minor, op. 113 \"Babi Yar\": V. Career: Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Loss (recitation)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 8 in G, Op. 88: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 8 in G, Op. 88: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 8 in G, Op. 88: III. Allegretto grazioso - Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 8 in G, Op. 88: IV. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sinfonietta: I. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sinfonietta: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Sinfonietta: III. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Sinfonietta: IV. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Sinfonietta: V. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 3 in F major, Op. 90: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 3 in F major, Op. 90: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 3 in F major, Op. 90: III Poco allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 3 in F major, Op. 90: IV. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Nature, Life and Love: In Nature's Realm, Op. 91\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Nature, Life and Love: Carnival, Op. 92\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Nature, Life and Love: Othello, Op. 93\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Prélude à l’après-midi d’un faune\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Rapsodie pour orchestre et saxophone\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e La Mer: De l’Aube à midi sur la mer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e La Mer: Jeux de vagues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e La Mer: Dialogue du vent et de la mer\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e La Valse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Boléro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 1 in G minor, op. 26: I. Vorspiel: Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 1 in G minor, op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 1 in G minor, op. 26: III. Finale: Allegro energico\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto in E minor, op. 64: I. Allegro molto appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto in E minor, op. 64: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in E minor, op. 64: III. Allegretto non troppo · Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 4 in E-flat major \"Romantic\": I. Bewegt, nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 4 in E-flat major \"Romantic\": II. Andante, quasi allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 4 in E-flat major \"Romantic\": III. Scherzo. Bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 4 in E-flat major \"Romantic\": IV. Finale. Bewegt, doch nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Die sieben Todsünden: Prolog\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Die sieben Todsünden: I. Faulheit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Die sieben Todsünden: II. Stolz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Die sieben Todsünden: III. Zorn\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Die sieben Todsünden: IV. Völlerei\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Die sieben Todsünden: V. Unzucht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Die sieben Todsünden: VI. Habsucht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Die sieben Todsünden: VII. Neid\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Die sieben Todsünden: Epilog\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Lulu Suite: I. Rondo. Andante und Hymne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Lulu Suite: II. Ostinato. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Lulu Suite: III. Lied der Lulu. Comodo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Lulu Suite: IV. Variationen. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Lulu Suite: V. Adagio. Sostenuto lento grave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 2 in B-flat major, Op.83: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 2 in B-flat major, Op.83: II. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 2 in B-flat major, Op.83: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto No. 2 in B-flat major, Op.83: IV. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 1 in C minor, Op. 68: I. Un poco sostenuto - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 1 in C minor, Op. 68: II. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 1 in C minor, Op. 68: III. Un poco allegretto e grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 1 in C minor, Op. 68: I. Adagio - Più andante - Allegro non troppo, ma con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Tragic Overture, Op. 81\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 9 in D major: Andante comodo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 9 in D major: Rondo-Burleske: Allegro assai. Sehr trotzig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 9 in D major: Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 5 in B-flat major, op. 100: I. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 5 in B-flat major, op. 100: II. Allegro marcato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 5 in B-flat major, op. 100: III. