{"product_id":"gerard-causse-the-viola-legend-70th-anniversary-edition-cd","title":"The Viola Legend - 70Th Anniversary Edition CD","description":"\u003cp\u003e\u003cstrong\u003eTracklista:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul style=\"list-style-type: none; padding-left: 0;\"\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: I. Allegro maestoso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: II. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Sinfonia concertante for Violin and Viola in E‐flat major, K. 364: III. Presto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Harold en Italie, H. 68: I. Harold aux montagnes (Scènes de mélancolie, de bonheur et de joie)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Harold en Italie, H 68: II. Marche des pèlerins chantant la prière du soir\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Harold en Italie, H. 68: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Harold en Italie, H. 68: IV. Orgie de brigands (Souvenirs des scènes précédentes)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: I. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: II. Menuetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Trio for Clarinet, Viola and Piano in E‐flat major, K. 498 “Kegelstatt”: III. Rondeau. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: III. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: IV. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: V. Menuetto. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Divertimento for String Trio in E‐flat major, K. 563: VI. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Suite in G minor, HWV 432: VI. Passacaglia (Arr. Halvorsen)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Harold en Italie, S. 472: I. Harold aux montagnes. Adagio - Allegro ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Harold en Italie, S. 472: II. Marche des Pèlerins. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Harold en Italie, S. 472: III. Sérénade d’un montagnard des Abruzzes à sa maîtresse. Allegro assai - Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Harold en Italie, S. 472: IV. Orgie de brigands. Souvenirs des scènes précédentes. Allegro frenetico\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Romance oubliée, S. 132a\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Viola Sonata in E‐flat major, op. 5 no. 3: I. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Viola Sonata in E‐flat major, op. 5 no. 3: II. Adagio cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Viola Sonata in E‐flat major, op. 5 no. 3: III. Rondo con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Concerto for Clarinet and Viola in E minor, op. 88: I. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Concerto for Clarinet and Viola in E minor, op. 88: II. Allegro moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Concerto for Clarinet and Viola in E minor, op. 88: III. Allegro molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 1, Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 2, Allegro con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 3, Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 4, Allegro agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 5, Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 6, Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 7, Allegro vivace, ma non troppo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 8 Pieces for Clarinet, Viola and Piano, op. 83: No. 8, Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Romanze, op. 85\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Legenden, op. 62: I. Andantino\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Legenden, op. 62: II. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Legenden, op. 62: III. Andante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Viola Concerto in D major: I. Allegro (Cadenza by Beyer)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Viola Concerto in D major: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Viola Concerto in D major: III. Rondo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Fantasy for viola and orchestra (reconstruction Fernand Oubradous)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Viola Concerto in C major: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Viola Concerto in C major: II Romanze. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Viola Concerto in C major: III. Rondo. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Andante e rondo ongarese, op. 35: I. Andante (revised Georg Schünemann)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Andante e rondo ongarese, op. 35: II. Rondo ungarese (revised Georg Schünemann)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Duo for Violin and Viola no. 1 in G major, K. 423: I. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Duo for Violin and Viola no. 1 in G major, K. 423: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Duo for Violin and Viola no. 1 in G major, K. 423: III. Rondeau. Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Trauermusik: I. Langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Trauermusik: II. Ruhig bewegt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Trauermusik: III. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Trauermusik: IV. Choral “Für deinen Thron tret ich hiermit”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Viola Sonata, op. 25 no. 1: I. Breit\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Viola Sonata, op. 25 no. 1: II. Sehr frisch und straff\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Viola Sonata, op. 25 no. 1: III. Sehr langsam\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Viola Sonata, op. 25 no. 1: IV. Rasendes Zeitmass - Wild - Tonschönheit ist Nebensache\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Viola Sonata, op. 25 no. 1: V. Langsam, mit viel Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Der Schwanendreher: I. “Zwischen Berg und tiefen Tal”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Der Schwanendreher: II. “Nun laube, Lindlein, laube!”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Der Schwanendreher: III. Variationen “Seid ihr nicht der Schwanendreher”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (a) Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Duo for Violin and Viola no. 2 in B‐flat major, K. 424: I. (b) Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Duo for Violin and Viola no. 2 in B‐flat major, K. 424: II. Andante cantabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Duo for Violin and Viola no. 2 in B‐flat major, K. 424: III. Andante grazioso. Tema con variazioni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Viola Sonata no. 1 in F minor, op. 120 no. 1: I. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Viola Sonata no. 1 in F minor, op. 120 no. 1: II. Andante un poco adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Viola Sonata no. 1 in F minor, op. 120 no. 1: III. Allegretto grazioso\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Viola Sonata no. 1 in F minor, op. 120 no. 1: IV. Vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: I. Allegro amabile\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: II. Allegro appassionato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Viola Sonata no. 2 in E‐flat major, op. 120 no. 2: III. Andante con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e 2 Gesänge, op. 91: I. Gestillte Sehnsucht\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e 2 Gesänge, op. 91: II. Geistliches Wiegenlied\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Arpeggione Sonata in A minor, D. 821: I. Allegro moderato (Version for Viola and Piano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Arpeggione Sonata in A minor, D. 821: II. Adagio (Version for Viola and Piano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Arpeggione Sonata in A minor, D. 821: III. Allegretto (Version for Viola and Piano)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Notturno in D major, op. 42: I. Marcia - Allegro\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Notturno in D major, op. 42: II. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Notturno in D major, op. 42: III. Menuetto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Notturno in D major, op. 42: IV. Adagio\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Notturno in D major, op. 42: V. Allegretto alla polacca\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Notturno in D major, op. 42: VI. Tema con variazioni\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e 3 Fantasiestücke for Viola and Piano, op. 43: I. Romanze\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 3 Fantasiestücke for Viola and Piano, op. 43: II. Allegro molto agitato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e 3 Fantasiestücke for Viola and Piano, op. 43: III. Jahrmarkt‐Szene - eine Humoreske\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Märchenbilder, op. 113: I. Nicht schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Märchenbilder, op. 113: II. Lebhaft\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Märchenbilder, op. 113: III. Rasch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Märchenbilder, op. 113: IV. Langsam, mit melancholischem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e String Quintet no. 1 in A major, op. 18, MWV R21: I. Allegro con moto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e String Quintet no. 1 in A major, op. 18, MWV R21: II. Intermezzo. Andante sostenuto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e String Quintet no. 1 in A major, op. 18, MWV R21: III. Scherzo. Allegro di molto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e String Quintet no. 1 in A major, op. 18, MWV R21: IV. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e String Quintet no. 2 in B‐flat major, op. 87, MWV R33: I. Allegro vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e String Quintet no. 2 in B‐flat major, op. 87, MWV R33: II. Andante scherzando\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e String Quintet no. 2 in B‐flat major, op. 87, MWV R33: III. Adagio e lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e String Quintet no. 2 in B‐flat major, op. 87, MWV R33: IV. Allegro molto vivace\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Märchenerzählungen, op. 132: I. Lebhaft, nicht zu schnell\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Märchenerzählungen, op. 132: II. Lebhaft und sehr markiert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Märchenerzählungen, op. 132: III. Ruhiges Tempo, mit zartem Ausdruck\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Märchenerzählungen, op. 132: IV. Lebhaft, sehr markiert\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e “Pour écrire un seul vers, il faut avoir vu beaucoup de villes, d’hommes et de choses … “\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: V. Menuets I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Cello Suite no. 1 in G major, BWV 1007: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Christoph Rilke “Chevaucher, chevaucher, chevaucher, le jour, la nuit, le jour”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: V. Bourrées I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Cello Suite no. 3 in C major, BWV 1009: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Le Garçon “Je voudrais devenir un de ceux‐là … “\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Le Carrousel (Jardin du Luxembourg) “Avec un toit que suit son ombre … “\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: V. Gavottes I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e22.\u003c\/strong\u003e Cello Suite no. 6 in D major, BWV 1012: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Heure grave “Quiconque pleure à présent quelque part dans le monde … “\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: V. Menuets I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Cello Suite no. 2 in D minor, BWV 1008: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Le Livre de la pauvreté et de la mort “Seigneur, donne à chacun sa propre mort … “\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e13.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: V. Bourrées I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e14.\u003c\/strong\u003e Cello Suite no. 4 in E‐flat major, BWV 1010: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e15.\u003c\/strong\u003e Neuvième Élégie “Terre, n’est‐ce pas ce que tu veux - invisible en nous, renaître ?”\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e16.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: I. Prelude\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e17.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: II. Allemande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e18.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: III. Courante\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e19.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: IV. Sarabande\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e20.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: V. Gavottes I \u0026amp; II\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e21.\u003c\/strong\u003e Cello Suite no. 5 in C minor, BWV 1011: VI. Gigue\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Suite for Viola and Orchestra: I. Lento - Meno lento - Animato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e Suite for Viola and Orchestra: II. Allegro ironico\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Suite for Viola and Orchestra: III. Lento\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e Suite for Viola and Orchestra: IV. Molto vivo\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e Suite Hébraïque: I. Rapsodie (Andante moderato)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Suite Hébraïque: II. Processional (Andante con moto)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Suite Hébraïque: III. Affirmation (Maestoso)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e 5 Schilflieder, op. 28: I. Langsam, träumerisch\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e9.\u003c\/strong\u003e 5 Schilflieder, op. 28: II. Leidenschaftlich erregt\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e10.\u003c\/strong\u003e 5 Schilflieder, op. 28: III. Zart, in ruhiger Bewegung\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e11.\u003c\/strong\u003e 5 Schilflieder, op. 28: IV. Feurig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e12.\u003c\/strong\u003e 5 Schilflieder, op. 28: V. Sehr ruhig\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e1.\u003c\/strong\u003e Elegia, op. 44\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e2.\u003c\/strong\u003e 6 Pieces, op. 19: IV. Nocturne\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e3.\u003c\/strong\u003e Souvenir d’un lieu cher, op. 42\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e4.\u003c\/strong\u003e 6 Pieces, op. 51: VI. Valse sentimentale\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e5.\u003c\/strong\u003e 14 Romances, op. 34: XIV. Vocalise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6.\u003c\/strong\u003e Viola Sonata in C major, op. 147: I. Moderato\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e7.\u003c\/strong\u003e Viola Sonata in C major, op. 147: II. Allegretto\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e8.\u003c\/strong\u003e Viola Sonata in C major, op. 147: III. Adagio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cp\u003e\u003cstrong\u003eProducent odpowiedzialny:\u003c\/strong\u003e\u003cbr\u003e\nNazwa: Warner Music Poland Sp. z o.o.\u003cbr\u003e\nKraj: Polska\u003cbr\u003e\nAdres: PL, 02-823 Warszawa\u003cbr\u003e\nEmail: kontakt@warnermusic.pl\u003cbr\u003e\nNumer telefonu: 22 549 18 00\u003c\/p\u003e","brand":"Gerard Causse","offers":[{"title":"Default Title","offer_id":54022127321428,"sku":"101001","price":149.99,"currency_code":"PLN","in_stock":false}],"url":"https:\/\/klubplytowy.pl\/products\/gerard-causse-the-viola-legend-70th-anniversary-edition-cd","provider":"Klub Płytowy","version":"1.0","type":"link"}