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 5 in B-flat major, op. 100: IV. Allegro giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: The Montagues and the Capulets\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: Juliet the Young Girl\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: Masks\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: Romeo and Juliet\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: Tybalt's Death\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Romeo \u0026amp; Juliet, Excerpts from Suites Nos. 1 \u0026amp; 2, Op. 64: Romeo at Juliet's Grave\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Swan Lake: Act 3, No. 17 Entrance and Waltz of the Special Guests\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Swan Lake: Act 3, No. 1, No. 2 Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Eugene Onegin: Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e The Sleeping Beauty: Act 1, No. 7 Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Hamlet: Interlude Waltz\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e The Nutcracker: Act 1, No. 9 Waltz of the Snowflakes\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e The Nutcracker: Act 2, No. 13 Waltz of the Flowers\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e The Nutcracker: Act 2, No. 15 Final Waltz and Apotheosis\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Symphony Nr. 5, Op. 64: III. Valse (Allegro Moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Symphony Nr. 6, Op. 74 \"Pathétique\": II. Allegro con grazia\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Serenade for strings, Op. 48: II. Moderato (Tempo Di Valse)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: I. Allegro non troppo e molto maestoso - Allegro con spirito\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: II. Andantino semplice - Prestissimo - Tempo I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 1 in B-flat minor, op. 23: III. Allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Concert Fantasia in G major, op. 56: I. Quasi rondo. Andante mosso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Concert Fantasia in G major, op. 56: II. Contrastes. Andante cantabile - Molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 1 in C major, Op. 15: I. Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 1 in C major, Op. 15: II. Largo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 1 in C major, Op. 15: III. Rondo (Allegro scherzando)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto no. 23 in A major, K488: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto no. 23 in A major, K488: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto no. 23 in A major, K488: III. Allegro assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony No. 4 in E minor, Op. 98: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony No. 4 in E minor, Op. 98: II. Andante moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony No. 4 in E minor, Op. 98: III. Allegro giocoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony No. 4 in E minor, Op. 98: IV. Allegro energico e passionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Schicksalslied, Op. 54\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: I. Selig sind, die da Leid tragen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: II. Denn alles Fleish, es ist wie Gras\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: III. Herr, lehre doch mich\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: IV. Wie lieblich sind Deine Wohnungen, Herr Zebaoth\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: V. Ihr habt nun Traurigkeit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: VI. Denn wir haben hie keine bleibende Statt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Ein Deutsches Requiem nach Worten der Heiligen Schrift, Op. 45: Selig sind die Toten, die in dem Herren sterben\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: I. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: II. Adagio ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto in A minor, op. 53: III. Finale : Allegro giocoso, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Sonata for Violin and Piano in E minor, op. 82: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Sonata for Violin and Piano in E minor, op. 82: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Sonata for Violin and Piano in E minor, op. 82: III. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Adagio, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 1 in F minor, op. 73: Rondo - allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Concerto for Clarinet and Orchestra no. 2 in E flat major, op 74: Alla polacca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Grand Duo Concertant for Clarinet and Piano, op. 48: Allegro con fuego\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Grand Duo Concertant for Clarinet and Piano, op. 48: Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Grand Duo Concertant for Clarinet and Piano, op. 48: Rondo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto No. 21 in C major, K 467: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto No. 21 in C major, K 467: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto No. 21 in C major, K 467: III. Allegro vivace assai\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: I. Molto allegro con fuoco\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Concerto No. 1 in G minor, Op. 25: III. Presto - Molto allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Capriccio brilliant in B minor, Op. 22\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e War Requiem, op. 66: I. Requiem aeternam: Requiem aeternam Te decet hymnus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e War Requiem, op. 66: I. Requiem aeternam: What passing-bells for these who die as cattle? Kyrie eleison\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Dies irae, dies illa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Bugles sang, saddening the evening air\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Liber scriptus profertur\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Out there, we've walked quite friendly up to Death\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Recordae, Jesu pie\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Be slowly lifted up\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Dies irae, dies illa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Lacrimosa dies illa\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e War Requiem, op. 66: II. Dies irae: Move him into the sun, Pie Jesu, Domine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e War Requiem, op. 66: III. Offertorium: Domine Jesu Christe Sed signifer scantus Michael\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e War Requiem, op. 66: III. Offertorium: So Abram rose, Hostais et preces tibi, Quam olim Abrahae promisisti\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e War Requiem, op. 66: IV. Sanctus: Sanctus, sanctus, sanctus. Pleni sunt coeli et terra. Benedictus\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e War Requiem, op. 66: IV. Sanctus: After the blast of lightening from the East\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e War Requiem, op. 66: V. Agnus dei: One ever hangs where shelled roads part\/Agnus dei Agnus Dei\/Dona nobis pacem\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e War Requiem, op. 66: VI. Libera me: Libera me, Domine\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e War Requiem, op. 66: VI. Libera me: It seemed that out of the battle I escaped\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e War Requiem, op. 66: VI. Libera me: Let us sleep now\/ In paradisum\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Flight of the Bumble Bee (From the opera The Tale of Tsar Saltan)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Scheherazade. Symphonic Suite, op. 35: I. The Sea and Sindbad’s Ship\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Scheherazade. Symphonic Suite, op. 35: II. The Story of the Kalandar Prince\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Scheherazade. Symphonic Suite, op. 35: III. The Young Prince and Princess\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Scheherazade. Symphonic Suite, op. 35: IV. Festival in Baghdad - The Sea - The ship breaks up against a cliff surmounted by a bronze horseman - Conclusion\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Capriccio espagnol, op. 34: I. Alborada\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Capriccio espagnol, op. 34: II. Variazioni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Capriccio espagnol, op. 34: III. Alborada\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Capriccio espagnol, op. 34: IV. Scena e canto gitano\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Capriccio espagnol, op. 34: V. Fandango Asturiano\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 3 in D major, D200: I. Adagio maestoso – Allegro con brio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 3 in D major, D200: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 3 in D major, D200: III. Menuetto: Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 3 in D major, D200: IV. Presto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Fantasy in C major, D760 “Wanderer-Fantasie”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Symphony no. 8 in B minor, D759 “Unfinished”: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Symphony no. 8 in B minor, D759 “Unfinished”: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Symphony no. 7 \"Leningrad\": Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Symphony no. 7 \"Leningrad\": Moderato (Poco allegretto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Symphony no. 7 \"Leningrad\": Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Symphony no. 7 \"Leningrad\": Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Don Juan, Op. 20\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Tod und Verklärung, Op. 24\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Vier Letzte Lieder, op. 150: Frühling\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Vier Letzte Lieder, op. 150: September\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Vier Letzte Lieder, op. 150: Beim Schlafengehen\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Vier Letzte Lieder, op. 150: Im Abendrot\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e I Got Plenty O' Nuttin'\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Summertime (I)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Summertime (II)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e It Ain't Necessarily So\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Rhapsody in Blue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Rialto Ripples (Rag)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Impromptu in Two Keys\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Merry Andrew\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Three-Quarter Blues\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Promenade\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e \"I Got Rhythm\" Variations\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Sleepless night (Kay Swift version, 1946)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Novelette in Fourths\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Rubato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Prelude I\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Blue Lullaby\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Spanish Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato (cadenza: Ludwig van Beethoven)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Piano Concerto no. 4 in G major, op. 58: II. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Piano Concerto no. 4 in G major, op. 58: III. Rondo. Vivace (cadenza: Ludwig van Beethoven)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Piano Sonata no. 30 in E major, op. 109: II. Prestissimo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Piano Sonata no. 30 in E major, op. 109: III. Gesangvoll, mit innigster Empfindung. Andante molto cantabile ed espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile molto espressivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo - Fuga. Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Violin Concerto no. 1 in G minor op. 26: I. Vorspiel : Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Violin Concerto no. 1 in G minor op. 26: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Violin Concerto no. 1 in G minor op. 26: III. Finale : Allegro energico\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Violin Concerto in D op. 77: I. Allegro non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Violin Concerto in D op. 77: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Violin Concerto in D op. 77: III. Allegro giocoso, ma non troppo vivace\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 22 549 18 00\u003c\/p\u003e","brand":"Kurt Masur","offers":[{"title":"Default Title","offer_id":54057422225748,"sku":"103100","price":659.99,"currency_code":"PLN","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0726\/5632\/2900\/files\/mbid-8e88a550-fe05-47d7-8992-fd978fbc1712-33855321900_thumb500.jpg?v=1774866518","url":"https:\/\/klubplytowy.pl\/products\/kurt-masur-complete-warner-classics-edition-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}